Learn to use VLANs, link aggregation and more to manage high performance networks for post production, using Ubiquiti products.
Learn how to insert 3D objects or paint out defects in videos with a moving camera using DaVinci Resolve Fusion's 3D Camera Tracker.
In this Insight, Joey D'Anna shows you how he uses the DaVinci Resolve color page node tree to build great looking green screen composites.
Cullen shows how to put the analysis of reference images + analysis of shots on the timeline together to create a cohesive, matching look.
Get a hands-on look at OWC's direct-attached Thunderbolt-3 RAID chassis. Plus, (3) configuration ideas for post production professionals.
Do the nodes in DaVinci Resolve's Color Page confuse you? In Part 1, learn how to think about using nodes with this intro to the Serial Node.
In July I started the proecess of moving to Baselight full time for my grading. As a 10 year Resolve veteran I need to let go of the past
In Part 2 of this advanced workflow series, learn how you can use Shared Nodes inside Group Grades for quick & easy revisions down the road.
Learn how to accelerate your color grading in DaVinci Resolve's Color Page by using multiple Playheads to quickly navigate the timeline.
See the MochaPro OpenFX plugin in action to track and remove a logo on a car door - and finish / refine the composite in Fusion.
Applying the one color grade to multiple shots is easier with Resolve's Groups or with Shared nodes. Learn how to combine the two approaches.
Learn how to fix frame rate problems and create both constant- and variable-rate speed effects (and image processing options they enable).
In the second part of his series on better blurring, Joey jumps into Fusion to explore its powerful capabilities to create natural-looking blurs.
In Part 2 learn how you can evaluate the source footage on your timeline to answer: Is this footage a good match for our references?
In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page
Learn how to use Resolve's Gallery for comparing and sharing color corrections or nodes between different shots.
In part 1 of a new series, learn the essentials of how to interpret and read references for contrast, tonality, and other key factors.
Learn powerful keyframe editing techniques in DaVinci Resolve's Fusion page, using the built-in spline and keyframe editors.
In this installment of From The Mailbag we sit down to talk about tone mapping and how's used in software and on consumer displays.
In this webinar, learn an alternative approach to color grading ACES projects in DaVinci Resolve plus collaborating with others in ACES.