Colorist Podcast Episode 23

Breaking Geographic Boundaries: Remote Grading Part 1

January 25, 2017

In part 1 of a 3 part series, we explore the different methods of remote grading and how remote work can help your bottom line.


Day 25: 25 Insights in 25 Days New Year Marathon

Getting To Know Remote Grading & How It Can Help Your Color Correction Business

About four or five years ago while checking out my Twitter feed, I noticed a trend from some A-List colorists that I follow:

‘Great session with clients from Helsinki, can’t wait to visit Finland!   – L.A. Based Colorist

‘Awesome grade today on a new Honda spot remote to Tokyo’  – NYC Based Colorist

‘Starting to like remote grading, but have to remember to clean my teeth after lunch! – London Based Colorist

Hmmm – what are these folks up to I thought.

Well, it turns out the big facilities with A-list talent figured out not only how to get more top dollar work for their top colorists, but also figured out how to expand their sphere of influence with a relatively minimal investment.

From the moment I started hearing about remote grading, I started to get interested in it.

Over the past few years I’ve slowly but steadily built my remote grading capabilities from a technical standpoint, but have also started to figure out perhaps the more important part – how to market and sell remote services to clients.

It’s a detailed and interesting subject, so I thought why not start a new series on the subject!

In part 1 (this Insight) I want to explore what remote grading is, how it can impact your bottom line, and share some essentials on how to market it.

In part 2, we’ll take a look at the technical aspects of a remote grading session – including common solutions & getting everything set up.

Finally, in part 3, we’ll take a look at how to run and manage a remote session (yes! It can be a little weird).

What’s Remote Grading?

Remote grading means slightly different things depending on who you’re talking to, and what they’re familiar with.

When I first started looking into remote grading a few years ago, I was initially confused as it seemed like people were talking about a couple different methods.

After researching this a bit more, remote grading really comes down to two main ways of doing things:

  • Grading System To Grading System – This type of remote grading is one grading system taking control of another system. For example, Resolve remote grading works like this – one Resolve system taking control over another Resolve system. Many popular grading applications have similar functionality to how Resolve handles remote grading. In general, the same version of software needs to be loaded on both ends & the same media also needs to be located on both sides. Conversations with the controlling colorist are done over a phone call, Skype, FaceTime or similar.
  • Streaming – Most of the time, especially these days, when someone mentions remote grading, they’re usually referring to streaming content in real-time with minimal delay from a grading suite to a remote location. Instead of needing grading systems on either end, the setup is usually the grading system output to a streaming encoder > streaming decoder > color calibrated display in the remote location > client watching your amazing grading work! In this setup, media only needs to be located on one side. Conversations are also typically done over a phone call, Skype or FaceTime.

 

streambox 9300
Hardware & software streaming solutions from Streambox like this 9300 unit allow for real-time high quality streaming that works great for remote sessions.

 

In either case, hardware and technology play a big role (more on that in part 2). In the system to system approach, it’s going to be a requirement that you have two of the same systems – one in each location.

With the streaming approach real-time encoding/decoding hardware/software is necessary, as is a stable & fast internet connection.

Calibrated monitoring in either approach is, of course, necessary.

Why I Went Down The Path Of Remote Grading

Every time I read a tweet about a remote session from an A-list colorist I started daydreaming of working with high-brow clients all over the world – then that record scratch sound played in my head and I came back to reality!

The fact is, I’m not Dave Hussey, Ivan Lucas, Steve Scott or any of the other dozen or so top colorists in the world.  In addition, no one mentions my facility in the same breath as Technicolor, or EFILM.

Right off the bat, even though I romanticized the idea of remote grading, I was down on the idea of investing both money and time in building a remote grading solution.

That is until I started thinking about why large facilities were offering remote grading services.

The first thing that came to mind was these large facilities were offering productions of all types access to some of the best colorists in the world. But then I realized it was more than that – remote grading allows a company to expand their geographic reach – and that is something I longed for as well!

In almost 20 years of being a colorist in my market, I’ve worked with nearly all of the potential clients in my proverbial pond. That’s allowed me to earn a very good living and be very satisfied with the projects I’ve worked on and relationships that I’ve built.

 

suite
Remote grading solutions allow you to bring your color suite TO your clients.

However, right around the time I discovered remote grading, I started feeling that the only way to grow my color correction business was to branch out into other markets.

But how could I do that?  I didn’t have the capital to build another facility in another location, not to mention the manpower to do so.

