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Color Correction Gear Head: The Stocking Stuffer Edition (November 2020)

With the holidays nearly upon us, in this installment of Color Correction Gear head discover several 'stocking stuffer' pieces of gear to add to your list!

End Titles Made Easy Using Endcrawl - Webinar Registration

Register for a live Mixing Light webinar on how to properly create end titles, how they can go wrong, and the new Endcrawl.com interface.

A Mixing Light Special Report: Resolve 17 Announcement

Blackmagic Design just announced Resolve 17. We jump on a call to discuss the release, its timing, new features, and our initial thoughts.

Resolve 17: First Impressions And Favorite Features

Resolve 17 Public Beta is here and it is a huge release! Colorist Joey D'Anna points you to his favorite new features, updates, improvements.

Mailbag Live & Revisiting Why Does It Look Different On Export?

Team Mixing Light announces an upcoming new website feature & the Team revisits the issue of exports looking 'wrong'.

Advanced Avid Round-tripping: Relinking Resolve Renders In Avid Without Losing Avid Effects

Learn an advanced workflow for round-tripping between Avid and Resolve, while maintaining effects and online work done inside Avid.

Moving Bits and Bytes - Facility Networking Made Easier

Learn to use VLANs, link aggregation and more to manage high performance networks for post production, using Ubiquiti products.

Using Fusion's 3D Camera Tracker for Patching and Object Placement

Learn how to insert 3D objects or paint out defects in videos with a moving camera using DaVinci Resolve Fusion's 3D Camera Tracker.

Node Tree Compositing: Building A Green Screen Shot In One Node Tree

In this Insight, Joey D'Anna shows you how he uses the DaVinci Resolve color page node tree to build great looking green screen composites.

Working With Reference Images Part 3: Building The Look

Cullen shows how to put the analysis of reference images + analysis of shots on the timeline together to create a cohesive, matching look.

Review - The OWC ThunderBay Flex 8 Workflow Supercharger

Get a hands-on look at OWC's direct-attached Thunderbolt-3 RAID chassis. Plus, (3) configuration ideas for post production professionals.

Nodes 101 – Mastering DaVinci Resolve’s Serial Node

Do the nodes in DaVinci Resolve's Color Page confuse you? In Part 1, learn how to think about using nodes with this intro to the Serial Node.

Moving To Baselight Fulltime

In July I started the proecess of moving to Baselight full time for my grading. As a 10 year Resolve veteran I need to let go of the past

Combining Group Grades With Shared Nodes While Avoiding The Pitfalls

In Part 2 of this advanced workflow series, learn how you can use Shared Nodes inside Group Grades for quick & easy revisions down the road.

Using Playheads - Working Faster In DaVinci Resolve's Color Page

Learn how to accelerate your color grading in DaVinci Resolve's Color Page by using multiple Playheads to quickly navigate the timeline.

Using the Mocha Pro OFX Plugin in DaVinci Resolve Fusion

See the MochaPro OpenFX plugin in action to track and remove a logo on a car door - and finish / refine the composite in Fusion.

Combining Shared Nodes and Group Grades in DaVinci Resolve

Applying the one color grade to multiple shots is easier with Resolve's Groups or with Shared nodes. Learn how to combine the two approaches.

Creating And Modifying Speed Effects in Davinci Resolve

Learn how to fix frame rate problems and create both constant- and variable-rate speed effects (and image processing options they enable).

Better Blurring In DaVinci Resolve: Part 2

In the second part of his series on better blurring, Joey jumps into Fusion to explore its powerful capabilities to create natural-looking blurs.

Working With Reference Images: Evaluating Camera Source Footage

In Part 2 learn how you can evaluate the source footage on your timeline to answer: Is this footage a good match for our references?

Better Blurring In Davinci Resolve: Part 1

In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page

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