Flanders Scientific's CEO visits with Mixing Light members answering questions in this Office Hours conference call.
Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.
Colorist Joey D'Anna shares his thoughts on adding the Elgato Stream Deck pedal and Xencelabs Quick Keys to his color grading suite.
This is our first Office Hours Livestream. Four Mixing Light Contributors take and answer questions from members in a livestream.
Coloring Reality TV can be a huge undertaking. However, if you organize and prepare, you'll deliver a high-quality show on time.
Learn how to add serious production value to live-streamed color sessions with Blackmagic ATEM Mini switchers.
Learn how to massively expand the functionality of Premiere's Lumetri panel by custom-mapping multiple disparate controls with an external control surface.
Learn the basics of 3D printing, and how you can use it to improve your post production environment with custom upgrades.
The new DaVinci Resolve Speed Editor is a fantastic controller. Learn how to use it for color grading, online editing and multicam workflows,
With the holidays nearly upon us, in this installment of Color Correction Gear head discover several 'stocking stuffer' pieces of gear to add to your list!
Get a hands-on look at OWC's direct-attached Thunderbolt-3 RAID chassis. Plus, (3) configuration ideas for post production professionals.
Learn how to accelerate your color grading in DaVinci Resolve's Color Page by using multiple Playheads to quickly navigate the timeline.
In this installment of From The Mailbag we sit down to talk about tone mapping and how's used in software and on consumer displays.
An eGPU setup could offer a dramtic performance increase to your workflow. Learn about eGPUs, the AKiTio Node Titan & workflows leveraging an eGPU
In the remote, work from home reality that find ourselves in, how can you deliver color accurate real-time streams to clients? Learn how in this Insight.
In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.
In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows
Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...
Learn how to use Keyboard Maestro and Stream Deck to supercharge your workflow in DaVinci Resolve on Mac with powerful macros.
In this installment of Color Correction Gear Head, Robbie shares some essential items that went into the building of his new facility.
In this episode, we discuss the past decade and speculate on the next 10 years in the world of color grading.
In this installment of From The Mailbag, we tackle a hot topic from the world of color grading this past week - is there such as thing as FAKE HDR?
Do you doubt your ability to color correct moving images? Are you constantly re-doing your work? Learn what's going wrong and how to fix it.
Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.
We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.
Premiere Pro has strict, but hidden, color management. Learn how to setup the software and hardware for proper color management & finishing.
The XDR looks like an impressive display from Apple but - is it a reference monitor? It sure is priced like one!
At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.
We take a look at Game Of Thrones Season 8, Episode 3 and ask, as creative professionals, was it too dark and where did it go wrong?
Team Mixing Light tackles a member's question on how to handle a DP who doesn't trust any monitor in a facility?
Video scopes are an essential tool to all colorists. Learn all the exciting new scope features in Resolve 16 to speed up your grading.
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
In Part 3 of this series, you learn about the evolution of digital video from Standard- to High- Dynamic Range. Why is it here to stay?
Troubleshoot an interesting problem for a more in-depth understanding how Resolve Color Management (RCM) works.
Maybe you've heard of blockchain? Learn how this new technology is going to impact the post production industry (and what's holding it back).
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
How much does it cost to get into LTO-7 and LTO-8 backup? What's the benefit of using specialty software PreRollPost to handle your archives?
In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.
Team Mixing Light is once again joined by Joey D'Anna to discuss integrating graphics and text into Dobly Vision HDR projects.
Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
Pat, Robbie and Mixing Light Contributor Joey D'Anna discuss what can DPs and onset staff do to make the final color grade easier?
In this Insight, learn about the basic design of the Lumaforge Jellyfish Mobile, and why it might be a perfect solution for your set-up.
The Team discusses a question we've been getting a lot: Is it worth getting the FSI XM650U over a 65" LG OLED?
In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
Are you looking for ideas on programming your El Gato Stream Deck or Razer Orbweaver to speed up color correcting? Get some tips about focusing your efforts to reduce 'mouse travel' - increasing your productivity.
Adobe re-built their Video Limiter Effect in Creative Cloud 2018. Can you trust the new effect to remove gamut excursion errors that will fail you in QC? This video Insight answers that question.
It's been a little over a month since NAB 2018. We discuss what we saw including Resolve 15, new HDR monitoring, control surfaces and more.
