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Building 'Crayon' - An Artist-Focused Color Grading Boutique
Colorist Daniel Stonehouse shares why a successful grading career requires more than a great reel and how he helps creatives collaborate.
Which AI Transcription Service is the Most Accurate?
Which AI transcription service is the most accurate when dealing with a bad audio recording? We put six of the best to the test to find out.
Deinterlacing & Upscaling NTSC Archives To 4K Deliverables
Learn how to use Resolve to deinterlace and upscale NTSC footage to 4K while preserving the original quality of your archive materials.
Restoring Archival Interlaced Masters For 4K Delivery & Posterity
Colorist Daria Fissoun shares a project she remastered to 4K. In Part 1 of this series, learn her project setup to prep the archival master.
Pat’s DaVinci Fixed Node Tree (2024 Edition) - Color Grading 101
Patrick shares how he's designed his fixed node tree, plus outboard hardware and software optimizing color grading speed and efficiency.
A Philosopher Pilot Talks Video Monitors & Christmas Decorations
Flanders Scientific CEO Bram Desmet chats philosophy, color, reference displays, symbolic logic, and Jingle Bells(?) with The Color Timer.
Alternate Uses For Shared Nodes in DaVinci Resolve
Learn how to unlock the utility of Shared Nodes by minimizing the need to switch between the clip-level and timeline-level node graphs.
Automatic Naming Using Metadata Variables in DaVinci Resolve
Luke Ross explores DaVinci Resolve's 'Metadata Variables'. Learn how to generate still, burn-in, and render setting names - automagically.
Color Grading 101 - Defeating the Tyranny Of The First Move
Is color grading mystifying because you have trouble getting similar results as the pros? Reboot your confidence with this new series.
Accelerated Workflows with Resolve’s Remote And Local Grades
Learn how to speed up your color grading workflow using DaVinci Resolve's under-utilized Local and Remote Grades functionality.
What's The Role of VFX Colorist? With Christian Ganea Reitmeier
What does a VFX Colorist do? Christian Ganea shares his views and workflows on some of Hollywood's biggest movies & shows at DNEG.
Do You Need Free, Fast, & Accurate Transcription? MacWhisper.
Do you need free, accurate, and quick audio transcription for captions, paper edits, or documentary scripting? Learn to use MacWhisper!
Film Print Emulation: Dehancer Pro v7 Review - Part 2
In our Dehancer Pro v7 Part 2 review, colorist Peder Morgenthaler digs into its 'dehancing' tools: Grain, Halation, Bloom, Weave, and more.
15 minutes with Color Scientist Matthew Tomlinson
The Color Timer podcast discovers what a color scientist actually does, why they are a colorist's best friend and how to shepherd a show look.
Tips for matching an imported timeline in DaVinci Resolve
Get tips for solving common - but challenging - mistakes when conforming an offline reference, including eye-matching variable speed changes.
Ideas For Using The Resolve 18.5 Relight Effect
Joey D'Anna shows how to integrate the Relight ResolveFX plugin into fixed node trees to maximize its usefulness, capability, and performance.
Part 2 - Color Grading and Finishing 'Avatar: The Way of Water'
In Part 2 we dive into Tashi's color management pipeline, Resolve project setup, and the kind of color work he did on this VFX-heavy film.
Color Grading 'Avatar: The Way of Water'Â With Colorist Tashi Trieu
Get a detailed look at Colorist Tashi Trieu's work color grading 'Avatar: The Way of Water'. His background, gear, workflow & deliverables.
5 Ways To Start Editing A Scene - And Then Finish Strong
Editor Jonny Elwyn shares five tested methods for starting from a blank timeline, even with overwhelming footage, while keeping things tight.
Deep Dive: DaVinci Resolve Cloud Remote Collaboration
In Part 2 of our series, learn the many features (and tips/trick) of Davinci Resolve 18's cloud-based Collaborative Workflow
What Type of Dailies Is Right For Your Production?
Creating dailies seems simple - but professionals break them down into several varietals. In this Insight, you'll learn the key differences!
How To Manage Versions for VFX & Graphics in DaVinci Resolve
If you have many graphics or visual effects shots that might be replaced at the last minute, learn the value of Resolve's 'Take Selector'.
Advanced Optical Flow Techniques For Image Repair
Learn to use optical flow for more than speed changes. In this Insight, fix a corrupt frame and repair archival footage pull-down artifacts.
Intro to Resolve's Collaborative Workflow - LucidLink and Proxies
Get started with DaVinci Resolve 18's Cloud-based Collaboration workflow. In Part 1, begin sharing media and projects with a remote team.
Remote Media Sharing & Collaboration - Featuring Hedge's Postlab
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Managing Timelines For Efficient Grading Operations In Baselight
In Baselight Student, learn how to copy and paste grades to shots & scenes, including the ‘intelligent paste’ & using the Playback Filter.
Using Compound Clips For Dolby Vision Revisions & IMF Delivery
Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.
An Introduction To Versioning Efficiently Using Compound Timelines
Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.
Using Parsec and VirtualHere For Remote, Secure Color Grading Sessions
Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.
