Inside Pat's Color Grading Head - The Evolution of His Fixed Node Tree
Learn the benefits of a 'fixed node tree' in DaVinci Resolve. Get a look inside one colorist's node tree - and how it evolved over time.
How to Set Up Premiere Pro for Quick Color Grading Sessions
Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.
What Project Type Should I Use to Edit and Color Correct in Premiere Pro?
Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?
Using DCTLs And Expanding Resolve's Functionality
Do you perform repetitive tasks on a regular basis when color correcting or finishing? Then learn how to use DCTLs to automate those tasks!
Breaking Down A Black and White Film with a Violet Twist
Isolate an object in a black & white film, isolate its color, and use keys to shift hue, saturation, and gain. How hard can that be?
Premiere Pro CC 2019 - An Overview of The New Lumetri Interface
Lumetri color correction in Premiere Pro 2019 has changed dramatically: What is new? Is it improved? And how useful is it?
Creating A Western Look Using Color Space Transform & Emulation LUT
While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.
Elsewhere On The Web: Managing Saturation, Live HDR, Resolve Fusion (& more)
Summer 2018 round-up of don't-miss color correction tutorials from other websites (with commentary). We wish we had them here, first.
NAB 2018 Plans & Is My Harris DL860 Working Properly?
We discuss our 2018 NAB teaching plans and where to find Patrick on the show floor? We answer a member's question about the Harris DL860.
From The Grading Suite: From Short Form To Reality
Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.
Telestream Switch: A Media Player For Pros?
QC and media inspection are an essential part of 'finishing' process. In this Insight, Robbie shares his experience with Telestream Switch which is a full featured media player, inspector and QC tool.
Using Denoiser III On Challenging Footage (Compared to Neat Video)
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
Choosing Between ACES Or RCM? Plus, Control Surface Sensitivity.
The Team fields a member question about how we set up the sensitivity of our colorist control surfaces? How do we decide?
Creative Grading - Retro Sci-fi Look
Sometimes you have to go full cheese and pay homage to looks and films from the 70s and 80s. In this insight we create a retro Sci-Fi look
DaVinci Resolve 14: First Look
In this Insight, we take a look at some of the compelling new features in DaVinci Resolve 14 including OFX, performance and editing improvements.
Colorist Podcast Episode 09
In this episode of the colorist podcast, Josh talks to Technicolor senior colorist Peter Doyle about his amazing career & many other subjects
Colorist Podcast Episode 005
In Episode 5 of the Colorist Podcast, Josh talks to well-known online editor & colorist Terence Curren about his work & other sujbects
Bad TV: Essential Steps For Creating The Bad TV Look
Every once and a while you'll need to create a stylized bad TV or surveillance camera look. In this Insight learn how.
12 New Features in Resolve Studio 12.5 (to get you to upgrade to Paid)
These 12 New Features in Resolve Studio 12.5 may finally get you to upgrade to the paid version. See some of them in action.
Resolve 12.5 - Robbie's Top Features
Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.
Getting Grainy: 3 Different OFX Plugins
In this Insight Robbie explores 3 different OFX grain plugins for Resolve from Film Convert, Boris, and GenArts and explains which is his favorite and why
Neat Video 4 - Revisiting The Popular Noise Reduction Plugin
Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.
Finding Opportunities When Color Correcting
How do you stay creative when you're not feeling creative? Learn how one professional is always finding opportunities when color correcting.
Baselight For Avid – Using Windows
Using windows in any grading package is essential knowledge. Masking areas and localised corrections are your right hand tool when grading!
Baselight For Avid - Colorist Crash Course - MixingLight.com
In this insight Dan gives you a crash course on all the major tool sets that you need to know to start grading in Baselight
Hawaiki Color and Analyzer for FCPX
A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.
Baselight For Avid: Initial Thoughts on Primary Corrections
Dan shares his first thoughts on making primary corrections using the Baselight for Avid color correction plug-in.
DaVinci Resolve 11: Broadcast Safe + Grouping LUTs
In this episode of From The MailBag, learn about Resolve 11's new broadcast safe option & how to use LUTs while Grouping.
How to make Blown-Out Highlights Look Intentional
Frequently we need to make blown-out highlights in our videos look intentional. I demonstrate doing that using Lens Flares from Sapphire 7.
Video Noise Reduction In DaVinci Resolve: The Neat Video OFX Plug-in
We explored video noise reduction in DaVinci Resolve 10 earlier. In this tutorial you look at the OpenFX plug-in, Neat Video, and compare the differences.
Video Noise Reduction In DaVinci Resolve: The Built-In Toolset
Explore DaVinci Resolve 10's built-in video noise reduction tools. It's available to paid owners Resolve 10. Should you upgrade? Watch Parts 1 & 2...
FilmConvert Review: In Action to Color Correct RED Footage
In part 2 of our FilmConvert Review you'll learn how to use this OpenFX plug-in on RED footage, with impressively good results.
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