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Demystifying The Horseshoe - A Guided Dive Into The 1931 CIE Chart

Registration open: We've all seen the 1931 CIE RGB Chromaticity Chart. But do you understand it well enough to use it in your work? Learn more...

Creative Coding with DCTL Part 7 - Adding Split Toning

In Part 7, Colorist Cullen Kelly shows how to add split-toning into the custom DCTL. Then he debugs and commits it to the main GitHub branch.

Color Grading An Animated Short Film - Part 1

Colorist Patrick Inhofer shares a behind-the-scenes look at color grading an animated short film - and how it differs from live action.

Better Window Tracking: Combining Tracking With Manual Keyframes

Colorist Joey D’Anna shows you his methodology for nailing challenging power window tracks in DaVinci Resolve

Binary Logic In The Node Tree: Creating Procedural Node Structures

What does binary logic have to do with color grading? Colorist Joey D'Anna shows you how to build switches and logic into your Resolve node structure.

Creative Coding With DCTL: Part 6

In part 6 of his ongoing series, Cullen Kelly explores how to combine two separate DCTLs for increased user functionality without adding complexity.

Working Around the ACES ‘Look’ With OpenDRT

ACES is an extremely popular color management pipeline but its RRT can impose a ‘look’. In this Insight learn about OpenDRT & how to implement it.

'Syncthing' - A Better Way To Sync Media Between Workstations

Colorist Joey D'Anna shows how to set up and use the open-source software 'Syncthing' to share media across three remote locations.

Coloring Reality: How To Color Grade 1700 Shots In Two Days

Coloring Reality TV can be a huge undertaking. However, if you organize and prepare, you'll deliver a high-quality show on time.

The Key Panel: A Basic Tool That Does More Than You Think

In this Insight, Joey D'Anna shows you the 3 different toolsets inside the DaVinci Resolve Key Panel, and how they change for different nodes.

Can You Use Project-Level Color Management With 'Flat File' Workflows?

Learn how to tag a single clip with multiple 'input color spaces' in DaVinci Resolve when executing a 'flat file'/preconformed workflow.

Grading HDR & Dolby Vision: Patrick & Dan Join The Fun

In this installment of 'From The Mailbag' Team Mixing Light discusses Patrick & Dan's newest HDR projects &the challenges they faced.

Match Move ResolveFX: A Color Page Multitool

In this Insight, Joey D'Anna shows you how to use the DaVinci Resolve Match Move ResolveFX plugin for powerful tracking, stabilization, and paintwork

Creative Coding With DCTL: Part 5

In part 5 of his ongoing series on coding DCTLs, Cullen starts to get into the thick of the tool he's creating - exploring how to define and code contrast.

Creative Coding with DCTL: Part 4

In part four of his ongoing series on creating DCTLs, Cullen Kelly builds upon work done to create a static DCTL by adding user adjustable controls.

Milestones: 1,000 Insights, New Pricing, and More!

1,000 Insights are now in our Insights Library! In this article Team Mixing Light has new announcements and a look back at our favorites.

Joey’s Custom Workshop - Fusion Templates

In his latest Custom Workshop, Colorist Joey D'Anna gives you 3 useful custom Fusion templates for use on DaVinci Resolve's edit page

Getting Back To The Studio (Facility)

It's been a challening past year and half. In this episode we discuss getting back to the studio/office/facility and what that means these days.

Creative Coding With DCTL: Part 3

In part 3 of this ongoing series, with foundational knowledge in place, start coding your first DCTL a colorist Cullen Kelly guides you step by step.

Better Streaming Sessions Part 3: The ATEM Streaming Bridge

Learn how to set up and use an ATEM Streaming Bridge to create a high quality, color accurate and low latency video link over the internet

Creative Coding With DCTL: Part 2

In Part 2 of his series on coding DCTLs, Cullen Kelly covers some additional setup and tools you'll need to successfully build DCTLs

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