Moving timelines into DaVinci Resolve Using EDLs - More Tips and Tricks
50 years later, the simple EDL is still useful for sharing timelines! Get more tips and tricks on integrating EDLs in colour managed projects.
Color Management For Preconformed Workflows With EDL Clip Names
Using Resolve's Edit Index and EDL comments, you can prepare a preconformed timeline for color management much easier than you think.
Joey’s Custom Workshop - Two Useful Scripts And A Fusion Effect
Colorist Joey D’Anna shares with you new custom tools for batch rendering, automatic backups, and a 3D motion control template.
Behind The Curtain - Building a HDR Ready Show Look
In this Insight Dan (well known for his gritty looks) tries to bring a bit of that style to a cleaner, HDR ready show look created in Baselight
Custom ACES: SDR To HDR - Part 1
In this Insight, Colorist Joey D’Anna shows you how to move an SDR grade into HDR using a Custom ACES fixed node structure.
Color Page Tools You Might Have Forgotten About Or Didn't Know
In an application as deep as Resolve its easy to forget about a feature or not even know one was there! In this Insight, Robbie Carman explores some of these
Coloring Reality: How To Color Grade 1700 Shots In Two Days
Coloring Reality TV can be a huge undertaking. However, if you organize and prepare, you'll deliver a high-quality show on time.
The Key Panel: A Basic Tool That Does More Than You Think
In this Insight, Joey D'Anna shows you the 3 different toolsets inside the DaVinci Resolve Key Panel, and how they change for different nodes.
Joey’s Custom Workshop - Fusion Templates
In his latest Custom Workshop, Colorist Joey D'Anna gives you 3 useful custom Fusion templates for use on DaVinci Resolve's edit page
Using A Blackmagic Color Panel Remotely - Resolve 17 Solves A Problem
Learn how to use Resolve 17's new remote panel capabilities for remote color grading that is secure, interactive, and color accurate.
Better Streaming Sessions Part 2: Macros and Stream Decks
In Part 2 of his series, Joey shows you how to take remote color sessions to the next level by adding macros & remote control to your ATEM switcher setup
Diving Deeper Into The Colourlab AI Ecosystem - Part 2
In part two of this series, we explore fixed node structure workflows with ColourLab AI as well as two OFX plugins that are a part of the ColourLab AI ecosystem.
Creating Reusable Custom Transition Presets In Fusion
Learn to use DaVinci Resolve's Fusion page to build custom, reusable transitions to work inside a node based ACES pipeline.
Computer-Assisted Shot Matching with Colourlab AI - Part 1
In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.
Good Grades: Color Grading at NFL Films with Chris Pepperman
In this installment of Good Grades we sit down with Sr. Managing Colorist at NFL Films, Chris Pepperman.
Getting Up To Speed On Resolve 17's New Proxy Workflow
Get up to speed on Resolve 17's new proxy workflow for lightning fast editing and grading performance when working remotely.
Color Warper 101 Part 3: Creating Looks (Plus A Grading Challenge)
In the finale of the series, colorist Peder Morgenthaler puts what we've learned into action creative 3 looks with the Color Warper.
Look Development Part 3: Sweetening The Color Palette
In the last installment of his series on the essentials of look development, Cullen Kelly guides you through the concept of preferential color mapping.
Color Warper 101 Part 2: Managing Points & Pins + Chroma-Luma Panel
In part 2 of his series, Peder Morgenthaler dives deeper into the controls in DaVinci Resolve's Color Warper.
Color Management The 'Right' Way?
In this episode, we discuss if project-wide or more custom approaches to color management are the 'right' way to do things.
Look Development Part 2: Dialing In The Contrast Curve
In Part 2 of his series, Cullen Kelly takes a look at dialing in the contrast curve for a look with the new HDR Zone tool in Davinci Resolve 17.
How To Set Up and Deliver Dolby ATMOS in Resolve 17
In this Insight, learn how to setup, monitor, edit and deliver Dolby Atmos immersive audio in DaVinci Resolve 17
A Beginners Journey Using Instagram For Marketing & Brand Awareness
In this Insight follow Robbie's start into using Instagram for marketing, sales & brand awareness of his color correction buisness.
Custom ACES Part 4: Updating For Resolve 17
Watch colorist Joey D'Anna update his custom ACES workflow to better use the new HDR tool in Resolve 17, and use DaVinci Wide Gamut colorspace
Good Grades: Talking Color & Suite Design With Shawn King
We welcome new contributor Jason Druss to Team Mixing Light as he kicks off his new 'Good Grades' series talking to top colorists. First up Shawn King
Getting To Know SetStream.io: A Chat With Thatcher Kelley
SetStream.io is a powerful new remote streaming tool. In this Insight, we sit down to chat with Thatcher Kelley to learn more about SetStream.io
Look Development: Part 1
Learn how to establish good color management and clear definitions for your look development workflow.
Help Matching These Shots, Please!
A member asked for some advice on matching two shots that had distinctly different looks. In this Mailbag, we discuss strategies for matching these shots.
