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Getting Up To Speed On Resolve 17's New Proxy Workflow

Get up to speed on Resolve 17's new proxy workflow for lightning fast editing and grading performance when working remotely.

Getting Out Of The Red - Finance Fundamentals For Creative Pros

How much should a post production artist charge for their work? Learn an easy step-by-step process that gives you confidence in your rates.

Color Warper 101 Part 3: Creating Looks (Plus A Grading Challenge)

In the finale of the series, colorist Peder Morgenthaler puts what we've learned into action creative 3 looks with the Color Warper.

3D Printing For Post-Production: An Introduction

Learn the basics of 3D printing, and how you can use it to improve your post production environment with custom upgrades.

Look Development Part 3: Sweetening The Color Palette

In the last installment of his series on the essentials of look development, Cullen Kelly guides you through the concept of preferential color mapping.

Good Grades: Documentary Masterclass with Evan Anthony

In this installment of Good Grades we sit down with renowned documentary colorist Evan Anthony and talk about his start, work and more!

Mailbag LIVE! Selecting The Proper Storage For Post Production

Today's Agenda: What do digital video post production professionals need to consider when buying a storage solution for their digital media?

Color Warper 101 Part 2: Managing Points & Pins + Chroma-Luma Panel

In part 2 of his series, Peder Morgenthaler dives deeper into the controls in DaVinci Resolve's Color Warper.

Color Grading Challenge – Tri-X Style Black & White

Dan briefs you on a Black & White Tri-X look. If you grade to his brief and post in the comments, he'll play 'client' and offer feedback.

Review - Controlling The HDR Palette With The Resolve Mini Panel

How does the DaVinci Resolve Mini control surface manage to control 7+ color wheels in the HDR Palette, with only 3 physical trackballs?

Color Management The 'Right' Way?

In this episode, we discuss if project-wide or more custom approaches to color management are the 'right' way to do things.

Creating Your Own Fusion Effects Plug-ins with DaVinci Resolve 17

Get an overview of how you can create your own 'plug-ins' for DaVinci Resolve's Edit Page with its new Fusion Effects functionality.

Look Development Part 2: Dialing In The Contrast Curve

In Part 2 of his series, Cullen Kelly takes a look at dialing in the contrast curve for a look with the new HDR Zone tool in Davinci Resolve 17.

How To Set Up and Deliver Dolby ATMOS in Resolve 17

In this Insight, learn how to setup, monitor, edit and deliver Dolby Atmos immersive audio in DaVinci Resolve 17

Finding Success Within Failure: How Can We Change the Conversation?

In this Insight, I'd like to start a conversation about something we seldom discuss in post-production; failure.

Colorist Inspiration – January 2021

Dan looks back at a rollercoaster 2020 and his most memorable moments. Then he looks forward to a new color grading suite he's building.

Mailbag LIVE! About That ACES Workflow??

Today's Agenda: Is it just me or does the ACES color management system feel like it's limiting my creative choices?

Resolve 17 Color Management Tips and Pat's Fixed Node Tree

Learn how to set up Resolve Color Management for success. You'll also see a colorist's node tree, designed for RCM & the HDR Palette.

A Beginners Journey Using Instagram For Marketing & Brand Awareness

In this Insight follow Robbie's start into using Instagram for marketing, sales & brand awareness of his color correction buisness.

Color Warper 101 Part 1: Concepts and Interface Fundamentals

The new Color Warper in DaVinci Resolve 17 is very powerful, very accurate, but a bit complicated. In Part 1, learn this tool's fundamentals.

Custom ACES Part 4: Updating For Resolve 17

Watch colorist Joey D'Anna update his custom ACES workflow to better use the new HDR tool in Resolve 17, and use DaVinci Wide Gamut colorspace

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