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Deep Dive: DaVinci Resolve Cloud Remote Collaboration

In Part 2 of our series, learn the many features (and tips/trick) of Davinci Resolve 18's cloud-based Collaborative Workflow

Using The Surface Tracker On Complex Power Window Operations

Learn how to apply a VFX-style workflow to color grading (replacing the tedious operation of tracking multiple power windows independently).

Comparing ARRI’s LogC4 LUTs To Resolve Color Management

Learn to customize the built-in color management workflow of Resolve with quality external LUTs. This series begins with ARRI's LogC4 LUT.

Retouching In Fusion Is Simplified With The Resolve 18.1 Update

The Resolve 18.1 update added the Resolve FX 'Surface Tracker' plugin to the Fusion page. Learn how this vastly simplifies beauty retouching.

New Little Features Packing A Punch In DaVinci Resolve 18.1

DaVinci Resolve 18.1 is a feature-rich update. Colorist and finisher Joey D'Anna offers his list of impactful features - that aren't obvious.

Freelance Editing Tips: Setting Up Premiere Pro from Scratch

As a freelance editor, what are the first few settings you need to optimize when working on a client's computer - so you can work 'at speed'?

Using the Surface Tracker Resolve FX for Color Grading - Part 1

Learn how to use Resolve's 'Surface Tracker' Resolve FX for color grading - using it as a Power Window or to warp an existing Power Window.

Emulating the ‘God Rays’ Look with the Light Rays Resolve FX

Crepuscular rays (God Rays) are a unique natural phenomenon. Learn how to quickly emulate this effect using Resolve's 'Light Rays' plugin.

Rendering Files for Review or Delivery in Baselight

Luke Ross wraps our 20-part introductory series on color grading with Baselight (and the free Baselight LOOK) on how to create deliverables.

What Type of Dailies Is Right For Your Production?

Creating dailies seems simple - but professionals break them down into several varietals. In this Insight, you'll learn the key differences!

How To Edit Successfully With A Client In The Room

We welcome freelance editor Jonny Elwyn to Mixing Light! His first Insight shares his strategies for successful client-attended sessions.

Using Custom Curves To Emulate Fill-Light Adjustments

Sometimes you want to 'open up' the shadows as if you added a bounce card or fill light to the scene. Custom curves make this easy.

Color Grading Docs, HDR Trims, NVMe Disks for Cache, and more!

In this Office Hours, a team of Mixing Light Contributors tackles member questions about estimating time for HDR trim passes - and much more!

Fixing Dead Pixels And Image Artifacts in Baselight

Image repair and dust-busting are frequent duties of colorists & finishers. Learn how Baselight's DSpot and Paint tools perform these fixes.

Getting Great Greenscreen Keys Using Fusion’s Delta Keyer

Have you ever used Fusion's 'Delta Keyer' for greenscreens - but with poor results? You missed a step! Joey D'Anna gets you keying properly.

Creating Glows with the Aperture Diffraction ResolveFX Plugin

Learn how to get a physically realistic glow-like effect by manipulating the properties of Aperture Diffraction's “virtual” iris.

Learning to Color Balance More Quickly With Fewer Adjustments

In the final episode of his 'Flexing Fundamentals' series, Cullen Kelly shows how to color balance more efficiently by thinking differently.

Delivery Tips for Remote Sessions and DaVinci Resolve Trainers

When it’s time to share your Resolve User Interface with a remote client or classroom, a few simple tips and optimizations can win the day!

Fixing Oversaturated and Out-of-Gamut Colours in Baselight LOOK

Colourist Luke Ross is back with Part 18 of his 'Learning Baselight Look' series. Learn how to fix oversaturated and out-of-gamut colours.

How To Professionally Work Between Multiple Editing Platforms

Special Guests Scott Simmons and Jonny Elwyn join Joey D'Anna and Patrick Inhofer to discuss moving between NLEs as a professional editor.

How To Manage Versions for VFX & Graphics in DaVinci Resolve

If you have many graphics or visual effects shots that might be replaced at the last minute, learn the value of Resolve's 'Take Selector'.

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