The DaVinci Resolve Speed Editor On The Color, Edit, And Cut Pages
The new DaVinci Resolve Speed Editor is a fantastic controller. Learn how to use it for color grading, online editing and multicam workflows,
Webinar: End Titles Made Easy Using Endcrawl.com
Learn how to painlessly create end titles, how they can go wrong, and the new Endcrawl.com interface allowing for custom looks and layouts.
Resolve 17 Big Little Features Part 2 – The Edit Page
Small features can make a huge difference to your workflow! Learn new edit page features to speed up and improve your workflow in Resolve 17.
Color Correction Gear Head: The Stocking Stuffer Edition (November 2020)
With the holidays nearly upon us, in this installment of Color Correction Gear head discover several 'stocking stuffer' pieces of gear to add to your list!
Resolve 17: First Impressions And Favorite Features
Resolve 17 Public Beta is here and it is a huge release! Colorist Joey D'Anna points you to his favorite new features, updates, improvements.
Mailbag Live & Revisiting Why Does It Look Different On Export?
Team Mixing Light announces an upcoming new website feature & the Team revisits the issue of exports looking 'wrong'.
Advanced Avid Round-tripping: Relinking Resolve Renders In Avid Without Losing Avid Effects
Learn an advanced workflow for round-tripping between Avid and Resolve, while maintaining effects and online work done inside Avid.
Moving Bits and Bytes - Facility Networking Made Easier
Learn to use VLANs, link aggregation and more to manage high performance networks for post production, using Ubiquiti products.
Node Tree Compositing: Building A Green Screen Shot In One Node Tree
In this Insight, Joey D'Anna shows you how he uses the DaVinci Resolve color page node tree to build great looking green screen composites.
Working With Reference Images Part 3: Building The Look
Cullen shows how to put the analysis of reference images + analysis of shots on the timeline together to create a cohesive, matching look.
Combining Group Grades With Shared Nodes While Avoiding The Pitfalls
In Part 2 of this advanced workflow series, learn how you can use Shared Nodes inside Group Grades for quick & easy revisions down the road.
Combining Shared Nodes and Group Grades in DaVinci Resolve
Applying the one color grade to multiple shots is easier with Resolve's Groups or with Shared nodes. Learn how to combine the two approaches.
Better Blurring In Davinci Resolve: Part 1
In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page
Working With Reference Images: Part 1
In part 1 of a new series, learn the essentials of how to interpret and read references for contrast, tonality, and other key factors.
Advanced Keyframe Editing in Fusion
Learn powerful keyframe editing techniques in DaVinci Resolve's Fusion page, using the built-in spline and keyframe editors.
ACES 201 - Node-based Grading, Sharing Looks to On-Set and VFX
In this webinar, learn an alternative approach to color grading ACES projects in DaVinci Resolve plus collaborating with others in ACES.
The 10-Minute Grade: Shot Balancing
In this installment of The 10-Minute Grade, Cullen Kelly walks you thru a few different techniques to quickly get shots balanced when time is of the essence
Color & Finishing In A Global Pandemic
In this From The Mailbag, we discuss the current and the possible future of work from home & remote workflows + concerns that we might not be consindering.
Baselight Start to Finish – Project Creation & Conform
Everything you need to know from project creation to starting your grade including, colour management, project management & Scene Detection
Custom ACES Part 2: Grading Custom ACES With Fixed Node Structures
Learn how to build a powerful fixed node structure in DaVinci Resolve to work within a valid ACES pipeline, without normal limitations.
The 10-Minute Grade: Global Contrast
In the first installment of a new series, Cullen Kelly shares his strategies for quickly getting a grade on its feet by creating global contrast
HDR Essentials: Vocabulary & Workflow Webinar
In this Mixing Light Webinar replay, join Mixing Light co-founder Robbie Carman as he explores HDR essentials, including vocabuarly & workflow
Three Strategies for Increasing Color Separation in DaVinci Resolve
Do your images need to look more colorful? In this Insight, learn 3 color separation tools for increasing perceptual colorfulness.
Take A Deep Dive Into Premiere's New Production Workflow
Premiere Pro's new Productions workflow is a massive boost to Premiere's capabilities and reliability. Forged by Hollywood, see how it works.
Revisiting Streambox Realtime Sessions - Part 1
In the remote, work from home reality that find ourselves in, how can you deliver color accurate real-time streams to clients? Learn how in this Insight.
Resolve Remote Workflow: Hawaii To LA & Back
In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.
Taking A Look At Screen - A Modern Video Player For The Mac
In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.
Integrating Resolve's 'CST' Plugin with Fixed Node Trees
Learn how a pro colorist is integrating the Resolve 'color space transform' plugin into his fixed node tree to get better results, faster.
Revisiting Noise Reduction Part 2 - Digging Into Neat Video 5
Neat Video 5.1 is a powerful complement to DaVinci Resolve Studio's native noise reduction toolset. Get a close-uo look at Neat's workflow.
Revisiting RCM, ACES & CST Workflow
In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows
The Color Mangled Workflow: Modifying Look-Up Tables For Better Results
Do you struggle getting a good starting point while using Look-Up Tables (LUTs)? This idea may make things easier (in Davinci Resolve).
