'Subtractive saturation' is a hot topic with colorists. Learn how to manually build this tool in DaVinci Resolve for more natural results.
This is our first Office Hours Livestream. Four Mixing Light Contributors take and answer questions from members in a livestream.
Mixing Light's new CEO shares the changes that are being made to the service, and the reasoning behind these changes.
Colorist Robbie Carman looks forward to 2022 and the steps he's to improve his color grading skills, business, and personal well-being.
Learn how to import media, bookmark folders, preview and edit footage into a sequence, using the FLUX viewer. Plus - recovering from a crash.
In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.
In Part 4, dig deeper into setting up a Baselight 'Scene'. Some options can't be changed later and others will force your media offline.
Learn how to use the original SDR color grade as a reference for a new SDR Dolby Vision trim from an HDR re-master (gulp!)!
Cullen Kelly wraps his 10-part intro series about Coding DCTL. It's a live Q&A session answering questions, while Cullen learns something new!
This Insight provides an orientation on the Baselight Student user interface. Plus, learn the terms Host, Job, Scene as used by Baselight.
Mixing Light announces a change of ownership with Patrick moving up as owner/CEO as Robbie and Dan step away. Get the full story.
This series returns with stories on Netflix recommended displays; being a better colorist; color harmonies; and note-taking.
New Mixing Light Contributor Luke Ross kicks off a 20-part series on learning Baselight Student, for newbies and experienced colorists alike.
Colorist Cullen Kelly finishes off coding a split-toning Resolve DCTL plugin with a visual overlay showing how the RGB channels are modified.
In part two of his series, Colorist Joey D'Anna shows you how to color manage graphics when trimming a project from SDR up to HDR.
Colorist Cullen Kelly finished defining his Davinci Resolve DCTL plugin. Learn how he tweaks the interface, eliminating 'dead zones.'
In this Insight Dan (well known for his gritty looks) tries to bring a bit of that style to a cleaner, HDR ready show look created in Baselight
We've all seen the 1931 CIE RGB Chromaticity Chart but do you understand its importance to film and video? How does it map to human vision?
DaVinci Resolve 17.4 is a substantial update. Colorist Joey D'Anna explores his favorite features, big and small, on the Color & Edit Pages.
In this Insight, Colorist Joey D’Anna shows you how to move an SDR grade into HDR using a Custom ACES fixed node structure.
In an application as deep as Resolve its easy to forget about a feature or not even know one was there! In this Insight, Robbie Carman explores some of these