Quick Chroma Keying Using Resolve’s 3D Keyer

July 16, 2024

Learn to pull effective greenscreen keys with DaVinci Resolve's 3D Keyer from the Edit and Color page, by VFX artist Bernd Klimm.


Series

Chroma Keying Part 1: Learn the basics of Chroma Keying in Resolve to pull simple keys, quickly

If you’ve never used the 3D Keyer in DaVinci Resolve, this Insight will teach you how to quickly and efficiently pull a simple chroma key. This Insight builds an ideal foundation for this 7-part Chroma Keying in Resolve series.

The Key to a Successful Composite

This is the first of seven Insights on Chroma Keying in DaVinci Resolve and teaches the basics of keying using the 3D Keyer directly from the Edit page.

Delivering Hollywood-level keying results for the toughest shots often requires hours of work with advanced compositing tools and expertise. But that’s not our focus in this Insight. Instead, we will master the basics of using the 3D keyer. We’ll create a quick preview of a shot and give us the necessary skills for those fast-turnaround situations – where compositing the shot with sufficient accuracy directly from the Edit page is the best move.

Key takeaways from this Insight

By the end of this Insight, you will understand how to:

  • Use the 3D Keyer from the Edit or Color page
  • Identify and remove (green) spill
  • Refine edge mattes
  • Work with garbage mattes

A Chroma Keying Methodology

We will build our composite from two layers on the Edit Page: the chroma key and background shot layers.

To “pull the green screen,” we select ranges of background greens via the 3D Keyer’s stroke selection. We can refine the initial result with the Matte Finesse section of the keyer to clean up the black-and-white areas or to refine edges with blur/erode tools.

Dealing with green spill

Green (or blue, in the case of a blue screen) spill commonly occurs because the screen’s light reflects onto the subject’s clothes, skin, and through their hair. The Despill slider of the 3D keyer attempts to remove this unwanted coloration.

Learning where to tune the key and where to exclude

For every keying tool, it is important to tune it for the areas where it is most needed – typically hair. Areas far away from the subject, like the corners of the screen, can easily be excluded with a simple garbage matte.

A quick look at Fusion’s Delta Keyer

While the 3D keyer is easy to use, it is not necessarily the best tool for more complex situations that require an advanced solution. In this Insight you’ll see this by comparing our 3D Keyer results with the Fusion page’s Delta Keyer.

The Delta Keyer often delivers softer and more detailed results, and while it may require additional refinement, it ultimately produces a better final composite.

Jargon Alert

In this series, I use the following terms interchangeably – to mean the same thing:

  • Alpha channel
  • Matte
  • Mask
  • Key

While these terms have different origins from different disciplines, they are interchangeable for our purposes. There’s no need to get confused as I switch between them, as all of these terms refer to our process of building a black-and-white channel to ‘cut out’ a foreground element that needs to be placed over a background.

Coming In Part 2 – Advanced Keying Methods

As we progress through this Insight series, we’ll dive deeper into Fusion, exploring some advanced keying methods and techniques needed to achieve professional-level results on complex composites. Our focus will shift away from the 3D Keyer and to Fusion’s extremely powerful Delta Keyer.

Let me know if you have questions you’d like me to answer! When this series wraps, we may hold a dedicated call to answer your questions live!

Follow along with this Chroma Keying Series

If you’d like to follow along with me or practice on the same footage to compare your work, here is a link to the royalty-free Blender Tears of Steel footage we’re using in this series:

  • Business Man Green Screen — We don’t have the rights to distribute this shot, but you can get it from Storyblocks. It’s relatively inexpensive, and they have an assortment of other greenscreens for additional practice.
  • Download Blender Tears of Steel Exercise Footage – This royalty-free footage was shot for training digital video artists. Since sending you to their website to gather the selected shots I’m using is tedious, I’ve bundled them into a single download package. All Mixing Light members can download this footage, even those on Free Accounts (which can be created using the free iOS or Android apps). Just log into your account, and the download link will appear below.

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Questions or Comments? Leave a comment!

As this series rolls out, I’ll answer your questions in the comments. If there is enough interest, I’ll also hold a member-only call and answer your chroma-keying questions live.

– Bernd


Member Content

Sorry... the rest of this content is for members only. You'll need to login or Join Now to continue (we hope you do!).

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Membership options
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Are you using our app? For the best experience, please login using the app's launch screen


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