Creating A Western Look Using Color Space Transform & Emulation LUT

While creating a Western look, learn how to use a color space transform with a film print emulation LUT in DaVinci Resolve.

Elsewhere On The Web: Managing Saturation, Live HDR, Resolve Fusion (& more)

Summer 2018 round-up of don't-miss color correction tutorials from other websites (with commentary). We wish we had them here, first.

NAB 2018 & The Harris DL860 Is It Working?

In this installment of From The MailBag, the team discusses their 2018 NAB teaching plans and where to find Patrick on the show floor, and then we answer a members question about using a Harris DL860.

From The Grading Suite: From Short Form To Reality

Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.

Telestream Switch: A Media Player For Pros?

QC and media inspection are an essential part of 'finishing' process. In this Insight, Robbie shares his experience with Telestream Switch which is a full featured media player, inspector and QC tool.

Using Denoiser III On Challenging Footage (Compared to Neat Video)

Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.

Mailbag Episode 39: ACES or RCM? And Panel Sensitivity/Settings

In this installment of From The Mailbag, guest Joey D'Anna joins in and we discuss choosing ACES or RCM & setting panel control sensitivity

Creative Grading - Retro Sci-fi Look

Sometimes you have to go full cheese and pay homage to looks and films from the 70s and 80s. In this insight we create a retro Sci-Fi look

DaVinci Resolve 14: First Look

In this Insight, we take a look at some of the compelling new features in DaVinci Resolve 14 including OFX, performance and editing improvements.

Colorist Podcast Episode 09

In this episode of the colorist podcast, Josh talks to Technicolor senior colorist Peter Doyle about his amazing career & many other subjects

Colorist Podcast Episode 005

In Episode 5 of the Colorist Podcast, Josh talks to well-known online editor & colorist Terence Curren about his work & other sujbects

Bad TV: Essential Steps For Creating The Bad TV Look

Every once and a while you'll need to create a stylized bad TV or surveillance camera look. In this Insight learn how.

12 New Features in Resolve Studio 12.5 (to get you to upgrade to Paid)

These 12 New Features in Resolve Studio 12.5 may finally get you to upgrade to the paid version. See some of them in action.

Resolve 12.5 - Robbie's Top Features

Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.

Getting Grainy: 3 Different OFX Plugins

In this Insight Robbie explores 3 different OFX grain plugins for Resolve from Film Convert, Boris, and GenArts and explains which is his favorite and why

Neat Video 4 - Revisiting The Popular Noise Reduction Plugin

Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.

Finding Opportunities When Color Correcting

How do you stay creative when you're not feeling creative? Learn how one professional is always finding opportunities when color correcting.

Baselight For Avid – Using Windows

Using windows in any grading package is essential knowledge. Masking areas and localised corrections are your right hand tool when grading!

Baselight For Avid - Colorist Crash Course - MixingLight.com

In this insight Dan gives you a crash course on all the major tool sets that you need to know to start grading in Baselight

Hawaiki Color and Analyzer for FCPX

A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.

Baselight For Avid: Initial Thoughts on Primary Corrections

Dan shares his first thoughts on making primary corrections using the Baselight for Avid color correction plug-in.

DaVinci Resolve 11: Broadcast Safe + Grouping LUTs

In this episode of From The MailBag, learn about Resolve 11's new broadcast safe option & how to use LUTs while Grouping.

How to make Blown-Out Highlights Look Intentional

Frequently we need to make blown-out highlights in our videos look intentional. I demonstrate doing that using Lens Flares from Sapphire 7.

Video Noise Reduction In DaVinci Resolve: The Neat Video OFX Plug-in

We explored video noise reduction in DaVinci Resolve 10 earlier. In this tutorial you look at the OpenFX plug-in, Neat Video, and compare the differences.

Video Noise Reduction In DaVinci Resolve: The Built-In Toolset

Explore DaVinci Resolve 10's built-in video noise reduction tools. It's available to paid owners Resolve 10. Should you upgrade? Watch Parts 1 & 2...

FilmConvert Review: In Action to Color Correct RED Footage

In part 2 of our FilmConvert Review you'll learn how to use this OpenFX plug-in on RED footage, with impressively good results.

How to Reverse Engineer Look-Up Tables (LUTs)

Learn how to deconstruct a LUT (Look Up Table) to understand its impact on your image. This will improve your color correction using LUTs.

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