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Review - The OWC ThunderBay Flex 8 Workflow Supercharger

Get a hands-on look at OWC's direct-attached Thunderbolt-3 RAID chassis. Plus, (3) configuration ideas for post production professionals.

Nodes 101 – Mastering DaVinci Resolve’s Serial Node

Do the nodes in DaVinci Resolve's Color Page confuse you? In Part 1, learn how to think about using nodes with this intro to the Serial Node.

Moving To Baselight Fulltime

In July I started the proecess of moving to Baselight full time for my grading. As a 10 year Resolve veteran I need to let go of the past

Combining Group Grades With Shared Nodes While Avoiding The Pitfalls

In Part 2 of this advanced workflow series, learn how you can use Shared Nodes inside Group Grades for quick & easy revisions down the road.

Using Playheads - Working Faster In DaVinci Resolve's Color Page

Learn how to accelerate your color grading in DaVinci Resolve's Color Page by using multiple Playheads to quickly navigate the timeline.

Using the Mocha Pro OFX Plugin in DaVinci Resolve Fusion

See the MochaPro OpenFX plugin in action to track and remove a logo on a car door - and finish / refine the composite in Fusion.

Combining Shared Nodes and Group Grades in DaVinci Resolve

Applying the one color grade to multiple shots is easier with Resolve's Groups or with Shared nodes. Learn how to combine the two approaches.

Creating And Modifying Speed Effects in Davinci Resolve

Learn how to fix frame rate problems and create both constant- and variable-rate speed effects (and image processing options they enable).

Better Blurring In DaVinci Resolve: Part 2

In the second part of his series on better blurring, Joey jumps into Fusion to explore its powerful capabilities to create natural-looking blurs.

Working With Reference Images: Evaluating Camera Source Footage

In Part 2 learn how you can evaluate the source footage on your timeline to answer: Is this footage a good match for our references?

Better Blurring In Davinci Resolve: Part 1

In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page

The Fundamentals of DaVinci Resolve's Gallery and Memories

Learn how to use Resolve's Gallery for comparing and sharing color corrections or nodes between different shots.

Working With Reference Images: Part 1

In part 1 of a new series, learn the essentials of how to interpret and read references for contrast, tonality, and other key factors.

Advanced Keyframe Editing in Fusion

Learn powerful keyframe editing techniques in DaVinci Resolve's Fusion page, using the built-in spline and keyframe editors.

What's Tone Mapping?

In this installment of From The Mailbag we sit down to talk about tone mapping and how's used in software and on consumer displays.

ACES 201 - Node-based Grading, Sharing Looks to On-Set and VFX

In this webinar, learn an alternative approach to color grading ACES projects in DaVinci Resolve plus collaborating with others in ACES.

A Review of Blackmagic's Editor Keyboard: 1 year later

Learn what a online editor and colorist thinks after spending a year working with the Blackmagic editor keyboard, full-time. Plus, his tips.

Custom ACES Part3: ODTs, Deliverables and HDR

Learn how to use a custom ACES workflow to easily manage deliverables in different color spaces, and easily take your grade from SDR to HDR.

The 10-Minute Grade: Shot Balancing

In this installment of The 10-Minute Grade, Cullen Kelly walks you thru a few different techniques to quickly get shots balanced when time is of the essence

Color & Finishing In A Global Pandemic

In this From The Mailbag, we discuss the current and the possible future of work from home & remote workflows + concerns that we might not be consindering.

Mastering DaVinci Resolve Cloud, Point Trackers for Shapes and OpenFX

If you want to master DaVinci Resolve's Color Page then you need to master its Cloud and Point trackers. This Insight sets you on that path.

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