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Digging Into The ResolveFX Surface Tracker (For Retouching)

Resolve 18's Surface Tracker combines a multiple-point tracker and a warper in one tool. Learn how it works while prepping a retouch job.

An Introduction To Versioning Efficiently Using Compound Timelines

Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.

Learning Baselight Student - Creating, Editing, And Grading With Shapes

In Part 12 of this series, learn to apply and manipulate shapes to grade layers and use the MatteTool for the ultimate in shape edge control.

Five Don't-Miss Features in DaVinci Resolve 18 Public Beta

Joey D'Anna gives you a taste of his NAB 2022 demo artist skillset, sharing the 5 new features he likes the most in DaVici Resolve 18.

How Do You Avoid Adding Visual Artifacts When Sharpening Your Images?

Are you adding RGB artifacts into images when sharpening? How is Midtone Detail different (in DaVinci Resolve)? Plus, sharpening in LAB space.

How Do You Succeed Running A Color Grading Business?

The team is joined by our newest Contributor, Zeb Chadfield, answering business-related questions on being a colorist and getting paid.

Film Print Emulation: Paul Dore’s ACES DCTL Look Modification Transform

In Part 3, learn how to go beyond LUTs for an artistic approach to emulating film print looks using Paul Dore's DCTL in an ACES workflow.

An Introduction to Texture Management (using DaVinci Resolve)

In the start of a new series, colorist & educator Hector Berrebi defines the terms and tools of the important concept: Texture Management.

Using Parsec and VirtualHere For Remote, Secure Color Grading Sessions

Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.

Evaluating Skin Tones, Working With Drone Footage, Grading On Laptops

Team Mixing Light helps our members work through confidence problems color grading skin tones, drones, and laptop displays in a live call.

Building Custom 'Lum vs Sat' Curves In HSL Using Resolve's Node Tree

In Part 5 of our 'Visual Math' series, learn how 'vs. Curves' work from within Resolve's node graph by building your own in HSL space.

Digging Deeper Into Fusion Connect for Avid - Workflows and Gotcha's

In Part 2, Arthur Ditner digs into various workflows helping you sidestep a few issues while thinking through color management.

Membership Update - Connecting Us Through Forums, Email, And Slack

Our member-to-member forums are live! Learn how to stay connected with the community and how to access the Slack Forum Notify system.

DIY - Virtualizing Your Networked Resolve Database Server On Linux

Learn how to install and configure Postrgres database servers in a Linux virtual machine across an internal network for DaVinci Resolve.

Moving timelines into DaVinci Resolve Using EDLs - More Tips and Tricks

50 years later, the simple EDL is still useful for sharing timelines! Get more tips and tricks on integrating EDLs in colour managed projects.

Film Print Emulation: Breaking Down PixelTools 'Film Lab PowerGrades'

Continue developing your critical eye for evaluating Film Print Emulations (FPEs) by breaking down Pixel Tools Post's 'Film Lab PowerGrades'.

Creative Grading In Baselight - Adding Grain, LUTs, And Diffusion

In Part 11 of 'Learning Baselight Student', Luke Ross teaches how to stylize your images with popular techniques and customizable tools.

Extracting Only The Hue Or Saturation of a LUT using DaVinci Resolve

Learn how to extract the hue and/or saturation shifts of a 3D LUT, without getting stuck with the LUT's accompanying contrast adjustment.

The HDR Palette One Year Later & Selling Your Project Files: Good Ideas?

Team Mixing Light, in a live conference call, takes member questions on Resolve's HDR palette and the practice of handing over project files.

Color Management For Preconformed Workflows With EDL Clip Names

Using Resolve's Edit Index and EDL comments, you can prepare a preconformed timeline for color management much easier than you think.

What Makes Film Print Emulation LUTs Special (and how to use them)?

In this new series, build the foundation to evaluate & implement ANY Film Print Emulation (FPE) - with the Kodak 2382 film stock as baseline.

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