Robbie Carman
Washington, D.C.
Selected Skills
What I Do
About Robbie Carman
My life as a colorist began not in a post-production facility, but behind a mixing board. I learned to play the piano when I was 4, after that followed sax, trombone, guitar, bass, drums, and a plethora of other instruments. As a teenager, I realized I probably wasn’t going to be a rockstar but I could help rockstars! I dove deep into the recording arts and sciences building a sophisticated (at the time) home project studio.
Later in my first year of college as I sat behind a massive SSL console mixing (or trying to!) a band, the lead singer held up a Hi-8 camcorder (not digital 8) and asked me if I knew how to edit a music video. This one interaction set my career path for the next 25 years but it also did something else – introduced me to a professor who would instill in me a lifelong love of learning, teaching, and education.
As a colorist I pride myself on being ahead of the technology curve, delivering value to clients with a good amount of OCD to get their projects as perfect as possible. I’ve been lucky to have run a thriving post facility for almost 20 years.
As an educator, I take pride in my ability to explain and breakdown complex. In this role, I’ve traveled the world speaking, training, and helping people of all skill levels, I’ve written numerous books, produced hundreds of hours of video content.
For nearly a decade I was a co-founder & a managing partner of Mixing Light. In late 2021, I stepped down from these roles so I could pursue new creative & business challenges including completing my MBA.
Tutorials by Robbie Carman
260 tutorials found.
Looking Forward To 2022 - Improving Myself, My Grading, My Business
Colorist Robbie Carman looks forward to 2022 and the steps he's to improve his color grading skills, business, and personal well-being.
Color Page Tools You Might Have Forgotten About Or Didn't Know
In an application as deep as Resolve its easy to forget about a feature or not even know one was there! In this Insight, Robbie Carman explores some of these
Grading HDR & Dolby Vision: Patrick & Dan Join The Fun
In this installment of 'From The Mailbag' Team Mixing Light discusses Patrick & Dan's newest HDR projects &the challenges they faced.
Milestones: 1,000 Insights, New Pricing, and More!
1,000 Insights are now in our Insights Library! In this article Team Mixing Light has new announcements and a look back at our favorites.
Getting Back To The Studio (Facility)
It's been a challening past year and half. In this episode we discuss getting back to the studio/office/facility and what that means these days.
Webinar: The Birth Of Color Photography & The RGB Color Process
Help us celebrate the 160th Anniversary of the color photograph, its history, and the RGB color model! Presented by colorist Hector Berrebi.
Building A Dynamic Demo Reel With Dávid Láposi - Mailbag LIVE!
Team Mixing Light hosts Hungarian colorist Dávid Láposi to discuss creating a personal, story-based demo reel to help advance your career.
Mailbag LIVE! Selecting The Proper Storage For Post Production
Today's Agenda: What do digital video post production professionals need to consider when buying a storage solution for their digital media?
Color Management The 'Right' Way?
In this episode, we discuss if project-wide or more custom approaches to color management are the 'right' way to do things.
A Beginners Journey Using Instagram For Marketing & Brand Awareness
In this Insight follow Robbie's start into using Instagram for marketing, sales & brand awareness of his color correction buisness.
Getting To Know SetStream.io: A Chat With Thatcher Kelley
SetStream.io is a powerful new remote streaming tool. In this Insight, we sit down to chat with Thatcher Kelley to learn more about SetStream.io
Help Matching These Shots, Please!
A member asked for some advice on matching two shots that had distinctly different looks. In this Mailbag, we discuss strategies for matching these shots.
Color Correction Gear Head: The Stocking Stuffer Edition (November 2020)
With the holidays nearly upon us, in this installment of Color Correction Gear head discover several 'stocking stuffer' pieces of gear to add to your list!
A Mixing Light Special Report: Resolve 17 Announcement
Blackmagic Design just announced Resolve 17. We jump on a call to discuss the release, its timing, new features, and our initial thoughts.
Mailbag Live & Revisiting Why Does It Look Different On Export?
Team Mixing Light announces an upcoming new website feature & the Team revisits the issue of exports looking 'wrong'.
What's Tone Mapping?
In this installment of From The Mailbag we sit down to talk about tone mapping and how's used in software and on consumer displays.
Color & Finishing In A Global Pandemic
In this From The Mailbag, we discuss the current and the possible future of work from home & remote workflows + concerns that we might not be consindering.
eGPU Workflows: Enhancing Processing & Performance
An eGPU setup could offer a dramtic performance increase to your workflow. Learn about eGPUs, the AKiTio Node Titan & workflows leveraging an eGPU
HDR Essentials: Vocabulary & Workflow Webinar
In this Mixing Light Webinar replay, join Mixing Light co-founder Robbie Carman as he explores HDR essentials, including vocabuarly & workflow
Revisiting Streambox Realtime Sessions - Part 1
In the remote, work from home reality that find ourselves in, how can you deliver color accurate real-time streams to clients? Learn how in this Insight.
Resolve Remote Workflow: Hawaii To LA & Back
In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.
Taking A Look At Screen - A Modern Video Player For The Mac
In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.
Revisiting RCM, ACES & CST Workflow
In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows
Running A Stronger Color Correction Business in 2020
In this Insight, Robbie reflects on 2019 and shares some of his goals for 2020 to help run a stronger color correction buisness
Color Correction Gear Head: January 2020 Edition
In this installment of Color Correction Gear Head, Robbie shares some essential items that went into the building of his new facility.
Looking Back On The Past Decade & Forward To The Next One
In this episode, we discuss the past decade and speculate on the next 10 years in the world of color grading.