Color Grading In Spectachrome Part 2 - Working With The Fuji XT-3
Working with new cameras is always a challenge. Get an inside look at what Dan does when working with the Fuji XT-3 camera
Color Correction Gear Head: January 2020 Edition
In this installment of Color Correction Gear Head, Robbie shares some essential items that went into the building of his new facility.
Color Grading 'Origins' In Baselight - Project Overview
In this new series, Dan's grading the short film 'Origins' (using Baselight). It's got VFX, ACES, multiple deliverables (and light sabers).
Inside Pat's Color Grading Head - The Evolution of His Fixed Node Tree
Learn the benefits of a 'fixed node tree' in DaVinci Resolve. Get a look inside one colorist's node tree - and how it evolved over time.
Emulating Film Halation in DaVinci Resolve
Learn two different methods (with different levels of control) of emualting the beauty of film halation using DaVinci Resolve.
Looking Back On The Past Decade & Forward To The Next One
In this episode, we discuss the past decade and speculate on the next 10 years in the world of color grading.
Is the Disney + Series 'The Mandalorian' Fake HDR?
In this installment of From The Mailbag, we tackle a hot topic from the world of color grading this past week - is there such as thing as FAKE HDR?
Creating Supplemental IMF Packages in DaVinci Resolve
What is an IMF package? How doyou use DaVinci Resolve to create supplemental IMFs for delivering fixes and alternate versions?
What's Up With Supplemental IMFs?
In this installment of From the MailBag, we're once again joined by Mixing Light contributor Joey D'Anna who gives us the skinny on supplemental IMF packages for delivery to broadcasters and OTT providers.
How to Set Up Premiere Pro for Quick Color Grading Sessions
Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.
Are You Punching Below Your Weight? Is There Anything To Be Done?
In this episode of From The Mailbag we discuss a member's email about how he feels he should be landing bigger projects but isn't.
Am I ready for client supervised color grading sessions?
A Mixing Light member has color graded for an internal team for years. But how does he know if he's ready for outside client color sessions?
Broadcast Promo Finishing Workflows in DaVinci Resolve
Learn how to use DaVinci Resolve to finish and output coutless versions of broadcast promos, easy fast and without any mistakes.
Don't Hate: Tips For Not Resenting Projects Or Clients
In this Insight learn several strategies for not resenting projects and clients & getting totally burned out.
Accurate Monitoring in Premiere - HDR and Apple displayP3 Colorspace
Learn how to set up Adobe Premiere Pro for HDR workflows and to make Apple Retina's displayP3 monitors 'accurate' for web-based deliverables.
A DCP Problem & A Refresh On Troubleshooting
Team Mixing Light tackles two problems creating a DCP. We also discuss proper troubleshooting techniques for any post production problem.
$5000 For A Monitor. What Should I Get?
We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Advanced vs. Mini Control Surface - Should I Sell The Advanced Panel?
Team Mixing Light discusses the Resolve Advanced Panel, compares it to the less costly Mini, and asks if the larger panel is worth keeping?
Updating A Color Grading Suite - 2 Years Later
Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.
ACES in Action Part 2 - Breaking Down the Imaging Pipeline
In Part 2 of this Series, learn the details of an indie film navigating ACES between DaVinci Resolve, Premiere Pro, and After Effects.
Simplifying DCP Drive Delivery With Cinematiq's DCP Transfer
Learn about Cinematiq's DCP Transfer application for streamlining EXT2 DCP driver deliveries - without having to jump in the Terminal!
ACES Color Correction in Action: An Indie Case Study Part 1
The ACES color management workflow is a key technology for major Hollywood productions. Learn how an Indie film implemented ACES.
Working On The Road - Taking Vacation As A Freelance Colourist
Working as a freelance colorist seems like freedom and flexibility. But what do you do on vacation - and the client has urgent revisions?
How Do You Finish at the Highest Possible Quality in Premiere Pro CC?
Premiere Pro has strict, but hidden, color management. Learn how to setup the software and hardware for proper color management & finishing.
Our Initial Thoughts On The Apple Pro Display XDR - Is It Truly XDR?
The XDR looks like an impressive display from Apple but - is it a reference monitor? It sure is priced like one!
Introduction to Tracking Tools and Techniques in Resolve Fusion
Learn how to set up and use Resolve Fusion's point- and planar- trackers. You'll deal with occlusions and see a powerful tracking technique.
Our Initial Thoughts On The 2019 Apple Mac Pro Announcement
At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.
Is DaVinci Resolve 16 Public Beta Now Ready For You To Upgrade?
DaVinci Resolve 16 is very exciting. But it's currently in 'Public Beta'. What does that mean? Can you update to it safely?
The Game Of Thrones 'Too Dark' Kerfuffle
We take a look at Game Of Thrones Season 8, Episode 3 and ask, as creative professionals, was it too dark and where did it go wrong?
What to do if your client doesn't trust any of your reference displays?
Team Mixing Light tackles a member's question on how to handle a DP who doesn't trust any monitor in a facility?
You Failed...Now What?
Failure is a part of any business, but how you process and recover from failure can make a big difference on how you succeed next time.
