Active Mixing Light Authors
Daria Fissoun, CSI is a London-based colorist, compositor and certified DaVinci Resolve trainer with 12 years of post production experience. She specialises in commercial video projects and has worked on both US and UK feature productions, including a role as a post-production engineer on several Disney+ films.
Vincent Taylor is a senior freelance Colorist, most recently based at the Harbor Picture Company in Los Angeles, California. Vincent works on an engaging mix of projects, including a variety of long-form dramas and features as well as commercial TVCs.
With over a decade of colour experience, Kali Bateman has emerged as one of Australia’s premier colour talents. Having recently delivered the colour grade for Baz Luhrmann’s ‘Elvis’, she has also contributed VFX colour for Dune, Wonder Woman 1984, and Ghostbusters: Afterlife. Kali owns and operates a boutique grading studio in Brisbane, Australia, and is available for in-studio or remote sessions.
Joey is a colorist and online editor specializing in short form marketing for broadcast plus documentary series, films, and independent features.
Cullen Kelly is a Los Angeles-based senior colorist with credits spanning film, television, and commercials, for clients and outlets, including Netflix, HBO, Hulu, Microsoft, American Airlines, and Apple.
Stacy is a media workflow technologist with over 13 years of experience in the industry. With a focus on connecting stakeholders, she aims to provide a seamless transition between stages of production. Stacy aspires to stay at the forefront of the ever-evolving industry.
Bernd works as a freelance VFX compositing artist and as a trainer for DaVinci Resolve and Fusion. He enjoys technical challenges, from solving workflow problems to building tools. As a teacher, he strives to make fundamental VFX concepts accessible to a broader audience.
Jason Bowdach is a professional colorist and finishing artist in Los Angeles, California. His credits span feature film, television, and streaming platforms with clients including Adobe, Google, Fox, and Disney. He’s also the founder of PixelTools, a company that develops tools and presets which improve the grading process and workflow.
Luke Ross is a professional freelance colourist based in Wellington, New Zealand. He travelled to the United Kingdom in 2019 where he spent two years working on Baselight as a Colourist Assistant on independent feature films and television drama.
Finishing Artist by trade Zeb has been working in Post Production since the age of 15. Now based in London, UK he founded The Finish Line which is a high end picture finishing company focused primarily on long form documentary films and series.
Online editor, colourist and trainer with experience in graphics, compositing, grading, film and DI. Working for Blackmagic Design as one of their Master Trainers, I teach all aspects of DaVinci Resolve to other trainers. I've also been teaching my own colour and Resolve courses around the USA and UK.
Over the past fifteen years, Arthur Ditner has worked in post-production in a variety of roles including colorist, editor, and dailies producer. He has had the pleasure of working with some of the top directorial talent in Canada, and has traveled the Southeast United States building remote dailies labs supporting network television series. He plays bass guitar on occasion and resides near Toronto.
Igor’s work is mainly focused on color and picture finishing for theatrical trailers as well as social and broadcast spots for the studios. When not busy on marketing campaigns he may work with delight on an occasional feature documentary, a commercial, or on the facility pipeline automation.
Jonny Elwyn is a freelance film editor and writer, sharing his learnings on all things Post Production at jonnyelwyn.co.uk and also publishes a weekly concise email at cut-daily.com.
Neil has over 40 years of professional imaging. From studio camera work through film processing/printing through the transition to digital imaging. He's a noted expert in Premiere Pro's color management and processes. He misses SpeedGrade and is a big fan of Tangent's control panels and tools.
Patrick is the CEO and owner of MixingLight. He's been color correcting for 18+ years and specializes in indie features, long-form broadcast and documentaries.
Peder Morgenthaler is a colorist, editor and workflow consultant in Denver, Colorado. A 15-year veteran of the post-production industry, his work focuses on advanced color and post workflows, shared storage system technology, and demystifying complex imaging concepts for filmmakers.
Scott is a colorist in the Midwest specializing in short narrative and documentary films and commercial work. He is full member of Colorist International Society (CSI). He enjoys working for clients such as Lee Jeans, Sprint, Hills Pet Nutrition, Kyocera, AT&T, National Football League, EA Sports Madden NFL, Children's Hospital, Paramount, and especially indie filmmakers.
Dan Moran was once a staff trainer for DaVinci Resolve before moving on as a staff colourist for several boutiques in central London. He currently owns and operates his own color grading shop, specializing on Baselight.