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Office Hours – May 24
Mixing Light Contributors Joey D’Anna and Cullen Kelly join host Patrick Inhofer in leading a Mixing Light Office hours discussion. Today’s discussion included:
- Real-time streaming for Dolby Vision?
- Rendering and delivering with multi-resolution clips in a single timeline
- Why we never (nor anyone should) talk about Rec-709a 🙂
- The counter-intuitive decision to use a consumer OLED as a reference display
Table of Contents
(bold is a member question)
Resources Mentioned
- ACES Forum Home – The forum mentioned by Cullen
- Filmlight Tutorial on Quicktime Colour Management – An accurate, informative video about NCLS tagging (aka Rec-709a)
- Cullen’s free Frame.io LUT – For the low price of your email address
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Insight #
ML
1124
Type
Video
Duration
58:15
Skill Level
Intermediate
Skills
Business
Series
Office Hours
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How Do Bias Lights Help Colorists Achieve Consistency?
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Inside Look – Nobe OmniScopes And The New QC Timeline Panel
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Leaning In: Handling the emotional and mental pressure of Post-Production
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How To Actively Manage Your Post Production Career
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Office Hours LIVE! HDR White, Saturation Controls, New Displays, and AI Fails
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Office Hours LIVE! Color Management, Gamma Woes and Budget Remote Live Review
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Office Hours LIVE! Post-NAB – Sony HX-3110, Resolve 18.5, Virtual Sets and Colorists
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Office Hours LIVE! LUTs, Color Management, HDR, and Cinema Workflows
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Color Grading Docs, HDR Trims, NVMe Disks for Cache, and more!
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How To Professionally Work Between Multiple Editing Platforms
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The Care And Feeding Of A Post Production YouTube Channel
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Remote Media Sharing and Collaboration – Featuring Hedge’s Postlab
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How do colorists extend the life of old computers? Becoming a Mixing Light Contributor?
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Charting Gamma Curves, Revisiting REC-709a, and Premiere Pro 2022 Color Management
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Streaming Dolby Vision, REC-709a, And Consumer OLED Displays
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Talking Professional Reference Displays with Bram Desmet of Flanders Scientific
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How Do You Succeed Running A Color Grading Business?
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Evaluating Skin Tones, Working With Drone Footage, Grading On Laptops
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Good Ideas? The HDR Palette One Year Later & Selling Your Project Files
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NAS, Security, Archival Footage, and HDR – An Office Hours Discussion
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Office Hours – ACES Color Management Using Nodes in DaVinci Resolve
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Office Hours Live Stream – Color Management (and much more)