PixelTools Review: Is There Magical Pixie Dust in These PowerGrades?
A video review of how PixelTools uses the native tools in Davici Resolve to construct custom looks and utilities with PowerGrades.
Clients Unhappy With Your Downstream SDR Tone Mapped Color Grade?
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
My Favorite New Color Feature in Resolve 16: The Adjustment Clip
Resolve 16 adds hundreds of features, including powerful new adjustment clips. Learn how to use them streamline your grading workflow.
Grading With Fusion: Connecting The Fusion and Color Pages
Take your color grading work to the next level in DaVinci Resolve. Learn how to use mattes generated in the Fusion page on the color page.
New Dolby Vision Training & Looking Forward to NAB 2019
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
Troubleshooting 101 – Color Compressor & Node Resizing
Dan shares his breakdown of cleaning up a bike frame using the color compressor and node resizing in Resolve
Understanding The Future Of Color Grading - HDR and 'Presence'
In Part 3 of this series, you learn about the evolution of digital video from Standard- to High- Dynamic Range. Why is it here to stay?
Troubleshooting 101 - Cleaning Up An Annoying Background
Dan shares his thoughts behind his solution to removing a reflection using Resolve's Color Page - on a 16mm shot with moving grain structure.
What Project Type Should I Use to Edit and Color Correct in Premiere Pro?
Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?
Troubleshooting 101 - Resolve Color Management
Troubleshoot an interesting problem for a more in-depth understanding how Resolve Color Management (RCM) works.
Look Inspiration - Emulating VHS Camcorder Footage
What's harder than faking a VHS-look from a high-end camera? Intercutting that look with actual crummy VHS. Learn one way to do it.
Colorist Inspiration January 2019 - Most Memorable Jobs of 2018
Every year Dan looks back at the previous year and shares his greatest successes. This year, he focuses on his most memorable jobs.
Using DCTLs And Expanding Resolve's Functionality
Do you perform repetitive tasks on a regular basis when color correcting or finishing? Then learn how to use DCTLs to automate those tasks!
How To Avoid Two Gotchas In The Lumetri Workflow
Learn how to avoid two problems when color correcting using Premerie Pro's Lumetri workflow. It's all about recovering clipped detail.
Beyond Crypto-Kitties - Blockchain technology in post production
Maybe you've heard of blockchain? Learn how this new technology is going to impact the post production industry (and what's holding it back).
Behind The Curtain - 16mm Style Grade Part Four
Dan wraps up his behind the curtain series with a watch through and matching pass on the whole video to make sure it flows as a whole film
What Is A CDL And When Do You Use It?
Take an introductory look at the Color Decision List (CDL) and learn about the strengths and weaknesses of an ASC-CDL based workflow.
Revisiting Using A Single Large Format Monitor
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
The Benefits Of Fixed Node Structures in DaVinci Resolve - Part 2
In Part 1 you learned how to build a Fixed Node Structure in Resolve's node tree when color grading. Now learn its huge time-saving benefits.
Behind The Curtain - Not So Near-Set Grading
Dan shares his story from a recent "not so near-set grade" for an upcoming collaboration with friends on a short film.
Learning Fusion Part 2 - Revising A Text Animation (Like A Compositor)
Learn how to deconstruct a pre-built Fusion animation that ships with DaVinci Resolve. After studying one, we revise our animation to match.
How To Develop A Fixed Node Structure In DaVinci Resolve: Part 1
Building out node trees on the DaVinci Resolve Color page can be a messy affair. And haphazard. Learn how to develop a personalized node tree.
Elsewhere On The Web: The Fall 2018 Edition
These 'don't miss' color grading related articles and videos are culled from 2018's 4th quarter of the weekly curated Tao Colorist Newsletter.
Is High Dynamic Range (HDR) Video Legit? Should I Invest In HDR Tech?
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
Behind The Curtain - 16mm Style Grade Part Two
Dan picks up where he left off in this series on real time grading a music video. In part 2 we look at the noisy internal scene.
How To Fight Periods Of Not Feeling Creative (and still be creative)?
Robbie, Joey, and Pat answer a member's question about how to handle periods of feeling creatively empty in the color grading suite?
Behind The Curtain - Cleaning Up For 2019
Dan shares his thoughts on trying to clean up his grades in 2019 and moving away from his favourite film emulation techniques.
The 2018 Mac Mini - Perfect Color Suite Companion?
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
Behind The Curtain - 80s Release Print Dirt & Texture
Finding the right balance of noticable and realistic is always a challenge. Dan shares behind the curtain on a film release print style grade.
Using Python and Expanding DaVinci Resolve's Functionality
Resolve's new scripting APIs open up exciting new possibilities. Learn how to get started by using Python to import comments from Frame.io.
Is It Your Responsibility to Archive a Color Grading Project?
Multiple members have recently written asking the same question: Is it a colorists' responsibility to archive media and project files?
Color Correcting With Blending Modes -Recovering Highlights With Multiply
Dan shares his technique of using the multiply blending mode to recover highlights easily and naturally via a layer node.
Advice For Dan’s (Or Anyone’s) Color Correction Business
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
Creating A Western Look Using Color Space Transform & Emulation LUT
While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.
