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An Interview With 30-Year Veteran Gaffer Rick Kalivoda
Rick Kalivoda, a 30-year gaffer and on-set veteran, talks about his craft in executing the vision of the DP and the emergence of LED lighting.
The Coca-Cola Edition - Sunday Morning Color Grading Newsletter
This week: New Coke Redux, Ben Affleck on AI, Resolve Studio (plus hardware) On Sale, Black Friday sales, and more!
Editors & Colorists - Properly Archive Your (Premiere Pro) Projects
Editor Jonny Elwynn teaches you the ins and outs of archiving your projects, the different options, and tips for Premiere Pro projects.
Resolve’s Six Vector Presets for Quick Secondary Adjustments
Daria Fissoun CSI uses color vectors for secondary adjustments in DaVinci Resolve on archival footage. Plus, Vector Presets vs Color Slice.
The Adele Edition - Sunday Morning Colorist Newsletter #601
In this week's Newsletter: World record LED screens, Resolve 19.1, Black Friday approaching, something weird, and more!
Mezzo Soprano Emily Harmon: Seeing Color Harmonies In Music
See color differently by understanding the phenomenon of synesthesia, as explored in my conversation with Opera singer Emily Harmon.
Advanced Chroma Keying Edge Operations, Light Wrap in Fusion
Learn to fix edges when chroma keying in Fusion. Blur, color correct, and extend colors on mask edges—including effective light wrap effects.
Identifying Chromatic Aberration And Removing Fringing
Colorist Daria Fissoun CSI discusses fringing and chromatic aberration. Including using a ResolveFX filter or an HSL qualifier to reduce it.
The Wielage Edition - Sunday Color Grading Newsletter
This week's edition includes Restoring Hitchcock, Shooting On iPhone, Temp & Tint, Color Grading awards, industry salaries, and more.
What Should Post Production Pros Earn? Does AI Threaten Us?
Technologist and post production industry veteran Katie Hinsen talks about her Annual Salary Survey - plus, should be worried about AI?
Advanced Despill Operations - Chroma Keying In Resolve Fusion
VFX artist Bernd Klimm teaches advanced techniques for managing chroma spill. Plus, learn to execute the concept of 'adaptive spill removal'.
Using Tangent’s New 'Warp Engine' To Accelerate DaVinci Resolve
Learn how to use the Tangent Warp Engine to map any control, on any Tangent panel, to DaVinci Resolve—including ColorSlice and HDR wheels.
The Angry Face Edition - Sunday Color Grading Newsletter
This week in Color Grading: Tangent Panels Revitalized, RGB Color Spaces, Color Shaper DCTL, Avon Skin Analyzer, and more!
The Perfctl Edition – Sunday Colorist Newsletter
In this week's Newsletter: A Linux Virus, Print Emulation, LUTs, DIT Lamp, and more... Sunday, 6 October 2024
Artist Anna Evans: We need to talk about Magenta
What can a contemporary painter teach colorists? Quite a bit about the fundamentals of additive and subtractive primary colors, actually.
Fixing Overexposure In Standard Dynamic Range (SDR) Footage
Learn to restore overexposed standard dynamic range footage, using exposure planes & the face refinement ResolveFX - with tips and tricks.
How to Set Up And Use DaVinci Resolve's Remote Monitor App
Two colorists show how to set up the DaVinci Remote Monitor app to share your Color Page Viewer with remote clients during a grading session.
The My.Blue Edition - Sunday Color Grading Newsletter
This week's Newsletter: Color Perception, Train the Trainer, Face Refinement, Skin Tones, Oktoberfest, and More...
Definitive Guide To Resolve’s 3D Qualifier, Part 2 - Problem Solving
Daria Fissoun shows how to fix chroma key issues like hair, spills, and color matching for clean keys using Resolve's 3D qualifier.
Building 'Crayon' - An Artist-Focused Color Grading Boutique
Colorist Daniel Stonehouse shares why a successful grading career requires more than a great reel and how he helps creatives collaborate.
‘Hard Comp — Soft Comp’ And Efficient Delta Keyer Workflows
Bernd Klimm shows you how to refine chroma keys for fine detail & hard edges using Fusion's matte controls, masks, despill, and more.