Is the Disney + Series 'The Mandalorian' Fake HDR?
In this installment of From The Mailbag, we tackle a hot topic from the world of color grading this past week - is there such as thing as FAKE HDR?
What's Up With Supplemental IMFs?
In this installment of From the MailBag, we're once again joined by Mixing Light contributor Joey D'Anna who gives us the skinny on supplemental IMF packages for delivery to broadcasters and OTT providers.
Are You Punching Below Your Weight? Is There Anything To Be Done?
In this episode of From The Mailbag we discuss a member's email about how he feels he should be landing bigger projects but isn't.
Am I ready for client supervised color grading sessions?
A Mixing Light member has color graded for an internal team for years. But how does he know if he's ready for outside client color sessions?
A DCP Problem & A Refresh On Troubleshooting
Team Mixing Light tackles two problems creating a DCP. We also discuss proper troubleshooting techniques for any post production problem.
$5000 For A Monitor. What Should I Get?
We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Advanced vs. Mini Control Surface - Should I Sell The Advanced Panel?
Team Mixing Light discusses the Resolve Advanced Panel, compares it to the less costly Mini, and asks if the larger panel is worth keeping?
Don't Hate: Tips For Not Resenting Projects Or Clients
In this Insight learn several strategies for not resenting projects and clients & getting totally burned out.
Simplifying DCP Drive Delivery With Cinematiq's DCP Transfer
Learn about Cinematiq's DCP Transfer application for streamlining EXT2 DCP driver deliveries - without having to jump in the Terminal!
Our Initial Thoughts On The Apple Pro Display XDR - Is It Truly XDR?
The XDR looks like an impressive display from Apple but - is it a reference monitor? It sure is priced like one!
Our Initial Thoughts On The 2019 Apple Mac Pro Announcement
At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.
The Game Of Thrones 'Too Dark' Kerfuffle
We take a look at Game Of Thrones Season 8, Episode 3 and ask, as creative professionals, was it too dark and where did it go wrong?
What to do if your client doesn't trust any of your reference displays?
Team Mixing Light tackles a member's question on how to handle a DP who doesn't trust any monitor in a facility?
You Failed...Now What?
Failure is a part of any business, but how you process and recover from failure can make a big difference on how you succeed next time.
Clients Unhappy With Your Downstream SDR Tone Mapped Color Grade?
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
New Dolby Vision Training & Looking Forward to NAB 2019
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
Revisiting Strategies For Getting Paid (on time and without hassle)
Getting paid quickly is a key part to running your own business. In this Mailbag we discuss strategies for getting paid on-time.
Revisiting Using A Single Large Format Monitor
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
Looking Back At 2018 & Forward To 2019
In this installment of From The Mailbag, we take a look at trends and thoughts about 2018 and discuss what 2019 will hold for colorists.
Color Correction Gear Head: January 2019 Edition
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
Is High Dynamic Range (HDR) Video Legit? Should I Invest In HDR Tech?
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
How Do I Color Grade 1,500 Shot Timelines (on a deadline)?
Color grading 1,500 shots in a single timeline is daunting. We discuss a question about how to gain efficiency grading really long timelines.
How To Fight Periods Of Not Feeling Creative (and still be creative)?
Robbie, Joey, and Pat answer a member's question about how to handle periods of feeling creatively empty in the color grading suite?
The 2018 Mac Mini - Perfect Color Suite Companion?
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
Is It Your Responsibility to Archive a Color Grading Project?
Multiple members have recently written asking the same question: Is it a colorists' responsibility to archive media and project files?
Advice For Dan’s (Or Anyone’s) Color Correction Business
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
Getting To Know Dolby Vision Part 3: Dolby Vision For Everyone!
In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.
Integrating Graphics & Text Into A Dobly Vision HDR Project
Team Mixing Light is once again joined by Joey D'Anna to discuss integrating graphics and text into Dobly Vision HDR projects.
Before The Grade: 5 Pre-Grade Tips To Improve Session Speed
In this Insight, Robbie looks at 5 pre-grade tips that can help you increase your overall session speed when it comes time to grade a project.
Color Grading HDR For The First Time - In A Live Competition!
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
What Can DPs Do To Make Final Color Easier?
Pat, Robbie and Mixing Light Contributor Joey D'Anna discuss what can DPs and onset staff do to make the final color grade easier?
Revisiting DCP Creation With Resolve 15
Resolve 15 supports the ability to create DCPs natively. In this Insight, learn how that works and get back ground info on essential DCP specs.
How Do You Find A Mentor As A Solo Artist In A Small Market?
In this podcast, Team Mixing Light tackles a member question about how to find a mentor for color grading - in a small city.
Should I Standardize Every Project Using A Color Management System?
We discuss if professional colorists should be standardizing every project around color management systems like RCM & ACES?
LG 8 Series Or FSI XM650U - Which Large Format Display To Buy?
The Team discusses a question we've been getting a lot: Is it worth getting the FSI XM650U over a 65" LG OLED?
10 Things I've Learned (So Far) About HDR Grading
In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.
The 3000 NIT FSI XM310K: Talking HDR With Bram Desmet
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
A Career As A Colorist: The Best Advice We've Received
We discuss the best advice we've received for our color grading careers. From attitude to technical to creative, we share what's worked.
A Month Later: Team Mixing Light's Take On NAB 2018
It's been a little over a month since NAB 2018. We discuss what we saw including Resolve 15, new HDR monitoring, control surfaces and more.
Getting Started As A Colorist & What's Changed In Grading?