Getting To Know Dolby Vision Part 3: Dolby Vision For Everyone!
In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.
Understanding The Future Of Post Production and Color Grading: Part 2
The 5 'pillars' of the digital video revolution evolve at a different paces - but are driven by the same force. We covers two more pillars.
Integrating Graphics & Text Into A Dobly Vision HDR Project
Team Mixing Light is once again joined by Joey D'Anna to discuss integrating graphics and text into Dobly Vision HDR projects.
Before The Grade: 5 Pre-Grade Tips To Improve Session Speed
In this Insight, Robbie looks at 5 pre-grade tips that can help you increase your overall session speed when it comes time to grade a project.
Understanding The Future Of Post Production and Color Grading: Part 1
Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?
Color Grading HDR For The First Time - In A Live Competition!
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
Color Grading Challenge: Recreating the 90s Pop Video Look
Dan kicks off a new grading challenge where he plays your client. It's based on a 90s pop video style color grade he recently recreated.
Behind The Curtain - Liberty Commercials: Adding Depth To Drone Footage
Drone footage is a very common occurance on timelines these days. Dan shares his techniques for adding depth to the footage.
What Can DPs Do To Make Final Color Easier?
Pat, Robbie and Mixing Light Contributor Joey D'Anna discuss what can DPs and onset staff do to make the final color grade easier?
Revisiting DCP Creation With Resolve 15
Resolve 15 supports the ability to create DCPs natively. In this Insight, learn how that works and get back ground info on essential DCP specs.
Behind The Curtain - Liberty Commercials Sun vs No Sun
Sometimes we are gifted with better sun than other times. In this Insight Dan shares his experience on a job shot over multiple months.
Guide To Safely Upgrading To DaVinci Resolve 15 (and beyond)
If you want to upgrade from an earlier version to DaVinci Resolve 15 then how do you do it safely? This checklist will help you out.
Behind The Curtain - Thrice The Grey
In this Insight, Dan shares his experience in developing a look to back up the lyrics and narrative in a music video by his favourite band.
An Overview (And Tips) On Using The DaVinci Resolve Project Server App
Designed for sharing database on several computers in DaVinci Resolve, learn how the Resolve Project Server App simplifies your life.
Should I Standardize Every Project Using A Color Management System?
We discuss if professional colorists should be standardizing every project around color management systems like RCM & ACES?
Shared Storage For The Small Studio: Case Study With The Lumaforge Jellyfish Mobile
In this Insight, learn about the basic design of the Lumaforge Jellyfish Mobile, and why it might be a perfect solution for your set-up.
Elsewhere On The Web: Managing Saturation, Live HDR, Resolve Fusion (& more)
Summer 2018 round-up of don't-miss color correction tutorials from other websites (with commentary). We wish we had them here, first.
Rediscover The Basics - Fixing Exposure Shifts
Exposure shifts creep up in projects regularly. With the right node structure and correct technique you can easily fix these in seconds.
How To (Improperly) Export LUTs in DaVinci Resolve 15
Learn the 'rules' when exporting LUTs in DaVinci Resolve 15. You also learn how to break a LUT to understand the problems with many LUTs.
LG 8 Series Or FSI XM650U - Which Large Format Display To Buy?
The Team discusses a question we've been getting a lot: Is it worth getting the FSI XM650U over a 65" LG OLED?
How To Sync Double-System Sound In Silverstack XT & LAB
Take charge of all the audio sync functions from inside of Silverstack XT and LAB! Learn manual and automatic double-system sound sync.
Behind The Curtain - Live Concert Grade
Dan shares a tale of things going a bit wrong on a live concert grade w/ high powered LED lights and how moving over to ACES solved things.
10 Things I've Learned (So Far) About HDR Grading
In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.
Colorist Toolbox 2.0 - Building A Look Library 2018
The only person that is going to inspire you is yourself. A Look Library surrounds you with inspiration keeping you motivated and current.
The 3000 NIT FSI XM310K: Talking HDR With Bram Desmet
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
DaVinci Resolve Compound Nodes: Efficiently Managing Looks
Now that DaVinci Resolve is gaining tools by the month, Dan takes a look at managing the node graph to keep things organised and flexible - with the goal of allowing for quick changes.
A Career As A Colorist: The Best Advice We've Received
We discuss the best advice we've received for our color grading careers. From attitude to technical to creative, we share what's worked.
Inspired By Lacoste, Timeless - Learning From An Award Winning Grade
What makes an award-winning grade so special? Dan attempts to break down what made the Lacoste, Timeless commercial so special and how we can pick up some tips to use on our own grades.
A Month Later: Team Mixing Light's Take On NAB 2018
It's been a little over a month since NAB 2018. We discuss what we saw including Resolve 15, new HDR monitoring, control surfaces and more.
How To Safely Upgrade to DaVinci Resolve 15 Public Beta
The latest release of DaVinci Resolve 15 is very exciting. But it's currently in 'Public Beta'. What does this term really mean? And how can you update to it without putting your computer (or your projects) at risk?
Getting Started As A Colorist & What's Changed In Grading?
