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Slider-by-Slider: Using Resolve's New 'Film Look Creator'
Learn to use Resolve's 'Film Look Creator' plugin, slider-by-slider, with tips & advice. Does it compete with Dehancer Pro-style alternatives?
A Definitive Guide To Resolve’s 3D Qualifier, Part 1 - The Workflow
Colorist Daria Fissoun offers a definitive workflow for Resolve's 3D Qualifier when chroma keying, with tips for matte finesse and more!
The 5,000 Nits Edition – The Sunday Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 25 August 2024
Interviewing The Production Designer & Art Director For ‘The Bear’
Vincent Taylor chats with Emmy-nominated Production Designer and the Art Director of 'The Bear' on career, collaboration, food, & lighting.
Which AI Transcription Service is the Most Accurate?
Which AI transcription service is the most accurate when dealing with a bad audio recording? We put six of the best to the test to find out.
Step-By-Step: Mastering the Delta Keyer in Resolve Fusion
Learn how to set up Fusion for effective chroma keying workflows and understand the features of the delta keyer step by step.
Developing a Career in Color Grading with Colorist Aurora Shannon
Company 3 Colorist Aurora Shannon shares practical advice from her career journey as an assistant and final colorist on top-tier shows.
Deinterlacing & Upscaling NTSC Archives To 4K Deliverables
Learn how to use Resolve to deinterlace and upscale NTSC footage to 4K while preserving the original quality of your archive materials.
Python 101 Part 6 - Supercharging Code Writing With ChatGPT
Using Python to extract Chapter Markers and create a VTT subtitle file, Kaur Hendrikson teaches how to code with an 'AI' assistant.
The 1983 Edition – The Sunday Morning Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 11 August 2024
Answering Member Questions: HDR and Dolby Vision Workflows
Grading and delivering HDR is a complex technical process. Learn to master it with an hour of expert insights from 3 professional colorists.
Understanding The Baselight 'X Grade' Tool For Exposure And Hue
Get an in-depth breakdown at one of Baselight's newest innovative and intuitive primary color grading tools, 'X Grade' for hue and exposure.
Restoring Archival Interlaced Masters For 4K Delivery & Posterity
Colorist Daria Fissoun shares a project she remastered to 4K. In Part 1 of this series, learn her project setup to prep the archival master.
Matt McFarland: A Filmic Time Traveller And ‘Forensic Colorist’
Learn how veteran colorist Matt McFarland restores old print masters to modern formats - with his deep mix of grading skills and experience.
Chroma Keying More Effectively With Magic Mask + Delta Keyer
Learn to use Resolve's machine-learning Magic Mask to help pull better keys more quickly, combined with an intro to Fusion's Delta Keyer.
Demystifying Colour Spaces, Transfer Functions, Colour Standards
Filmlight engineer Daniele Siragusano unpacks the foundations of colour science and how these concepts define essential industry workflows.
The 14th Anniversary Edition - Sunday Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 28 July 2024
ColorSlice: Deconstructing DaVinci Resolve's New Secondary Tool
Learn to use Resolve’s new subtractive saturation tool, ColorSlice, to create more nuanced color grades. Colorist Jason Bowdach deconstructs.
ARRI LUTs, Linux Resolve, Broadcast Safe, & Monitoring LUTs
Mixing Light's team answer: What's the correct ARRI LUT? Building a Linux Resolve system. Is Broadcast Safe obsolete? And monitoring LUTs.
The Stefan Edition - The Sunday Morning Color Grading Newsletter
News, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sunday, 21 July 2024
Baselight Primary Tools: Base Grade, Video Grade, and Film Grade
Kali Bateman CSI explores Baselight’s primary color grading operators and their differences. She shows which tools she uses, and when.