Dan briefs you on a Black & White Tri-X look. If you grade to his brief and post in the comments, he'll play 'client' and offer feedback.
How does the DaVinci Resolve Mini control surface manage to control 7+ color wheels in the HDR Palette, with only 3 physical trackballs?
In this episode, we discuss if project-wide or more custom approaches to color management are the 'right' way to do things.
Get an overview of how you can create your own 'plug-ins' for DaVinci Resolve's Edit Page with its new Fusion Effects functionality.
In Part 2 of his series, Cullen Kelly takes a look at dialing in the contrast curve for a look with the new HDR Zone tool in Davinci Resolve 17.
In this Insight, learn how to setup, monitor, edit and deliver Dolby Atmos immersive audio in DaVinci Resolve 17
In this Insight, I'd like to start a conversation about something we seldom discuss in post-production; failure.
Dan looks back at a rollercoaster 2020 and his most memorable moments. Then he looks forward to a new color grading suite he's building.
Today's Agenda: Is it just me or does the ACES color management system feel like it's limiting my creative choices?
Learn how to set up Resolve Color Management for success. You'll also see a colorist's node tree, designed for RCM & the HDR Palette.
In this Insight follow Robbie's start into using Instagram for marketing, sales & brand awareness of his color correction buisness.
The new Color Warper in DaVinci Resolve 17 is very powerful, very accurate, but a bit complicated. In Part 1, learn this tool's fundamentals.
Watch colorist Joey D'Anna update his custom ACES workflow to better use the new HDR tool in Resolve 17, and use DaVinci Wide Gamut colorspace
How easy is it to do final finishing in Baselight? Dan shares his approach to adding titles, audio, compositing and rendering
We welcome new contributor Jason Druss to Team Mixing Light as he kicks off his new 'Good Grades' series talking to top colorists. First up Shawn King
SetStream.io is a powerful new remote streaming tool. In this Insight, we sit down to chat with Thatcher Kelley to learn more about SetStream.io
In Part 3 of this series, learn how the color grading controls work differently with RCM 2 enabled. Plus, contrast control in the HDR Palette.
Learn how to establish good color management and clear definitions for your look development workflow.
A member asked for some advice on matching two shots that had distinctly different looks. In this Mailbag, we discuss strategies for matching these shots.
The new DaVinci Resolve Speed Editor is a fantastic controller. Learn how to use it for color grading, online editing and multicam workflows,