We've got lots of questions from members asking how to get started as a professional colorist and how has grading changed over the years?
Practical Beauty Color Grading Level One: Quick and Effective
Sometimes even offering the smallest level of beauty work for a client can go a long way. Learn quick skin-smoothing / eyebag-reducing tips .
First Impressions with DaVinci Resolve 15 Public Beta (after NAB)
Learn what one colorist thinks of DaVinci Resolve 15 Public Beta the first time he launches it. Not on the trade show floor in Las Vegas where he first saw it... but in quiet of his suite. And discover the huge new feature no one is talking about!
Practical Beauty Work - Why You Need To Be Offering It
Beauty work and re-touching can be a great additional source of income as a freelance colourist. Dan shares his thoughts and kicks off a new series on getting involved in retouching.
Inspired by Mini 2018 - How One Colorist Emulates A Vintage Look
We've all seen amazing commercials and films that inspire us, but how do we turn that into color corrections that we can use on our own projects? Dan shares his approach to being inspired by a recent award-nominated color grade.
Talking LGs, OLEDs, and Calibration With Portrait Display's Tyler Pruitt
In this special edition Mixing Light Podcast, Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
An Introduction to Fusion (For Colorists) in DaVinci Resolve 15
While Fusion is a node-based compositor, its node tree is very different than the Color Page. Learn how to use Fusion in DaVinci Resolve 15 in under 15 minutes.
Resolve 15 New Color Page Features
In this Insight, colorist Joey D'Anna, fresh off demoing Resolve 15 at the Blackmagic booth at NAB 2018, shares his thoughts on the top new features that benefit the dedicated colorist the most in Resolve 15.
Two Ways of Using DaVinci Resolve's Parallel Mixer Node
In Part 2 of this series you learn two different ways of using DaVinci Resolve's Parallel Mixer node. We take the theory from Part 1 and put it into action on real footage (from one of our Color Correction Practice Projects).
NAB 2018 Plans & Is My Harris DL860 Working Properly?
We discuss our 2018 NAB teaching plans and where to find Patrick on the show floor? We answer a member's question about the Harris DL860.
Re-Revisiting Multi-Channel Audio Output In Resolve
No, that's not Déjà vu! We're re-revisiting multi-channel audio output in DaVinci Resolve! In Part 1 of a new series, we'll explore the essentials of multi-channel output including using the 'Timeline Tracks' method, The Link Group behavior, and basic bussing.
Colorist Challenge: Moving From A Direct View Monitor To The Cinema
A member asks about grading on a direct view monitor vs. the cinema. We discuss the differences and why overcomplicating it is a bad idea!
Colorist Podcast EP 022: Dado Valentic
In this installment of the Colorist Podcast, Josh sits down with colorist, trainer and industry visionary Dado Valentic to discuss his much talked about presentation on color grading and AI, HDR workflow, on tools for colorists and more!
Multicam Gone Wrong: Re-syncing Clips in DaVinci Resolve 14
DaVinci Resolve's automatic syncing of multiple cameras for its multicam editing workflow often fails. Learn how to reliably re-sync cameras after creating a multicam clip.
How To Migrate PowerBins, PowerGrades, Configs Between Databases?
Team Mixing Light discusses strategies for moving Resolve PowerGrades, PowerBins & project configurations between databases.
Handling A Rejected Grade, As A Freelance Colorist
Dan Moran recently joined the freelance world. He's curious how Pat and Robbie handle a client who rejects a grade - fix it or charge more?
Behind the Curtain - Commercial #2: From Base Grade to Final Look
In this Insight, Dan covers another of his behind the curtain commercials. This time we look at a bright morning kitchen scene. In this real-world assessment and grade, Dan focuses on getting a bright airy feel without losing on the filmic sense.
Grading The White Cyc Stand Up - When White Is Not White
In this video, you learn techniques for color correcting log encoded white cyc footage. Plus get several solutions for fixing common problems with these types of shoots and why, many times, your corrections are a compromise.
CalMAN Part 10: Using Calibration Test Patterns In Your NLE
If you want to calibrate your reference display through your main non-linear editing software then you want to use calibration test patterns playing through a timeline. Learn how to be sure you don't have Data- and Video- level mismatches.
How To Back Up Your Resolve Databases And Your Computer
One of our members asks about backing up Resolve databases and computers. This is an essential skill for colorists, listen to how we do it.
Colorist Podcast EP 021:Shane Mario Ruggieri
In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!
How Do You Choose A 4k Reference Monitor For Color Grading?
The Team discusses the pros/cons of 4k monitoring. We explore new offerings from Flanders Scientific including the XM650U and XM310K.
Demystifying Contrast and Brightness Calibration Test Images
In our reference display calibration series we've been using a specific set of calibration test images. But two test images (used to precalibrate our Contrast and Brightness settings) generate a lot of confusion. Get unconfused in this Insight.
First Look: FSI XM650U UHD Monitor
In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.
Is Your Reference Display Input Properly Set To Data Levels Or Video Levels?
If you have a broadcast reference monitor for editing and color correction then you need to make sure it's properly processing your images. Learn how to know if you have a mismatch in data levels with your editing or color correction software.