We've got lots of questions from members asking how to get started as a professional colorist and how has grading changed over the years?
Shared Storage For The Small Studio: Case Study With The Lumaforge Jellyfish Mobile
In this Insight, learn about the basic design of the Lumaforge Jellyfish Mobile, and why it might be a perfect solution for your set-up.
Color Correction Gear Head: May 2018 Edition
In this installment of the Color Correction Gear Head series, Robbie takes a look at the 2018 LG OLEDs (C8), the HD Fury Integral 4k, Aja 1616 12G Router, OWC Mercury HeliosFX and remote control application Splashtop.
Talking LGs, OLEDs, and Calibration With Portrait Display's Tyler Pruitt
In this special edition Mixing Light Podcast, Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
NAB 2018 Plans & Is My Harris DL860 Working Properly?
We discuss our 2018 NAB teaching plans and where to find Patrick on the show floor? We answer a member's question about the Harris DL860.
Re-Revisiting Multi-Channel Audio Output In Resolve
No, that's not Déjà vu! We're re-revisiting multi-channel audio output in DaVinci Resolve! In Part 1 of a new series, we'll explore the essentials of multi-channel output including using the 'Timeline Tracks' method, The Link Group behavior, and basic bussing.
Colorist Challenge: Moving From A Direct View Monitor To The Cinema
A member asks about grading on a direct view monitor vs. the cinema. We discuss the differences and why overcomplicating it is a bad idea!
How To Migrate PowerBins, PowerGrades, Configs Between Databases?
Team Mixing Light discusses strategies for moving Resolve PowerGrades, PowerBins & project configurations between databases.
Handling A Rejected Grade, As A Freelance Colorist
Dan Moran recently joined the freelance world. He's curious how Pat and Robbie handle a client who rejects a grade - fix it or charge more?
Grading The White Cyc Stand Up - When White Is Not White
In this video, you learn techniques for color correcting log encoded white cyc footage. Plus get several solutions for fixing common problems with these types of shoots and why, many times, your corrections are a compromise.
How To Back Up Your Resolve Databases And Your Computer
One of our members asks about backing up Resolve databases and computers. This is an essential skill for colorists, listen to how we do it.
How Do You Choose A 4k Reference Monitor For Color Grading?
The Team discusses the pros/cons of 4k monitoring. We explore new offerings from Flanders Scientific including the XM650U and XM310K.
First Look: FSI XM650U UHD Monitor
In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.
How To Color Grade Full Range for Data Level Broadcast Delivery?
A member asks a question about working in Full Range but delivering a video rendered to legal/broadcast levels. We work through the thinking.
Revisiting The Judd Modification When Calibrating OLED Displays
Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor. What is it? When to use it?
Telestream Switch: A Media Player For Pros?
QC and media inspection are an essential part of 'finishing' process. In this Insight, Robbie shares his experience with Telestream Switch which is a full featured media player, inspector and QC tool.
Talking About and Understanding Dolby Vision Color Grading
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
About the New Blackmagic Design Conference, The New iMac Pro
Team Mixing Light discusses the first ever Blackmagic Design Conference & Expo as well as our thoughts on Apple's latest - the iMac Pro.
Getting To Know Dolby Vision Part 2: Delivering To non-HDR Televisions
In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.
The 12 Days Of Running A Better Color Correction Business
Getting into the holiday spirit, in this Insight Robbie shares 12 strategies to improving your color correction business in 2018
Getting To Know Dolby Vision Part 1: Terminology, Gear, and Workflow
In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.
Color Correction Gear Head: November 2017 Edition
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
Getting To Know The El Gato Stream Deck: Part 1
Designed for gamers and streaming is the El Gato a suitable control surface supplement for colorists? In this Insight, learn about the Stream Deck
Surviving (And Finishing) A 1000 Shot Project In 2 Days Or Less
Coloring long form projects with very quick turn arounds can be very challenging. In this article, learn techniques for surviving & finishing big projects
RED's IPP2 Pipeline In Resolve (Sort Of)
RED's new IPP2 processing pipeline has a lot to offer, in this Insight, we explore the new pipeline setup in RedCineX & DaVinci Resolve 14
Choosing Between ACES Or RCM? Plus, Control Surface Sensitivity.
The Team fields a member question about how we set up the sensitivity of our colorist control surfaces? How do we decide?
Client Communication: A Short Primer For Young Colorists
The hardest part about color correction is not learning new software or pushing buttons but communication with clients. Learn more in this Insight.
Our New DaVinci Resolve14 Traning & Revisiting Remote Rendering
The Team discusses our new Resolve 14 New Features title as well as DaVinci Resolve Remote Rendering with guest Joey D'Anna.
Getting To Know The Resolve 14 Collaborative Workflow Part 2
In this Insight, we put Part 1 into action and explore the powerful workflows possible with Resolve 14 collaborative workflows.
Getting To Know The Resolve 14 Collaborative Workflow: Part 1
Among Resolve 14's great new features, the redesigned collaborative workflow stands out. In this Insight, learn the essentials of Resolve collaboration.
Pressure: How To Get Things Done Without Having A Breakdown
Pressure is an unavoidable part of being a professional colorist. In this Insight, learn strategies to alleviate pressure so you avoid a complete meltdown!
From The Mailbag EP 37: Mixing Light 2.0 Member Changes & Benefits!
Learn about changes and new features for Mixing Light members with the newest version of our Website - Mixing Light 2.0.
Green Screen Keying & Managing Transparency In Resolve
In this Insight, learn about pulling a green screen key in DaVinci Resolve and how to manage transparencies and rendering alpha channels.
