The 2018 Mac Mini - Perfect Color Suite Companion?

In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.

An Overview of PreRollPost - LTO Backup Software for Video Pros

How much does it cost to get into LTO-7 and LTO-8 backup? What's the benefit of using specialty software PreRollPost to handle your archives?

Shared Storage For The Small Studio: Case Study With The Lumaforge Jellyfish Mobile

In this Insight, learn about the basic design of the Lumaforge Jellyfish Mobile, and why it might be a perfect solution for your set-up.

LG 8 Series Or FSI XM650U. Which To Get?

In this installment of From The MailBag, we discuss a question we've been getting a lot - is it worth getting the FSI XM650U over an LG OLED?

10 Things I've Learned (So Far) About HDR Grading

In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.

The 3000 NIT FSI XM310K: Talking HDR With Bram Desmet

Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.

Speed Boosting The Resolve Mini Panel With Gaming Keypads

Are you looking for ideas on programming your El Gato Stream Deck or Razer Orbweaver to speed up color correcting? Get some tips about focusing your efforts to reduce 'mouse travel' - increasing your productivity.

A Month Later: Mixing Light's Take On NAB 2018

It's been a little over a month since NAB 2018. In this From The Mailbag, we sit down to discuss all the things we saw including our thoughts on Resolve 15, new HDR monitoring, control surfaces and more.

First Impressions with DaVinci Resolve 15 Public Beta (after NAB)

Learn what one colorist thinks of DaVinci Resolve 15 Public Beta the first time he launches it. Not on the trade show floor in Las Vegas where he first saw it... but in quiet of his suite. And discover the huge new feature no one is talking about!

Color Correction Gear Head: May 2018 Edition

In this installment of the Color Correction Gear Head series, Robbie takes a look at the 2018 LG OLEDs (C8), the HD Fury Integral 4k, Aja 1616 12G Router, OWC Mercury HeliosFX and remote control application Splashtop.

LG 2018 OLEDs & Talking Calibration With Tyler Pruitt

In this special edition Mixing Light Podcast, Spectracal Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!

Are You Wasting Time With Cheap Colorimeters and Spectroradiometers?

Learn about the 'Calibration Conundrum'... can you use low cost colorimeters and spectroradiometers to accurately calibrate your reference display? Or not?

From The MailBag EP48: From A Direct View Monitor To The Cinema

In this installment of From The MailBag, Team Mixing Light discusses a member question about moving a grade from their direct view monitor to the cinema - we discuss many aspects of this workflow and why overcomplicating things is a bad idea!

Top Calibration and Display Setup Questions (with Bram Desmet)

Learn the most common calibration mistakes post production professionals make when setting up their external displays; and the most common questions asked. An interview with FSI CEO Bram Desmet.

Colorist Podcast EP 021:Shane Mario Ruggieri

In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!

Mailbag Episode 44: Choosing A 4k Monitor

In this installment of From The Mailbag, Team Mixing Light answers a member question about choosing a new 4k/UHD monitor. We discuss the pros/cons of 4k monitoring and explore in depth new offerings from Flanders Scientific including the XM650U and XM310K.

First Look: FSI XM650U UHD Monitor

In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.

Is Your Reference Display Input Properly Set To Data Levels Or Video Levels?

If you have a broadcast reference monitor for editing and color correction then you need to make sure it's properly processing your images. Learn how to know if you have a mismatch in data levels with your editing or color correction software.

From The MailBag EP 43: Full Range & Broadcast Delivery

In this installment of From The MailBag, Team MixingLight discusses a member question about working in Full Range but being asked to deliver a video legal/broadcast deliverable.

Calibrating A Reference Display Without Using LUTs Part 2

Learn how to calibrate your video reference monitor if you can't load a calibration Look Up Table (LUT) into the display, with CalMAN Studio. It's simple. It's fast. But it does require a professional display to be fully successful.

From The MailBag Episode 40: Talking About Dolby Vision

In this installment of From The MailBag, Team Mixing Light discusses Dolby Vision. Building on Robbie's recent articles, Patrick & Dan ask Robbie some questions about workflow and his recent trip to Dolby in Burbank, CA.