How To Color Grade Full Range for Data Level Broadcast Delivery?
A member asks a question about working in Full Range but delivering a video rendered to legal/broadcast levels. We work through the thinking.
From The Grading Suite: From Short Form To Reality
Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.
Grading A Short Film Part 2 - Testing The Feel Of The Footage
Dan shares his assessment of how to get the feel of the footage before you speak to the director. It helps when you can be upfront about what is and isn't possible.
Precalibrating A Reference Display (without using LUTs) Part 1
In this CalMAN Studio series you've learned how to calibrate a video reference display using Look Up Tables (LUTs). Not every display supports internal LUTs. If you don't have (or want) an external LUT box then what do you do then? Watch and learn.
Revisiting The Judd Modification When Calibrating OLED Displays
Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor. What is it? When to use it?
Telestream Switch: A Media Player For Pros?
QC and media inspection are an essential part of 'finishing' process. In this Insight, Robbie shares his experience with Telestream Switch which is a full featured media player, inspector and QC tool.
Grading A Short Film Part 1 - Download The Footage
Dan is excited to launch a new series on Mixing Light that will feature a briefing from the real director of the project. In this intro Insight, download some RED 8k footage to attempt a grade before getting creative brief from the client.
Colorist Podcast EP 020: Ian Vertovec
In the first installment of the Colorist Podcast for 2018, Josh sits down with well-known colorist Ian Vertovec from Light Iron. They discuss Ian's work, ACES, HDR, VFX workflow and much more!
Elsewhere On the Web... Insights You Shouldn't Miss 'Out There'
Our focus in our Insights Color Correction Library is on creating original content. But sometimes we see original thoughts on other websites that you need to read. In this post, we share a few of those don't-miss insights from the internet.
Talking About and Understanding Dolby Vision Color Grading
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
Using Denoiser III On Challenging Footage (Compared to Neat Video)
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
What Not To Do When A Client Asks For A New Direction
Dan shares a tale from the grading room of a film emulation gone wrong and how by missing the mistake was destined to fail in the grade with his clients.
Hollywood Restoration and Remastering: Colorist Marc Wielage
Film restoration and remastering is a specialty in the craft of color grading. Learn how a Hollywood colorist handles its unique challenges?
The Challenges (And Lessons Learned) Of Color Restoring Classic Films
The color restoration of classic films is one of the few 'Dark Arts' of digital color correction. Colorist Jim Wicks shares his challenges - and lessons learned - from this unforgiving niche of the craft of color grading.
Building A Show LUT to Keep Your Looks Consistent
When you have complex node trees, rolling it into a show LUT can make your life. Learn how to build your own LUT for your project.
Getting To Know Dolby Vision Part 2: Delivering To non-HDR Televisions
In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.
Can You Save This Shot? Part 2: Patrick's Solution (in real-time)
How do you save a shot that has exposure changes and compression artifacts? Patrick shows you how he does it, with footage you can download.
Image Cleanup In Resolve - Rotoscoping, Cloning, and Repeated Frames
Being able to offer Basic Cleanup in the grade is a great ability. It saves moving to and from a compositing application and helps finish off that job.
The Fundamentals of Rotoscoping in DaVinci Resolve
Sometimes a shot is so basic that a little VFX knowledge goes a long way. In this insight Dan shares his real world rotoscoping example
Testing Calibration Results From An XRite Colorimeter (in CalMAN Studio)
Xrite makes a terrific, affordable colorimeter for the broadcast display market - the i1 Display. We test an old C6 to see how accurate it can be.
Getting To Know Dolby Vision Part 1: Terminology, Gear, and Workflow
In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.
Fixing VFX Colorspace Issues In A Problematic Pipeline
VFX colorspace issues are the last thing you need when you are on a tight deadline. Dan shares his experience solving issues like these.
Are Low-Cost Colorimeters Compromising Your Calibration Results?
Colorimeters age and become unreliable after a few years. Learn how to extend the life of yours, using CalMAN Profiles and a reference colorimeter.
Colorist Podcast Episode 18: Patrick Woodard
In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!
Inside the Color Grade Of A Furniture Brand - Series Overview
In a new series Dan shares a look behind the curtain at a real world grading project. From quoting to delivery he dives deep on his process.
How To Improve Reference Display Calibration Results (in CalMAN Studio)
Learn how to improve your display calibration results when using CalMAN Studio. And does using a 'Lightning LUT' compromise your final results?
Color Correction Gear Head: November 2017 Edition
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
Colorist Inspiration - UKMVAs Best Color Nominations 2017
Dan shares his thoughts about the UKMVA nominations 2017 for best music video color grading award and asks you to predict the winner
Introduction to Reference Display Calibration - Series Overview
Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.
Colorist Podcast Episode 17: Bob Festa
In this episode, Josh talks to legendary colorist Bob Festa about his gigantic body of work, grading techniques and much more!
Color Grading Challenge - Beauty Grading Review
Dan critiques your beauty grading entries and shares his attempt. The challenge was quite advanced and the results are great. Dan's DRX is also downloadable