Breaking Geographic Boundaries: Remote Grading Part 2
In part 2 of this ongoing series, Robbie explores using Streambox's Hybrid Encoder for remote sessions plus some additional gear.
Color Correction Gear Head: February 2017 Edition
In this installment of Color Correction Gear Head Robbie talks about some recent gear & software finds to make life in the color suite easier
Getting To Know The EasyDCP Resolve Plugin: Streamlined DCP Creation
Want to make a DCP directly from Resolve? In this Insight, Robbie explores the essentials of using the EasyDCP Resolve plugin.
Is Perception Hurting Your Color Correction Business?
Client perception about you & your business plays a large role in winning work.In this Insight learn how to shape client perception
Using Reference Monitors & LG's OLEDS Together In The Color Suite
Team Mixing Light discusses choosing colorist reference monitors. Plus, using LG's consumer OLED televisions in our color suites.
Screwing Up A Flat Bid: 5 Strategies To Prevent & Fix Low Flat Bids
In this Insight, Robbie shares some hard-won tips on what to do when you screw up the pricing on a flat bid & how to prevent these mistakes.
The Look Of 'Westworld' & Look Creation Philosophies
Robbie, Pat, and Dan discusses the look of the series 'Westworld' and our look creation philosophies when color grading.
Color Correction Gear Head: January 2017 Edition
The Color Correction Gear Head Series is back! This time around we cover a video router, a couple sets of adapters, and a streaming solution.
The Marathon Moves Into January & A Preview Of Mixing Light 2.0
We discuss our Insights Marathon moving to January and what to expect. Plus, we reveal plans for the next iteration of our website!
Breaking Geographic Boundaries: Remote Grading Part 1
In part 1 of a 3 part series, we explore the different methods of remote grading and how remote work can help your bottom line.
From The Mailbag EP 34:Talking GPUs & Tech We Can't/Can Live WIthout
The Team discusses GPUs for the colorist and how to select one. Plus, tech we've discovered we can live without, and tech we can't.
Making The Move From Mac To A Windows PC: Part 2
In part 2 of this ongoing series we take a look at popular Windows PC turn-key solutions & the essentials of PC hardware components.
New Year Resolutions 2017: Improving Your Business & Color Grading
In this Insight, Robbie shares a number of new year resolutions for potentially improving your business & color grading.
Making The Move From Mac To A Windows PC, Part 1: Addressing Common Objections
In part 1 of new series on switching from the Mac to Windows, we address some common complaints often cited about moving from a Mac to a PC
Getting To Know ACES Part 4: The Latest In ACES Updates
Continuing our introductory series on ACES, you learn about the latest updates to ACES, including a working color space added to the ACES 1.03 specficiation: ACEScct. Plus, how it effects DaVinci Resolve colorists.
The State of the Mac Desktop (after Apple's October 2016 Presentation)
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
Syncing Resolve's LUT Folder & Viewing HDR & SDR Simultaneously
A member asks how they can easily sync Resolve's LUT folder between suites. Plus, the pros/cons of viewing HDR & SDR simultaneously.
Color Correction Gear Head: October 2016 Edition
In this installment of Color Correction Gear Head, learn about essential gear & items you'll need to rewire & install gear in your room.
You'll Get Paid, When We Get Paid - 5 Ways To Avoid This Trap
Have you ever had a client say that won't pay you until they're paid by their client? Learn 5 techniques for avoiding this issue
Revisiting Multi-Channel Audio Output In DaVinci Resolve
Resolve users are often tasked with making final outputs.In this Insight, learn how to easily route multi-channel audio for output.
Getting To Know The DaVinci Resolve Control Panel - An Overview
The DaVinci Resolve Control Panel gives you the most hands-on control of Resolve. In this Insight, learn about the design & functionality.
Color Correction Gear Head: September 2016 Edition
In this installment of Color Correction Gear Head we take a look at the Pascal Titan X GPU, LG B6 OLED, & some fantastic Focal Speakers
5 Ways To Sell Clients On NOT Color Correcting In-House
In this Insight, discover 5 strategies for convincing clients to grade with you rather than color correct projects in-house.
Modulating Your Time Based On Client Budget & Needs
With constrained budgets, clients can't always afford your services. But maybe you can modulate your time and effort to meet their needs?
Getting To Know The New Flanders Scientific BoxIO
Color management can be complex. We talk to FSI's Bram Desmet about their new BoxIO Lut box and how it can help on-set & in post.
Color Correction Gear Head: August 2016 Edition
In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools
Delivering Project Files: Making The Choice About Your IP
You always deliver final video files but should you deliver project files to your clients too? Learn more in this Insight.
Resolve Remote Rendering: Setting Up A ProRes 'Dongle'
Working on a PC but need to render ProRes? In this Insight, learn how to setup Resolve remote rendering & use a spare Mac for ProRes renders
Bad TV: Essential Steps For Creating The Bad TV Look
Every once and a while you'll need to create a stylized bad TV or surveillance camera look. In this Insight learn how.
Color Correction Gear Head: The July 2016 Edition
In the inaugural edition of the Mixing Light color correction gear head series we take a look at 4 pieces of gear for the colorist.
5 Strategies For Managing A Supervised Session
Supervised color grading is hard! In this Insight, Robbie shares 5 strategies for managing a supervised session.
Chasing Down Money: 6 Strategies For Overdue Payments
Running a creative business is fun until someone is long overdue paying you! Learn 6 Strategies for chasing down overdue money
Getting To Know ACES Part 3: Visual Effects Workflows
Our Getting To Know ACES series continues, looking at the essentials of using ACES for VFX roundtrips with DaVinci Resolve. You learn how to move images between VFX and color grading within the ACES color science.