From The Mailbag EP40: BMD Conference & Thoughts on iMac Pro

In this installment of From The MailBag, team Mixing Light discusses the first ever Blackmagic Design Conference & Expo as well as our thoughts on Apple's latest - the iMac Pro.

Getting To Know Dolby Vision Part 2: Delivering To non-HDR Televisions

In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.

Learn How to Start Scripting El Gato's Stream Deck Using Autohotkey

The Elgato Stream Deck is a powerful control surface add-on for colorists, especially when paired with autohotkey. In this insight, learn to take that functionality to the next level with advanced scripts and workflow examples.

Getting To Know Dolby Vision Part 1: Terminology, Gear, and Workflow

In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.

Creating (and Verifying) a 3D Calibration LUT in CalMAN Studio

Part 2 in our calibration series has us doing our first calibration in CalMAN Studio. We generate two different LUTs for our OLED display.

Color Correction Gear Head: November 2017 Edition

In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting

Introduction to Reference Display Calibration - Series Overview

Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.

Getting To Know The El Gato Stream Deck: Part 1

Designed for gamers and streaming is the El Gato a suitable control surface supplement for colorists? In this Insight, learn about the Stream Deck

Design Essentials: Another Perspective On Suite Design

In this Insight, Joey D'Anna shares some of what went into the design of his color suite, why he loves Aeron chairs, TBC consoles and more!

Mailbag Episode 39: ACES or RCM? And Panel Sensitivity/Settings

In this installment of From The Mailbag, guest Joey D'Anna joins in and we discuss choosing ACES or RCM & setting panel control sensitivity

How to Design an Ergonomic Desk for Editing and Color Correction

As creative professionals working in post production, you are tied to your chair and desk. This Insight shares the fundamentals of healthy workspace design.

DaVinci Resolve Advanced Panel - Scroll Mode

Using Scroll Mode in DaVinci Resolve is a quick and effortless way to audition grades for your current shot by loading grades

Color Correction Gear Head: Review of the Resolve Mini Control Panel

In this installment of Color Correction Gear Head veteran colorist Marc Wielage provides his impressions of the new Resolve Mini Control Panel.

Colorist Podcast Episode 010

In this edition of the Colorist podcast Josh talk to the famed Warren Eagles from the International Colorist Academy.

First Look: Using Color Finale Pro and the Tangent Ripple in FCPx

First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.

Hands On the Tangent Ripple and Tangent HUD

A hands-on overview of the most affordable color correction control surface on the market today—the Tangent Ripple.

Color Correction Gear Head: August 2016 Edition

In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools

How to Optimize Tangent Control Surfaces for Premiere Pro CC

Learn how to optimize Tangent Control Surfaces for Premiere Pro with the Tangent Mapper—and massively speed up using Lumetri color effect.

Hands On the Tangent Element and Premiere Pro CC 2015.3

The first Creative Cloud update in 2016 has given us integration between the Tangent Element and Premiere Pro. This video shows it in action.

Optimizing X-Keys With A Colorist Control Surface

Learn how to maximize your color correction speed if you're using a Tangent Element or Avid Color by optimizing X-Keys, a low cost USB hardware add-on.

The Tangent Element In SpeedGrade & Good Skin Tone

In this episode of From The Mailbag, we discuss using the Tangent Element In Adobe SpeedGrade & what goes into getting good skin tone.

Using the Tangent Element with DaVinci Resolve 10

This video tutorial is an overview of the integration between Tangent Element with DaVinci Resolve, focusing on new features in Resolve 10.

Using the Tangent Element with SpeedGrade CC

Why do professional video colorists love controls surfaces? Watch the Tangent Element with SpeedGrade CC highlighting a few advantages.

Tangent Element Control Surface: Getting Started

Learn about the Tangent Element colorist control surface and see how one professional colorist sets it up in his color correction suite.

Tangent Element: Unboxing & Visual Comparisons to Other Color Surfaces

If you're in the market for a colorist control surface then see how the Tangent Element ships - and how it physically compares to two of its competitors.

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