NAS, Security, Archival Footage, and HDR – An Office Hours Discussion

March 16, 2022

Team Mixing Light discusses member questions including: TrueNAS storage, archival footage artifacts, budget HDR monitoring, and security.


Note: This conference call was recorded with a live audience of Mixing Light members. The URL to participate in these calls is always posted in the Mixing Light Member Event Calendar. Replays are only available to active members of the Insights Color Library. 

TrueNAS, dealing with repeating frames, budget HDR monitoring, and security

This go-around, Patrick is joined by Mixing Light Contributors Joey D’Anna, Cullen Kelly, and Katie Hinsen. We are joined by a special guest, Hollywood colorist Mark Todd Osborne.

We start the conversation with our panelists each sharing a something we’ve all learned in the past month or so. Then we dive into the questions that are at the top of mind for our members. 

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Questions or Comments?

We are very excited about this format. But the real question is: Do YOU like it? Let us know in the comments below! And if you have suggestions on how we can improve it, definitely leave those comments as well.

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Homepage Forums NAS, Security, Archival Footage, and HDR – An Office Hours Discussion

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    • Zé Maria

      Arri Raw is completely uncompressed.  They have released a compressed version of the codec which is called Arri Raw HDE, which stands for High Density Encoding.

      I have worked with both, and they are very heavy formats in terms of storage bandwidth needs, however my 8 Bay 10GB NAS handled them both no problem. The only time I had issues with Arri Raw, was with 6.5k Arri Raw from the Alexa 65, but once the sequences got cached to the NVME it played back without a hitch

      • Patrick Inhofer

        Thanks Ze for sharing your experience!

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