Getting To Know ACES Part 2: More Terms & Resolve Setup
Start digging deeper into ACES terms and acronyms that will have you sounding like a pro. And you learn how to set up ACES in DaVinci Resolve.
How Sync & VPN Changed My Color Grading Life
In this Insight, Robbie explores how through VPN & BitTorrent sync he was able to leave the office earlier & still work!
Resolve 12.5 - Robbie's Top Features
Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.
How To Sharpen Quick Focus Pulls? Plus, using the HP Z27x DreamColor.
The Team answers a member's question about sharpening quick focus pulls. Plus they discuss using the HP Z27x DreamColor display.
Getting To Know ACES Part 1: Introduction
ACES (Academy Color Encoding Specification) is a professional color management system used by productions of all types. In Part 1, you learn about the problem it solves and basic terminology.
Mixing Light at NAB 2016 plus Film Style Grading plus sRGB Deliverables
It's a busy day for Team Mixing Light as we discuss our NAB 2016 plans, log style color grading and handling sRGB deliverables.
4 Things To Know About Working With Look Up Tables
Using Luts in a color correction workflow is common, but everything doesn't always worked as planned. Learn 4 ways to work around look up table limitations
Overflow: Is There A Right Time To Bring On Help?
Being a busy colorist is a good thing! But when you get too busy, you have to think about how to handle overflow work or when to just say no.
Getting Grainy: 3 Different OFX Plugins
In this Insight Robbie explores 3 different OFX grain plugins for Resolve from Film Convert, Boris, and GenArts and explains which is his favorite and why
HDR Essentials: Reading The Scopes In DaVinci Resolve
The Waveform & RGB Parade are essential tools for color correction. But when working with HDR footage in Resolve reading them can be slightly confusing.
Getting More When You're Getting Paid Less
In this Insight, learn ways that you get more benefits for your buisiness out of a project even when a client isn't paying you all that much.
Building IR LUT Variations In Photoshop
In this Insight learn how to build Infrared type looks in Photoshop & export them for use video grading tools like DaVinci Resolve.
Fixing Cache & Gallery Warning Dialog Boxes
Pesky warning messages about inaccessible cache & still locations in Resolve can be a nusiance. Learn how to fix them in this Insight
From The Mailbag EP 29: HDR Musing & Log Saturation
In this episode, Team MixingLight discusses HDR and best practices for setting saturation levels for log encoded footage
Neat Video 4 - Revisiting The Popular Noise Reduction Plugin
Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.
New Year's Resolutions To Strengthen Your Business
2016 is almost here! Check out this Insight to discover some New Year's resolutions to strengthen your color grading business.
Edge Sharpening & Denoise Workflow
In this installment of From The Mailbag we discuss how to isolate and sharpen edge details, and discuss a proper video noise reduction workflow
HDR Essentials: What's HDR?
HDR is the 'next big thing' for color grading.In this Insight, get up to speed with two discussions about HDR with industry experts Bram Desmet & Juan Salvo
From The MailBag Ep 27: The Glossy Look & Edge Sharpening
In this installment of From The Mail Bag, Team Mixing Light discusses what goes into the 'glossy' look of many commericals & how to edge sharpen shots.
From The MailBag Ep 26 - Holiday Marathon & R12 Training
In the latest installment of From The MailBag learn about our annual holiday marathon & our soon to be released Resolve 12 training
RED HDRx Workflow With Resolve
In this Insight, learn the essentials of working with RED HDRx media in DaVinci Resolve to get the most out of an exposure and the look of a shot.
HDR Essentials - Getting Setup In Premire Pro
HDR video is coming, and coming fast. In this Insight, learn how to get setup and work with HDR video in Premiere Pro's Lumetri Color Panel.
HDR Essentials: Getting Setup In DaVinci Resolve
Diving into HDR (high dynamic range) video? Check out this Insight to learn the essentials of getting setup for HDR in DaVInci Resolve
Anatomy Of A Grading Suite: Additional Technical Setup
In the last installment of the 3 part series learn about computer setup, control surfaces, GPU expanders & other key accessories for a suite
Fighting The Feeling Of Failure
In any creative venture including color correction the feeling of failure is always lurking. Learn how to fight the feeling of failure.
Calibrating To Match: Perceptually Matching Two Monitors
Two monitors may not match even if calibrated to the exact same color and luminance values. Learn how to perceptually match two monitors
Permanently Adding LUTs To The Lumetri Color Panel
Using LUTs with the Lumetri Color Panel can be tedious.In this Insight learn how to add LUTs permanently to the panel for quick access
Anatomy Of A Grading Suite: Technical Setup
In part 2 of the series, learn about monitor and bias light setup, viewing distance, industry monitoring recommendations, routing & more
Resolve Color Management & Raw
Resolve Color Management (RCM) is powerful workflow tool but using it with Raw footage can be slightly confusing. Learn more in this Insight
Delivering Multi-Channel Audio From Resolve
Resolve is a capable finishing tool not just for video but for audio as well. In this Insight, learn how to configure multi-channel output
Anatomy Of A Grading Suite: Design
Team ML gets a lot of questions on who to build a proper grading suite. In this Insight we tackle overall room design, furniture & lighting
Rendering Multiple Projects (And Timelines) At Once!
In this Insight, learn how to leverage DaVinci Resolve's powerful rendering engine to render multiple projects and timelines all at once.
The Business Of Business: Partnership Essentials
Forming a business partnership with someone else can be exciting, but not done right can cause a lot of trouble. Learn more in this Insight.