Learn what one colorist thinks of DaVinci Resolve 15 Public Beta the first time he launches it. Not on the trade show floor in Las Vegas where he first saw it... but in quiet of his suite. And discover the huge new feature no one is talking about!
In this installment of the Color Correction Gear Head series, Robbie takes a look at the 2018 LG OLEDs (C8), the HD Fury Integral 4k, Aja 1616 12G Router, OWC Mercury HeliosFX and remote control application Splashtop.
In this special edition Mixing Light Podcast, Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
Learn about the 'Calibration Conundrum'... can you use low cost colorimeters and spectroradiometers to accurately calibrate your reference display? Or not?
We discuss our 2018 NAB teaching plans and where to find Patrick on the show floor? We answer a member's question about the Harris DL860.
No, that's not Déjà vu! We're re-revisiting multi-channel audio output in DaVinci Resolve! In Part 1 of a new series, we'll explore the essentials of multi-channel output including using the 'Timeline Tracks' method, The Link Group behavior, and basic bussing.
A member asks about grading on a direct view monitor vs. the cinema. We discuss the differences and why overcomplicating it is a bad idea!
Learn the most common calibration mistakes post production professionals make when setting up their external displays; and the most common questions asked. An interview with FSI CEO Bram Desmet.
In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!
The Team discusses the pros/cons of 4k monitoring. We explore new offerings from Flanders Scientific including the XM650U and XM310K.
In our reference display calibration series we've been using a specific set of calibration test images. But two test images (used to precalibrate our Contrast and Brightness settings) generate a lot of confusion. Get unconfused in this Insight.
In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.
If you have a broadcast reference monitor for editing and color correction then you need to make sure it's properly processing your images. Learn how to know if you have a mismatch in data levels with your editing or color correction software.
A member asks a question about working in Full Range but delivering a video rendered to legal/broadcast levels. We work through the thinking.
Learn how to calibrate your video reference monitor if you can't load a calibration Look Up Table (LUT) into the display, with CalMAN Studio. It's simple. It's fast. But it does require a professional display to be fully successful.
Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor. What is it? When to use it?
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
Team Mixing Light discusses the first ever Blackmagic Design Conference & Expo as well as our thoughts on Apple's latest - the iMac Pro.
In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.
The Elgato Stream Deck is a powerful control surface add-on for colorists, especially when paired with autohotkey. In this insight, learn to take that functionality to the next level with advanced scripts and workflow examples.
In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.
Part 2 in our calibration series has us doing our first calibration in CalMAN Studio. We generate two different LUTs for our OLED display.
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.
Designed for gamers and streaming is the El Gato a suitable control surface supplement for colorists? In this Insight, learn about the Stream Deck
In Part 3 of our series, you'll see the different input devices I've experimented with and the computer displays I'm using... with eye toward ergonomics.
The Team fields a member question about how we set up the sensitivity of our colorist control surfaces? How do we decide?
As creative professionals working in post production, you are tied to your chair and desk. This Insight shares the fundamentals of healthy workspace design.
Using Scroll Mode in DaVinci Resolve is a quick and effortless way to audition grades for your current shot by loading grades
In this installment of Color Correction Gear Head veteran colorist Marc Wielage provides his impressions of the new Resolve Mini Control Panel.
In this edition of the Colorist podcast Josh talk to the famed Warren Eagles from the International Colorist Academy.
In part 2 of this ongoing series, Robbie explores using Streambox's Hybrid Encoder for remote sessions plus some additional gear.
In this episode of the colorist podcast, Josh talks to Technicolor senior colorist Peter Doyle about his amazing career & many other subjects
In part 1 of a 3 part series, we explore the different methods of remote grading and how remote work can help your bottom line.
Get an overview of how the Logitech G13 Gaming keypad works - with ideas on how it can speed up your video post-production workflow.
First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.
Resolve users are often tasked with making final outputs.In this Insight, learn how to easily route multi-channel audio for output.
A hands-on overview of the most affordable color correction control surface on the market today—the Tangent Ripple.
DaVinci Resolve 12.5 has introduced some new Stereo features... to support HDR workflows for High Dynamic Range color grading. Learn more...