That’s when it dawned on me that remote grading was the solution and offered several advantages to traditional expansion:

  • Low Cost – For less than $12,000 I could build a remote solution hardwired into my facility, provide a software decoding option for clients & provide a mobile solution with color critical monitoring that I could send out to a client as needed. Twelve grand is still a lot of money, but significantly cheaper than the six-figures necessary to expand a brick and mortar solution into another market.
  • More Flexible – Let’s say I choose to expand my business into New York and assuming that I could afford to open the doors to a facility, pay people to work there, market the facility properly (all not very likely), I would still be entering a single market. Remote grading allows you to be anywhere in the world!
  • Considerably Less Risk – I’ve seen many companies fail because of ill-planned expansion – opening a location in a new market not only costs a lot of money, but there is considerable risk in simply acquiring work in that new market. While the marketing challenges still exist with remote grading, even if you are never able to secure a single remote client (you can!) the loss from the investment is considerably less, and more recoverable compared to a traditional expansion.

At this point, you probably want to know more about the gear and technical aspects of a remote grading solution – I promise we’ll get to that in part 2.  But more to the point – talking about the gear first is putting the cart before the horse.

To make sure that your investment in the long term is a profitable solution you need to put the leg work & research into understanding the marketing of such a solution and figuring out who & where potential remote clients are.

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Comments

Homepage Forums Breaking Geographic Boundaries: Remote Grading Part 1


  • MartinSteinberg376
    Guest

    Hi really glad you are doing this insight! Where does one post or email to make suggestions on new insights? I could not find any e-mail adress on your site. Can you make a insight about viewing 2.2 gamma vs 2.4 gamma on my monitor. I have for the last 10 years always gone for gamma 2.4 and now BT1886. But I am thinking of moving to gamma 2.2 because most people are looking on a computer. Even broadcast work is probably as likely to be viewed on a computer or ipad/iphone screen than on a tv nowadays. I am thinking I can go a bit darker in my grade with 2.2 and that is a good thing and have a bit more light in my grading room. Most negative thing I could think of would be collaborating with other post houses that use gamma 2.4. What are your thoughts? Sorry for posting my question here could not find any other place 🙂 keep up the great work!


  • MartinSteinberg376
    Guest

    Hi really glad you are doing this insight! Where does one post or email to make suggestions on new insights? I could not find any e-mail adress on your site. Can you make a insight about viewing 2.2 gamma vs 2.4 gamma on my monitor. I have for the last 10 years always gone for gamma 2.4 and now BT1886. But I am thinking of moving to gamma 2.2 because most people are looking on a computer. Even broadcast work is probably as likely to be viewed on a computer or ipad/iphone screen than on a tv nowadays. I am thinking I can go a bit darker in my grade with 2.2 and that is a good thing and have a bit more light in my grading room. Most negative thing I could think of would be collaborating with other post houses that use gamma 2.4. What are your thoughts? Sorry for posting my question here could not find any other place 🙂 keep up the great work!

  • Here it is Martin, thanks for sharing: https://mixinglight.com/contact-us/

    Contact Us

  • Here it is Martin, thanks for sharing: https://mixinglight.com/contact-us/

    Contact Us

  • Thanks for all of that great information. I’m a newly freelance colorist in a smaller market(Phoenix, -too close to LA). Much of my time is spend educating clients on why they need color correction or to convince them not to go to LA. In a way, it’s an invisible art which makes it hard to convince others sometimes. Despite that, now that I am on my own after being in a post house for 12 years, remote grading will definitely give me opportunities to keep afloat. It’s been in the back of my mind for sometime now and I really appreciate this insight. Keep up the good work Mixing Light team! I’m a happy member.

  • Thanks for all of that great information. I’m a newly freelance colorist in a smaller market(Phoenix, -too close to LA). Much of my time is spend educating clients on why they need color correction or to convince them not to go to LA. In a way, it’s an invisible art which makes it hard to convince others sometimes. Despite that, now that I am on my own after being in a post house for 12 years, remote grading will definitely give me opportunities to keep afloat. It’s been in the back of my mind for sometime now and I really appreciate this insight. Keep up the good work Mixing Light team! I’m a happy member.

  • This is interesting, waiting for the part 2.

    I just noticed that Resolve has “Send to SDI” in the lightbox, is that a recent addition, or have i just missed it? That’s a handy toggle if you’re streaming the SDI output.

  • This is interesting, waiting for the part 2.

    I just noticed that Resolve has “Send to SDI” in the lightbox, is that a recent addition, or have i just missed it? That’s a handy toggle if you’re streaming the SDI output.


  • Robbie Carman
    Guest

    that’s been there for years! But new to you! Agreed its a cool tool


  • Robbie Carman
    Guest

    that’s been there for years! But new to you! Agreed its a cool tool

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