Resolve 12 First Look: Automatic Shot Matching
A most welcomed new feature in Resolve 12 is Automatic Shot Matching. In this Insight, learn how it works and if it's right for your workflow
Resolve 12 First look: Resolve Color Management
Check out this Insight to learn more about the essential of the new Resolve Color Management (RCM) features of DaVinci Resolve 12
Look Setting Review & Approval With Frame.io
Frame.io provides a ton of tools for collaboration including some great ways for a colorist to interact with their client. Learn more...
Using The EyeHeight Broadcast Video Legalizer Plug-in
File based or software video legalization can be hard. Check out this Insight to see how EyeHeight is making video legalization simple
5 Ways To Get More Color Grading Work
No matter if you're currently slow or are looking for ways to stay busy, in this Insight learn 5 ways to get more color grading work
Creating A Shared DaVinci Resolve Database Server
In this updated Insight learn what gear you'll need and how to properly setup a shared database in DaVInci Resolve.
Using Post-Clip Grouping As A Timeline Grading Alternative
In this Insight, learn how to use Post-Clip in DaVinci Resolve's grouping behavior as an alternative to timeline level grades
Lens Distortion Removal With Premiere Pro
Action cameras and other wide angle lens can have some pretty severe lens distortion. Check out this Insight to learn how to remove it.
RGB Gamut Errors A Broadcast Colorists Nemesis
In this Insight, learn what RGB Gamut errors are and how to identify them before a broadcaster catches them for you!
From The Mailbag Episode 24
In this Mailbag we discuss when do you call yourself a colorist & are colorists as a group under threat?
From The MailBag Episode 25
A couple weeks after NAB 2015, Team Mixing Light breaks down NAB 2015 - the gear & other amazing stuff from the week.
The Future Is Colorful: The New Lumetri Panel in PrPro CC
In this Insight learn about the recently announced Lumetri Panel & other color improvements in Premiere Pro CC 2015
Project Candy: Color References Reimagined
In this Insight, Robbie gives an overview of Project Candy from Adobe & how it has the potential to inspire and help with color references.
From The MailBag Episode 23
In this installment of From The MailBag we take a look at file naming and project organization as well as tips for sharpening footage.
Getting To Know Lattice
With LUTs so common place in modern color grading sometimes you need to visualize and convert them - Lattice can help!
From The MailBag Episode 22
In this installment of From The Mailbag, we discuss using grain as an external matte on a still & broadcast safe workflow.
From The Mailbag Episode 21
In this installment of From The Mailbag we explore the idea of a rolling conform in Davinci Resolve and using Dropbox to share databases
A LightRoom LUT Workflow
In this Insight, learn how with help of a simple yet powerful plugin you can export Look Up Tables (LUTs) from Lightroom to use elsewhere.
Hands On With The HP Z840 Part 1
In this Insight,Robbie gets hands on with the powerful new HP Z840 & discusses his configuration and why he's making a the switch to Windows
Creating Skin Contrast With High/Low Key Techniques
In this Insight, learn how powerful shaping skin contrast around someone's face can be to make a shot more dynamic.
Dealing With Helicopter Clients
Helicopters can hover, so can helicopter clients. Learn how to deal with micro managing clients in your next grading session.
From The Mailbag Episode 20
In this From The Mailbag, we cover two GPU questions. Should you upgrade your system or GPU & does GPU debayering for RED footage work?
Using Data Burn-In & Text Layers For Client Notes
Take notes in a grading session? Have bad handwriting? In this Insight learn how to create client notes directly in Resolve with data burn-in
Better Grades In Premiere Pro: The Tonal Range Definition
Premiere Pro has a powerful 3-Way Color corrector but by default its tonal range is narrow. Learn how to get better grades by adjusting it.
From The Mailbag EP 19 Skin Corrections & The Film Look
In this episode of From The Mailbag, the team explores fixing blotchy skin and what goes into a film stock emulation.
Dynamic Project Switching In DaVinci Resolve
Learn about a little known feature in Resolve 11 called Dynamic Project Switching that allows you instantly switch between large projects
Creating LUTs From Adobe Photoshop
You've been able to apply lookup tables in Adobe Photoshop for a while, but a new feature gives the ability to export LUTs. Learn how!
MailBag Episode 18:YouTube/Vimeo & SSD For Render Cache
Check out this episode of From The MailBag to learn about grading of Vimeo/YouTube & When to use an SSD For Resolve's Render Cache.
5 Things Keeping You From Becoming A Better Colorist
Everyone wants to get better at their craft. In this Insight learn about how to overcome 5 common barriers to becoming a better colorist
Adding Some Clarity: 3 Different Methods
The clarity slider in some Adobe apps is a popular way to add a little pop or punch to a shot. Learn 3 methods for emulating this control.
From The Mail Bag Episode 17
In this installment of From The Mailbag, learn about our 25x25 Holiday Marathon & we each discuss our top 2 color related questions.
Getting To Know The Colorimetry Research CR-100 & CR250
The Colorimetry Research CR-100 & CR250 are two of the most affordable and accurate calibration meters on the market. Learn more...
4 Ways To Create The Leave Color Behind Look
The leave color behind look is something every colorist should have in their tool kit. Learn 4 different methods for creating this look.
Selectively Apply The "Instagram" Look With YSFX
YSFX tools in Resolve can be used to create vintage looks especially when combined with selectively applying them. Learn this technique now
Being A Supervising Colorist - Tips For Managing Others
Managing other colorists creative work can be challenging. In this Insight, learn key ways to make that process efficient and stress free.
