Help us celebrate the 160th Anniversary of the color photograph, its history, and the RGB color model! Presented by colorist Hector Berrebi.
In Part 2 of our series on learning how to use Resolve's Serial Nodes, we look at combining them with Layer and Parallel Mixer nodes.
Expand your colorist toolbox with custom Python scripts and DCTLs for Frame.io workflows, subtractive saturation, and timeline duplication.
Join us for our next Mailbag Live! We'll be joined by Hungarian colorist Dávid Láposi to discuss creating a dynamic demo reel.
Watch over the shoulder of senior colorist Cullen Kelly as he works through his first pass on a feature film and shares his approach.
Learn to measure audio/video sync issues with a smartphone, and compensate in DaVinci Resolve using Fairlight's B-Chain
Learn to use DaVinci Resolve's Fusion page to build custom, reusable transitions to work inside a node based ACES pipeline.
Learn how to massively expand the functionality of Premiere's Lumetri panel by custom-mapping multiple disparate controls with an external control surface.
In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.
In this installment of Good Grades we sit down with Sr. Managing Colorist at NFL Films, Chris Pepperman.
Learn how to use DCTLs (and texture references) in DaVinci Resolve Fusion to debayer Perseverance rover raw images, yourself.
Get up to speed on Resolve 17's new proxy workflow for lightning fast editing and grading performance when working remotely.
How much should a post production artist charge for their work? Learn an easy step-by-step process that gives you confidence in your rates.
In the finale of the series, colorist Peder Morgenthaler puts what we've learned into action creative 3 looks with the Color Warper.
Learn the basics of 3D printing, and how you can use it to improve your post production environment with custom upgrades.
In the last installment of his series on the essentials of look development, Cullen Kelly guides you through the concept of preferential color mapping.
In this installment of Good Grades we sit down with renowned documentary colorist Evan Anthony and talk about his start, work and more!
Today's Agenda: What do digital video post production professionals need to consider when buying a storage solution for their digital media?
In part 2 of his series, Peder Morgenthaler dives deeper into the controls in DaVinci Resolve's Color Warper.
Dan briefs you on a Black & White Tri-X look. If you grade to his brief and post in the comments, he'll play 'client' and offer feedback.
How does the DaVinci Resolve Mini control surface manage to control 7+ color wheels in the HDR Palette, with only 3 physical trackballs?