Getting To Know Dolby Vision Part 3: Dolby Vision For Everyone!

In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.

Graphics & Text In Dobly Vision HDR Project

In this installment of From The Mailbag, we're once again joined by Joey D'Anna to discuss graphics and text in Dobly Vision HDR projects.

Understanding The Future Of Post Production and Color Grading: Part 1

Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?

Color Grading HDR For The First Time - In A Live Competition!

Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.

What Can DPs Do To Make Final Color Easier?

In this installment of From The Mailbag we're joined by Joey D'Anna and discuss what can DPs and onset staff do to make final color easier?

LG 8 Series Or FSI XM650U. Which To Get?

In this installment of From The MailBag, we discuss a question we've been getting a lot - is it worth getting the FSI XM650U over an LG OLED?

10 Things I've Learned (So Far) About HDR Grading

In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.

The 3000 NIT FSI XM310K: Talking HDR With Bram Desmet

Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.

Testing The New 'Video Limiter Effect' In Premiere Pro CC 2018

Adobe re-built their Video Limiter Effect in Creative Cloud 2018. Can you trust the new effect to remove gamut excursion errors that will fail you in QC? This video Insight answers that question.

A Month Later: Mixing Light's Take On NAB 2018

It's been a little over a month since NAB 2018. In this From The Mailbag, we sit down to discuss all the things we saw including our thoughts on Resolve 15, new HDR monitoring, control surfaces and more.

LG 2018 OLEDs & Talking Calibration With Tyler Pruitt

In this special edition Mixing Light Podcast, Spectracal Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!

NAB 2018 & The Harris DL860 Is It Working?

In this installment of From The MailBag, the team discusses their 2018 NAB teaching plans and where to find Patrick on the show floor, and then we answer a members question about using a Harris DL860.

Re-Revisiting Multi-Channel Audio Output In Resolve

No, that's not Déjà vu! We're re-revisiting multi-channel audio output in DaVinci Resolve! In Part 1 of a new series, we'll explore the essentials of multi-channel output including using the 'Timeline Tracks' method, The Link Group behavior, and basic bussing.

From The MailBag EP48: From A Direct View Monitor To The Cinema

In this installment of From The MailBag, Team Mixing Light discusses a member question about moving a grade from their direct view monitor to the cinema - we discuss many aspects of this workflow and why overcomplicating things is a bad idea!

Top Calibration and Display Setup Questions (with Bram Desmet)

Learn the most common calibration mistakes post production professionals make when setting up their external displays; and the most common questions asked. An interview with FSI CEO Bram Desmet.

Colorist Podcast EP 021:Shane Mario Ruggieri

In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!

Mailbag Episode 44: Choosing A 4k Monitor

In this installment of From The Mailbag, Team Mixing Light answers a member question about choosing a new 4k/UHD monitor. We discuss the pros/cons of 4k monitoring and explore in depth new offerings from Flanders Scientific including the XM650U and XM310K.

Demystifying Contrast and Brightness Calibration Test Images

In our reference display calibration series we've been using a specific set of calibration test images. But two test images (used to precalibrate our Contrast and Brightness settings) generate a lot of confusion. Get unconfused in this Insight.

Is Your Reference Display Input Properly Set To Data Levels Or Video Levels?

If you have a broadcast reference monitor for editing and color correction then you need to make sure it's properly processing your images. Learn how to know if you have a mismatch in data levels with your editing or color correction software.

From The MailBag EP 43: Full Range & Broadcast Delivery

In this installment of From The MailBag, Team MixingLight discusses a member question about working in Full Range but being asked to deliver a video legal/broadcast deliverable.

Calibrating A Reference Display Without Using LUTs Part 2

Learn how to calibrate your video reference monitor if you can't load a calibration Look Up Table (LUT) into the display, with CalMAN Studio. It's simple. It's fast. But it does require a professional display to be fully successful.

From The Mailbag Ep 42: Revisiting Judd Modification For OLEDs

In this installment of From The Mailbag, Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor.

From The MailBag Episode 40: Talking About Dolby Vision

In this installment of From The MailBag, Team Mixing Light discusses Dolby Vision. Building on Robbie's recent articles, Patrick & Dan ask Robbie some questions about workflow and his recent trip to Dolby in Burbank, CA.

Getting To Know Dolby Vision Part 2: Delivering To non-HDR Televisions

In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.

Creating (and Verifying) a 3D Calibration LUT in CalMAN Studio

Part 2 in our calibration series has us doing our first calibration in CalMAN Studio. We generate two different LUTs for our OLED display.

Color Correction Gear Head: November 2017 Edition

In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting

Introduction to Reference Display Calibration - Series Overview

Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.

Breaking Geographic Boundaries: Remote Grading Part 2

In part 2 of this ongoing series, Robbie explores using Streambox's Hybrid Encoder for remote sessions plus some additional gear.

Colorist Podcast Episode 09

In this episode of the colorist podcast, Josh talks to Technicolor senior colorist Peter Doyle about his amazing career & many other subjects

Breaking Geographic Boundaries: Remote Grading Part 1

In part 1 of a 3 part series, we explore the different methods of remote grading and how remote work can help your bottom line.