Building A Visual LUT Library With DaVinci Resolve
Learn how to take a list of Look Up Tables in Resolve and make it into a visual LUT Library. This workflow can be used in any version of Resolve before Resolve 15 (which introduced a built-in LUT Library).
Using Divergent Media's ScopeBox As Digital Recorder
Divergent Media's ScopeBox not only provides high quality customizable scopes but a full fledge digital recorder for capturing content.
SpeedGrade CC 2014.1 - New Tools & Improved Workflows
SpeedGrade CC 2014.1 offers an updated Interface, New Features and some new tools. Check out this Insight To Learn More
Throwing A Change Up - Different Tools For New Results
It's easy to be stagnant always using the same tools. In this Insight learn how different tools can help you break a creative block
Color Balance Skies and Shot Matching
Do you need to color balance every shot in your video? What are the best strategies to color balance and enhance gray skies? Listen & learn.
DaVinci Resolve 11: Broadcast Safe + Grouping LUTs
In this episode of From The MailBag, learn about Resolve 11's new broadcast safe option & how to use LUTs while Grouping.
Mixing Light From The MailBag Ep 14
In this episode of From The MailBag learn about what to do when you have no client direction & how to achieve that national spot look
Using Log Controls As A Secondary Correction
Many colorists use log controls as a primary grading tool. In this Insight learn how the log controls can also be used as a secondary.
Evaluating A Project - What Will A Grade Really Take?
Evaluating a project so you know how much time it will take is an essential part of color grading. Check out this Insight for more key tips.
How to Improve the Client Experience: A Check List
How to keep a client comfortable & productive as a key part of postproduction client services. A checklist for client happiness.
Grading Master Clips in Adobe SpeedGrade & Premiere Pro
Learn how to leverage grading a master clip in SpeedGrade & Premiere Pro. By using master clips you can speed up your grading dramatically.
Color Grading in Groups with DaVinci Resolve 11
Group grading in Resolve 11 has been totally revised.In this Insight learn how to get started & how to use group grading in your own projects
Sales Techniques For The Owner/Operator
Part 2 in the series The Science Of Not Selling Yourself short explores sales for owner/operators and strategies to get more sales.
Legalizing With No Legalizer & R3D Trimming
In this installment of From The Mailbag we discuss two questions about video legalization & using R3D trimming in Resolve with Remote Grades
The Tangent Element In SpeedGrade & Good Skin Tone
In this episode of From The Mailbag, we discuss using the Tangent Element In Adobe SpeedGrade & what goes into getting good skin tone.
Using Adobe Media Encoder for Dailies & Screeners
In this Insight, learn how to apply Looks/LUTs & burn-in metadata for dailies & screener workflows using Adobe Media Encoder.
A Straightforward Approach To Creating Blurred or Glowing Highlights
Learn how to quickly create a blurred or glowing highlights look using DaVinci Resolve
Creating An S-Curve Using The Contrast & Pivot Controls
Learn how to quickly create an S-Curve using the Contrast and Pivot controls in Resolve to add more filmic contrast to shots
The Science Of NOT Selling Yourself Short Part 1
In this Insight learn how by combining traditional sales with talent know how a facility can build an efficient sales pipeline.
From The MailBag Episode 11
In this episode of From The Mailbag learn about our picks for top reference monitors and how to build a calibration system on a budget
Masking and Tracking in Premiere Pro CC
Learn techniques for masking and tracking in Premiere Pro CC in this color correction tutorial from a professional colorist.
Photochemical Color Timing + Cinematographers and Colorists
What is photochemical color timing? What is the role of the cinematographer while color correcting? Learn what three colorists think.
Using Annotations In SpeedGrade CC
Annotations in Adobe SpeedGrade are a powerful way to make notes directly on footage while you're grading. Learn how Annotations work.
Legalizing Video With The Harris DL860
A hardware video legalizer like the Harris DL860 does a much better job than software legalization. Learn more about how this unit works.
The Unsupervised Session: Tips For Offsite Client Review
When color grading, unsupervised sessions can be difficult. In this Insight, learn strategies and techniques to handle these types sessions.
Commercial Workflow Part 2: Leveraging The Master Session
Learn how ripple your color corrections through multiple timelines in DaVinci Resolve using the power of the Master Session.
Color Grading Picture-In-Picture Effects in DaVinci Resolve
Color grading composites, like picture in picture effects, from a single render is hard. Learn how to attack these shots in DaVinci Resolve.
Double Side Technique: Getting Aggressive with Complementary Colors
Learn how the Double Side Technique can help you to create more dynamic color corrections on flat or boring shots. This simple technique can generate multitudes of stylized Looks.
Mailbag: Resolve vs SpeedGrade & Managing Versions In Resolve
In this Episode Of From The Mailbag, we discuss the pros and cons of Resolve vs SpeedGrade. As well as how to manage versions in Resolve.
Getting Up To Speed With Monitor Calibration
Monitor Calibration is essential to have success color correcting and grading projects. Check out this Insight to learn the essentials.
Resolve Live Grading Essentials
A powerful new feature in DaVinci Resolve 10 is Resolve Live. Learn the essentials of how to his feature works & can help you on-set.
Mailbag: Beating A Creative Funk & Consolidating Reels
In this episode of From The Mail Bag we discuss getting out of creative funk & consolidating a multi-reel project in Resolve.
Podcast: Mixing Light In 2014 + Grading A Single-Take Film
In this episode of From The Mail Bag we discuss what's in store for Mixing Light in 2014 & discuss how to grade a film shot in one take.
