Rediscover The Basics – Fixing Exposure Shifts

Simple Techniques for Fixing Exposure Shifts

Sometimes, in a grading session, dreaded exposure shifts crop up.

It might be a gentle slip of the hand. Sometimes, it’s a desperate DOP chasing an unrepeatable moment, searching for something that looks good.

Sure, they are a pain in the rear end, but think about these words from Rodger Deakons:

“In the end a film can look lousy but work because of a great performance – but not the other way round. That’s something always worth remembering.”

Our job is to put on our capes and save the shots with great performance but minor issues (sometimes massive) so that the viewer doesn’t notice.

With the advancement in camera technology, most cameras have enough latitude to compensate for the (hopefully 1 stop) iris pull that you’d have to deal with. Anything venturing into the 2 stop or more category might be more difficult, but I’d hope that at that stage, the editors have been scared off from using it in the edit.

One of the hardest requests I’ve had as a colorist is to make these exposure pulls seamless. The good news is that my current method works well and, with enough time spent, I can achieve this!

My main advice is to take it slow and steady and start by grabbing a still of the ideal exposure using as few keyframes as possible and match from there.

My technique is very simple but very effective. The main points to note are :

Jump over to my video below to find out more!

– Dan