Updating A Color Grading Suite 2 Years Later

July 22, 2019

Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.


Series

Revising My Grading Suite’s Design After 2 Years

It’s been almost 2 years since I published this Insight showing my suite design, and explaining some of the reasoning behind my layout, product and ergonomic choices. I still absolutely love working in this suite – but my workflows, techniques, and some of the technology available have dramatically evolved in those 2 short years.

So in this Insight, I want to write a bit about what worked, what didn’t work, and how I’ve improved my suite and workflow. I also want to review a new product that is really helping me work faster and more ergonomically.

My suite today. Much has stayed the same, but I’ve evolved it a good amount as well.

What Didn’t Change?

A lot of things in my suite haven’t changed. I’m still using a TBC console, Blackmagic mini panel, and the same monitor configuration. I still use an Aeron chair, and the overall layout hasn’t changed. I’m also still using Divergent Media’s amazing Scopebox software for my scopes, on a mac that doubles as a both my scopes and a machine for email/internet/etc.

Overall – the layout is still the same. Keyboard, Wacom and UI monitor to the left for editorial/conform/prep work, with my grading panel and reference monitor in the center for grading.

Hardware changes

Originally my Scopebox machine was an older mac laptop, and while it worked well, while running Scopebox and a few other apps it really buckled under the CPU/GPU load. So I’ve replaced it with a new, top spec Mac Mini – and a AMD Vega64 GPU in an eGPU chassis.

The eGPU is connected as the mac’s only display output. This means the internal mac mini GPU is totally idle, the display for the mac is driven right off the Vega64. I had some worries that this may pose a problem, but it’s worked completely smoothly. The Mac doesn’t care at all that nothing is connected to the internal GPU, and software recognizes and uses the Vega just fine.

A mac mini with a powerful eGPU makes a very inexpensive, yet powerful assist station.

With this upgrade in hardware – my Scopebox machine now also doubles as an assist station, and is great for ProRes remote rendering. To increase its functionality, I added a BMD UltraStudio HD Mini – which gives me both SDI input for Scopebox, and output for other software. I’ve also added a nice USB hub for connecting client drives right on my desk.

Securing a small USB hub right to the desk makes connecting client drives or card readers fast and easy.

Finally, I’ve added a 2-way USB switch, and a serial controllable HD-SDI switch, connected to the mac with a USB to serial adaptor. To control the SDI switch, I just need to use the built-in screen command in the Mac console. Running

screen /dev/tty.usbserial

 

In a terminal window, this allows me to switch up to 4 SDI sources, just by typing the number of the source and hitting enter.

This means if my main HP box is occupied rendering, I can switch both my mini panel and my SDI monitoring to the Mac Mini – and work in Resolve with a real SDI output. I’ve also moved all Adobe/Avid/etc software that I use for conforming and preparing client projects to this Mac Mini, keeping my main workstation dedicated to only Resolve.

From X-Keys, to Stream Deck, to a lot of Stream Decks

When I first built my suite – I relied on an X-Keys macro keyboard. However if you’ve seen Robbie and I’s Insights on the Elgato Stream Deck (Part 1 and Part 2) – you know I’ve become a huge fan of the device.

I started with a single unit, then when the software allowed for multiple units – I started adding more and more. Today I have 4 Stream Decks on my desk, and an additional one on my couch.

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Comments

Homepage Forums Updating A Color Grading Suite 2 Years Later

Viewing 6 reply threads

    • Joey D’Anna
      Participant

      This is the discussion thread for the Insight: Updating A Color Grading Suite 2 Years Later


    • R Neil Haugen
      Guest

      Awesome application of the Streamdecks in those 3d printed stands … very intriguing. Thanks for posting, many ideas to think about …


    • Jean-Francois R
      Guest

      Great insight. I’ve got 2 of the 15-button Stream Decks myself and you’ve convinced me to get the XL.


    • Joey D’Anna
      Guest

      Thanks! You wont regret it – its a great piece of hardware. And the cool thing is since you can add as many as you want in the software, you can still also use your 2 standard ones as well.


    • Marc Wielage
      Guest

      Some great tips here. I gotta say, I’m much more comfortable with the Advanced Panels than I am with the Mini and a bunch of sidecar panels, but even I’d admit that the Advanced panel can’t do it all and you do need at least one Streamdeck to get to the 25+ functions omitted from the panel. (Stupid things, like copy-node, paste-node, and Top and Tail.) I agree 100% with the functionality of the fixed node tree and Joey has a very clever approach for that. And we’re pushing 3 UPS’s in the room. In Hollywood, it’s all about how much power and who has it (and where it’s backed up).


    • Seth Goldin
      Guest

      I’m not on an Advanced–I use a Mini. Are you saying that the Advanced can’t copy and paste nodes? That’s surprising, because the Mini can.


    • Nicolai C
      Guest

      I LOVE the look of the design of the 3d printed dual stream deck mount. It looks as if it is made for the 15 button streamdeck rather than the 32. Has Juan Salvo made one for the streamdeck xl?

Viewing 6 reply threads
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