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Chroma Keying Part 3: From preprocessing to matte refinement and despill
At this Insight’s start, learn how to set up a Fusion workspace for an effective keying workflow. It’s taken me a few years to refine my workspace, and I share it with you.
Viewer setup
For chroma keying, it is useful to work with two viewers to evaluate the alpha channel and final result side by side. The gain/gamma sliders in the viewer can help to search for holes in the matte or undesired noise in the black areas. A false-color background can help identify additional issues along the edges.
Delta Keyer breakdown
The Delta Keyer has multiple tabs that you can work through in the left-right order that they are presented.
Delta Keyer: Order of operations
There are essentially three different ways in which the matte is influenced within the keyer:
Each feature has options to tweak the despill and color replacement. However, you may find it useful to bypass those and conduct a separate despill outside of the keyer – which we do in this Insight.
Key takeaways from this Insight
By the end of this Insight, you should understand how to:
Download the footage and follow along
In Part 1 of this series, I shared the download link for the footage I’m using so you can follow along and practice. After logging in, any active Mixing Light member has access to the download.
Related Mixing Light Insights
Questions or Comments?
How am I doing in this Series? Let me know! I’m curious if you found this helpful, have something to add, or need more questions answered.
– Bernd
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