In Part 2 of this Series, learn the details of an indie film navigating ACES between DaVinci Resolve, Premiere Pro, and After Effects.
The ACES color management workflow is a key technology for major Hollywood productions. Learn how an Indie film implemented ACES.
Team Mixing Light continues discussing Apple's announcements of new hardware at WWDC. This time we talk about the new Apple Pro Display XDR.
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
In Part 3 of this series, you learn about the evolution of digital video from Standard- to High- Dynamic Range. Why is it here to stay?
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
In this installment of From The Mailbag we discuss a member question about if HDR is here to stay and should one be investing in HDR tech.
In part 3 of our ongoing Dolby Vision series, learn about big changes to Dolby Vision & Resolve in 2018, plus new tools & workflows.
In this installment of From The Mailbag, we're once again joined by Joey D'Anna to discuss graphics and text in Dobly Vision HDR projects.
Digital video post production and color grading is rapidly advancing. Which technologies do you need to prepare for? And why?
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
In this installment of From The Mailbag, we discuss if we should be standarizing every project around color management systems like RCM & ACES.
Summer 2018 round-up of don't-miss color correction tutorials from other websites (with commentary). We wish we had them here, first.
In this installment of From The MailBag, we discuss a question we've been getting a lot - is it worth getting the FSI XM650U over an LG OLED?
In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
It's been a little over a month since NAB 2018. In this From The Mailbag, we sit down to discuss all the things we saw including our thoughts on Resolve 15, new HDR monitoring, control surfaces and more.
Learn what one colorist thinks of DaVinci Resolve 15 Public Beta the first time he launches it. Not on the trade show floor in Las Vegas where he first saw it... but in quiet of his suite. And discover the huge new feature no one is talking about!
In this installment of the Color Correction Gear Head series, Robbie takes a look at the 2018 LG OLEDs (C8), the HD Fury Integral 4k, Aja 1616 12G Router, OWC Mercury HeliosFX and remote control application Splashtop.
Where does the battle of OLED vs LCD sit today and what are their comparative advantages (and challenges)? The CEO of Flanders Scientific answers questions about the state of display technology in 2018.
In this special edition Mixing Light Podcast, Spectracal Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
In this installment of the Colorist Podcast, Josh sits down with colorist, trainer and industry visionary Dado Valentic to discuss his much talked about presentation on color grading and AI, HDR workflow, on tools for colorists and more!
In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!
In this installment of From The Mailbag, Team Mixing Light answers a member question about choosing a new 4k/UHD monitor. We discuss the pros/cons of 4k monitoring and explore in depth new offerings from Flanders Scientific including the XM650U and XM310K.
In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.
In the first installment of the Colorist Podcast for 2018, Josh sits down with well-known colorist Ian Vertovec from Light Iron. They discuss Ian's work, ACES, HDR, VFX workflow and much more!
In this installment of From The MailBag, Team Mixing Light discusses Dolby Vision. Building on Robbie's recent articles, Patrick & Dan ask Robbie some questions about workflow and his recent trip to Dolby in Burbank, CA.
In this installment of From The MailBag, team Mixing Light discusses the first ever Blackmagic Design Conference & Expo as well as our thoughts on Apple's latest - the iMac Pro.
In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.
In the last installment for 2017, the Colorist Podcast looks back at some key moments from the series this year with a year in review highlights episode
In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.
In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!
In this episode, Josh talks to legendary colorist Bob Festa about his gigantic body of work, grading techniques and much more!
In this episode, Josh continues his conversation with director, author and colorist Alexis Van Hurkman. they talk HDR, ACES and more!
in this installment of the Colorist Podcast, Josh talk to colorist Juan Ignacio Cabrera about his work on cutting edge projects & many other subjects.
In this installment of the Colorist Podcast, Josh is joined by colorist Vanessa Taylor. From balancing tech & art, grading HDR this is a great listen!
On this installment of the Colorist Podcast, Josh talks to famed calibrator Dave Abrams of Avical about display technology, HDR & getting great calibrations
In this episode of the colorist podcast, Josh talks to Technicolor senior colorist Peter Doyle about his amazing career & many other subjects
In this podcast, Team Mixing Light discusses using reference monitors & LG's consumer OLED televisions in our color suites.
In this MailBag episode, we discuss how to easily sync Resolve's LUT folder & the pros/cons of viewing HDR & SDR simultaneously
DaVinci Resolve 12.5 has introduced some new Stereo features... to support HDR workflows for High Dynamic Range color grading. Learn more...
In Episode 3 of the Colorist Podcast Josh talks to well-known finishing artist & colorist Gray Marshall from Technicolor L.A. about his work.
DaVinci Resolve Studio Exclusive Features Version 12.5 Marks New Thinking About ‘Resolve Studio’ Whenever a major new version of DaVinci Resolve is released, the first thing I do is print…
The Waveform & RGB Parade are essential tools for color correction. But when working with HDR footage in Resolve reading them can be slightly confusing.
HDR video is coming, and coming fast. In this Insight, learn how to get setup and work with HDR video in Premiere Pro's Lumetri Color Panel.
In this episode, Team MixingLight discusses HDR and best practices for setting saturation levels for log encoded footage
Diving into HDR (high dynamic range) video? Check out this Insight to learn the essentials of getting setup for HDR in DaVInci Resolve
HDR is the 'next big thing' for color grading.In this Insight, get up to speed with two discussions about HDR with industry experts Bram Desmet & Juan Salvo
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