Revisiting Multi-Channel Audio Output In DaVinci Resolve

Resolve users are often tasked with making final outputs.In this Insight, learn how to easily route multi-channel audio for output.

Stereo Tools for HDR Workflows in DaVinci Resolve

DaVinci Resolve 12.5 has introduced some new Stereo features... to support HDR workflows for High Dynamic Range color grading. Learn more...

Color Correction Gear Head: August 2016 Edition

In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools

Optimizing for CalMAN: The i1 Display Pro and SpectraCal C6 for CalMAN

Optimizing for CalMAN the X-Rite i1 Display Pro and SpectraCAL C6 is easy. Learn how—and the differences between these colorimeters.

Getting Started with CalMAN Colormatch

If you do video color correction, watch 'Getting Started with CalMAN ColorMatch' to learn how to test if you're display is accurate.

Using Custom Offsets with the i1 Display Pro OEM in Lightspace

Learn how using Custom Offsets with the i1 Display Pro OEM can turn this inexpensive colorimeter into a reference meter you can trust.

Optimizing the i1 Display Pro OEM for Lightspace - Part 1

The X-Rite i1 Display Pro is the most popular colorimeter on the market. Learn how to use it in Lightspace for video profiling & calibration.

Graphs in Lightspace DPS: How To Read Your Profile Results

Learn how to read the graphs in Lightspace DPS, to evaluate if your display requires calibration for color correction.

Getting Started with Lightspace DPS Part 1

'Does my color correction display need recalibration?' Getting Started with Lightspace DPS (a free app) helps you answer that question.

Reference Display Profiling: Is Your Display Accurate?

If you do video color correction, do you know if your reference display is accurate? Learn how to find out. The first video in a series.

DaVinci Resolve Studio Exclusive Features

DaVinci Resolve Studio Exclusive Features Version 12.5 Marks New Thinking About ‘Resolve Studio’ Whenever a major new version of DaVinci Resolve is released, the first thing I do is print…

Resolve 12.5 First Look – Patrick’s Gems

This DaVinci Resolve 12.5 First Look shares a working colorist's initial thoughts about the big new update to this color correction software.

Resolve 12.5 - Robbie's Top Features

Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.

From The MixingLight: MailBag Episode 31

In this installment of From The Mailbag we explore how to sharpen quick focus pulls and discussing using the HP Z27x DreamColor display.

DaVinci Resolve: How to Use External Scopes with Video vs Data Levels

Learn how the 'data levels' and 'video levels' Project Setting effects your external scopes when color correcting in DaVinci Resolve.

HDR Essentials - Getting Setup In Premire Pro

HDR video is coming, and coming fast.  In this Insight, learn how to get setup and work with HDR video in Premiere Pro's Lumetri Color Panel.  

From The MailBag Episode 25

A couple weeks after NAB 2015, Team Mixing Light breaks down NAB 2015 - the gear & other amazing stuff from the week.

RGB Gamut Errors A Broadcast Colorists Nemesis

In this Insight, learn what RGB Gamut errors are and how to identify them before a broadcaster catches them for you!

Colorist Health - My Campaign For Eye Awareness

How much time have you spent thinking about your eyes? Dan starts a new series about health issues including eye awareness.

Getting To Know The Colorimetry Research CR-100 & CR250

The Colorimetry Research CR-100 & CR250 are two of the most affordable and accurate calibration meters on the market. Learn more...

Using Divergent Media's ScopeBox As Digital Recorder

Divergent Media's ScopeBox not only provides high quality customizable scopes but a full fledge digital recorder for capturing content.

When Color Management Fails : Dan's Strategy

Have you had a client reject a grade after they left the color correction suite? Learn how handle this problem without losing your client.

From The MailBag Episode 11

In this episode of From The Mailbag learn about our picks for top reference monitors and how to build a calibration system on a budget

Understanding Output Sizing in DaVinci Resolve

If you're confused about understanding Output Sizing in DaVinci Resolve—especially if you need to keyframe it—then this video is for you!

Multiple Aspect Ratios

Learn an innovative approach to framing filmed images for multiple aspect ratios. Also - how to view these framings inside DaVinci Resolve.

How I Set Up Scopebox for Color Correction

In this video learn how a professional colorist configures the affordable software scopes, ScopeBox, for image evaluation to speed up color correcting.

Playing 720p23.976 Inside DaVinci Resolve

DaVinci Resolve doesn't officially support the specific combination of a 720p frame size playing back at 23.976. Learn how you can force this playback.

Podcast: Keying On Black Background + Chroma Subsampling Explained

We answer two questions: Solving a problem with keying and windowing the moon on a black background + explaining technical terms to co-workers.

New SpeedGrade CC Courses + Working With A DP + Video Displays

Podcast: Learn about a new training title for SpeedGrade CC + How to work with a DP in a color correction session + Choosing video displays for grading.

How To Set Up Your Color Suite + Monitoring Video in 444

In this podcast, Team Mixing Light answers two member questions: How do we set up our color correction suites? How do you set up monitoring in 4:4:4?

Hands-On The Sony BVM-F250A OLED Reference Monitor

Learn why a professional colorist is eager to finally get this uber-expensive OLED display into his color correction suite. What does he think about it?

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