How To Recharge Your Creativity (In 5 Simple Steps)
Feeling uncreative? We've all been there. Keeping your creativity at a high level is something you have to work at. Learn how in 5 steps.
How To Keep Your Clients (Using 6 Easy Strategies)
Keeping Clients Is Hard! But essential. This Article explores techniques to keep your clients happy and coming back with 6 Key Strategies.
How To Use the RGB Mixer To Remove The Arri Alexa Film Matrix
Are you fighting a green color cast with Arri Alexa footage? This may be due to the Arri Alexa Film Matrix. Learn how to use Resolve's RGB mixer to fix it.
How To Use The Premiere Pro Title Tool To Color Correct with Shapes
Using shapes to isolate areas of your image for color correction is a key color correction skill. Learn how to do this using the Premiere Pro Title Tool!
Video Noise Reduction In DaVinci Resolve: The Neat Video OFX Plug-in
We explored video noise reduction in DaVinci Resolve 10 earlier. In this tutorial you look at the OpenFX plug-in, Neat Video, and compare the differences.
Video Noise Reduction In DaVinci Resolve: The Built-In Toolset
Explore DaVinci Resolve 10's built-in video noise reduction tools. It's available to paid owners Resolve 10. Should you upgrade? Watch Parts 1 & 2...
Is Working For Free A No No? (Or Can It Be Good For You?)
Is working for free a huge professional mistake? Not necessarily. Learn how to handle these requests like the video professional you are.
Going Freelance As A Colorist + Using Scopes With RAW Footage
When is the right time for going freelance as a Colorist? Do scopes work with RAW? We answer Member questions in Episode 6 of our Podcast.
How to Emulate the Clarity Slider + Color Correcting in VFX Workflows
Three professional colorists discuss how to emulate LightRoom's Clarity Slider in DaVinci Resolve. Plus, where color correction fits in VFX workflows.
How to Create a Custom Log Grading Keyboard Shortcut
In Davinci Resolve, learn how to create a custom Log Grading keyboard shortcut - giving quick access to this 3-Way Color Correction panel.
Using Node-Based PTZR For Lens Spot Removal (in DaVinci Resolve)
Learn how you can create a window and use the new node PTZR controls hide a dead pixel, water spot or other unwanted item in that shot.
How To Quote Your Color Correction Jobs: Hourly Billing or Flat Bidding?
How should you quote your color correction jobs? Flat bid or bill by the hour? We map this crater-filled landscape with Do's and Do Not's.
Podcast: Keying On Black Background + Chroma Subsampling Explained
We answer two questions: Solving a problem with keying and windowing the moon on a black background + explaining technical terms to co-workers.
New SpeedGrade CC Courses + Working With A DP + Video Displays
Podcast: Learn about a new training title for SpeedGrade CC + How to work with a DP in a color correction session + Choosing video displays for grading.
Using Resolve Track Nodes: Controlling Uncontrollable Light Sources
Learn how to make a global correction to the brightest and most intensely saturated areas of an image without tediously creating nodes for each shot.
How Do You Decide Your Base Rate (For Digital Video Color Correction)?
If you're a freelancer or solo-preneur then setting your base rate of pay can be challenging. Learn how to set your rates with confidence.
Trimming RED Footage Using DaVinci Resolve's Media Manager
Learn how you can trim RED footage and copy to your hard drive only the portions of your clips needed to recreate your timeline, saving hard drive space.
How To Set Up Your Color Suite + Monitoring Video in 444
In this podcast, Team Mixing Light answers two member questions: How do we set up our color correction suites? How do you set up monitoring in 4:4:4?
How to Use Scopelink for Scopebox in Premiere Pro (and FCP X)
If you're looking for scopes to use with Adobe's Premiere Pro, After Effects or Apple's Final Cut Pro - check ScopeLink, a powerful feature of ScopeBox.
Using LUTs in Adobe Photoshop: Applying Grades To Still Images
Learn how to use a color correction exported as a LUT and use it in Photoshop. Plus—a small caveat in this workflow (about how Photoshop applies LUTs).
How to Composite Graphics in SpeedGrade CC
Compositing graphics in SpeedGrade - even in a Native SpeedGrade project - is easier than you think! Learn how you can do it.
Hands-On The Sony BVM-F250A OLED Reference Monitor
Learn why a professional colorist is eager to finally get this uber-expensive OLED display into his color correction suite. What does he think about it?
How to Work with Arri Alexa Footage in Premiere and SpeedGrade
Are you working with Arri Alexa Footage in Premiere Pro or SpeedGrade? This tutorial will walk you through the workflow.
The 3-Band Technique for Enhancing Boring Exterior Shots
Flat boring outdoor shots are very common when color correcting. What can you do to fix it? Learn a technique based on Classical painting theory.
Premiere Pro Adjustment Layers: Applying A Look To An Entire Scene
Adjustment layers can be used for many things—a favorite is color correcting and applying a Look to a few shots, a scene or an entire timeline.
How to Setup Speedgrade CS6 for Stereo 3D Color Correction
Learn the essentials of the 3D workflow in SpeedGrade CS 6 - from organizing footage to auto-aligning eyes and rippling grades between the video streams.
Respecting Time: The Hold and Will-buy System for Booking Clients
Learn a simple system you can use to protect yourself from cancelled clients. As an added bonus you can (sometimes) make money from those cancellations.
Staying Focused In The Color Correction Suite: 4 Tools To Make It Happen
Do you find yourself getting distracted as you work? Here are four simple tools you can use to keep you on-task and get you home on-time.