In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools
Learn how to optimize Tangent Control Surfaces for Premiere Pro with the Tangent Mapper—and massively speed up using Lumetri color effect.
The first Creative Cloud update in 2016 has given us integration between the Tangent Element and Premiere Pro. This video shows it in action.
Optimizing for CalMAN the X-Rite i1 Display Pro and SpectraCAL C6 is easy. Learn how—and the differences between these colorimeters.
If you do video color correction, watch 'Getting Started with CalMAN ColorMatch' to learn how to test if your reference display is accurate.
Learn how using Custom Offsets with the i1 Display Pro OEM can turn this inexpensive colorimeter into a reference meter you can trust.
The X-Rite i1 Display Pro is the most popular colorimeter on the market. Learn how to use it in Lightspace for video profiling & calibration.
Learn how to read the graphs in Lightspace DPS, to evaluate if your display requires calibration for color correction.
'Does my color correction display need recalibration?' Getting Started with Lightspace DPS (a free app) helps you answer that question.
If you do video color correction, do you know if your reference display is accurate? Learn how to find out. The first video in a series.
Learn how Resolve Studio 12.5, the paid version of Resolve, is starting to get siginificant features that free users will want.
If you're looking to improve your color correction ergonomics for your editing or color correction suite - this post has some ideas for you.
This DaVinci Resolve 12.5 First Look shares a working colorist's initial thoughts about the big new update to this color correction software.
Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.
The Team answers a member's question about sharpening quick focus pulls. Plus they discuss using the HP Z27x DreamColor display.
Learn how the 'data levels' and 'video levels' Project Setting effects your external scopes when color correcting in DaVinci Resolve.
HDR video is coming, and coming fast. In this Insight, learn how to get setup and work with HDR video in Premiere Pro's Lumetri Color Panel.
Learn how to maximize your color correction speed if you're using a Tangent Element or Avid Color by optimizing X-Keys, a low cost USB hardware add-on.
In this video, contributor Josh Petok shows how to setup the X-Keys XK-24. It's a perfect companion to many colorist control surfaces.
A couple weeks after NAB 2015, Team Mixing Light breaks down NAB 2015 - the gear & other amazing stuff from the week.
In this Insight, learn what RGB Gamut errors are and how to identify them before a broadcaster catches them for you!
How much time have you spent thinking about your eyes? Dan starts a new series about health issues including eye awareness.
The Colorimetry Research CR-100 & CR250 are two of the most affordable and accurate calibration meters on the market. Learn more...
Divergent Media's ScopeBox not only provides high quality customizable scopes but a full fledge digital recorder for capturing content.
Have you had a client reject a grade after they left the color correction suite? Learn how handle this problem without losing your client.
In this episode of From The Mailbag, we discuss using the Tangent Element In Adobe SpeedGrade & what goes into getting good skin tone.
In this episode of From The Mailbag learn about our picks for top reference monitors and how to build a calibration system on a budget
If you're confused about understanding Output Sizing in DaVinci Resolve—especially if you need to keyframe it—then this video is for you!
Learn an innovative approach to framing filmed images for multiple aspect ratios. Also - how to view these framings inside DaVinci Resolve.
This video tutorial is an overview of the integration between Tangent Element with DaVinci Resolve, focusing on new features in Resolve 10.
Why do professional video colorists love controls surfaces? Watch the Tangent Element with SpeedGrade CC highlighting a few advantages.
Learn about the Tangent Element colorist control surface and see how one professional colorist sets it up in his color correction suite.
In this video learn how a professional colorist configures the affordable software scopes, ScopeBox, for image evaluation to speed up color correcting.
DaVinci Resolve doesn't officially support the specific combination of a 720p frame size playing back at 23.976. Learn how you can force this playback.
We answer two questions: Solving a problem with keying and windowing the moon on a black background + explaining technical terms to co-workers.
Podcast: Learn about a new training title for SpeedGrade CC + How to work with a DP in a color correction session + Choosing video displays for grading.
In this podcast, Team Mixing Light answers two member questions: How do we set up our color correction suites? How do you set up monitoring in 4:4:4?
Learn why a professional colorist is eager to finally get this uber-expensive OLED display into his color correction suite. What does he think about it?
If you're in the market for a colorist control surface then see how the Tangent Element ships - and how it physically compares to two of its competitors.