A professional DIT shares gets us up to speed on the ARRI's large format mini camera. Plus, learn about its unique ProRes codec.
Learn how to create, export, and import ASC-CDL compliant color grades using DaVinci Resolve. Plus tips and tricks with CDL data.
Take an introductory look at the Color Decision List (CDL) and learn about the strengths and weaknesses of an ASC-CDL based workflow.
My list of key software utilities for post production professionals may help you a solve annoying (or critical) problems. For Mac & Windows.
Mixing the R, G, and B colour channels is a versatile color grading technique. Using Resolve's RGB Mixer, learn its simplicity - and power.
How much does it cost to get into LTO-7 and LTO-8 backup? What's the benefit of using specialty software PreRollPost to handle your archives?
Colorist and finisher Jason Bowdach shows you how the Vidchecker Quality Control software works, and if he thinks it is worth the investment?
Take charge of all the audio sync functions from inside of Silverstack XT and LAB! Learn manual and automatic double-system sound sync.
I was very excited about the Sound Library feature released with DaVinci Resolve 15 Public Beta. But my experience using it is very disappointing. Learn how this feature works, why it feels very incomplete, and how it needs to improve.
It's been a little over a month since NAB 2018. We discuss what we saw including Resolve 15, new HDR monitoring, control surfaces and more.
Silverstack is much more than just for downloading. Learn how to use its in-built color correction tools and management system to enhance the previsualization process and to visually communicate the DP's ideas from on-set color to post.
Colorist & DIT Ryan Nguyen continues his series on Pomfort's Silverstack with a deep dive on the Offload Wizard. Including saving and managing offload templates, using wildcards to create custom offload directories and evaluating download progress in the Jobs Sheet page.
Dan shares the tale of his attempt at grading long-form reality television after spending 10 years being a pampered commercial colorist.
In this second insight of a series with Pomfort Silverstack, you take a first-contact look at the user interface to overcome the initial fear of learning a new software. Explore the various layouts and workspaces available to better understand how you navigate the program.
QC and media inspection are an essential part of 'finishing' process. In this Insight, Robbie shares his experience with Telestream Switch which is a full featured media player, inspector and QC tool.
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
FCPX 10.4 update introduces some long-awaited color correction features, like wheels and curves. This Insight reviews the standout points of this new color correction toolset - and gotcha's you should understand.
In Part 1 of this series, get an overview of Pomfort's Silverstack, its various versions, and subscriptions; plus learn the difference between Digital Imaging Technician (DIT) and Digital Loader.
White balancing is a basic color correction task. And Temp or Tint controls are often a time-saving shortcut. But they don't always work. Learn why?
Learn how to improve your display calibration results when using CalMAN Studio. And does using a 'Lightning LUT' compromise your final results?
Begin learning how to calibrate your color correction Reference Display by seeing how to calibrate your colorimeter for highly precise measurements.
When you start delving into the finer points of color correction you'll eventually learn about Gamma 2.2 vs Gamma 2.4. Learn how to choose between them.
Like flying cars, the 'Studio' concept of post-production was promised for generations. At NAB 2017 we have the first actual implementation in Resolve 14.
Get a tour of essential software a DIT uses on-set to execute the important tasks of handling (and handing-off) metadata, playback of clips and transcoding.
Rich Roddman C.S.I. shows how he sets up his Cart for on-set color correction... and the thinking behind his choices.Part 4 of a DIT series.
Does it matter if the director, actors or cinematographer are awesome - if the camera data is corrupt or lost? Tools for DIT happiness...
If you move your timeline from one bit of post-production software to another then you need to know the 'Golden Rule of Conforming'.
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.
Take a close look at the unique (and intuitive) HSL Keyer in Red Giant's Colorista III color correction plug-in.
Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.
Learn from a professional colorist how to select a color correction plug-in for FCPX. What are main features you should be looking for?
Watch an overview of how a professional colorist uses Magic Bullet Looks 3 to jump-start the 'look creation' process.
Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.
An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.
A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.
Learn what a professional colorist thinks of Colorista III - and what's the problem with the current version (1.0.3).
A tutorial and overview of using Colorista III in Final Cut Pro X. Learn how all it's tools work and why you might want to buy and use it.
This is a video overview and breakdown of the FCP X color correction plug-in 'Color Finale'
How to use shape masks when creating Looks in FCP X with the 10.2 update.
After shot matching comes Look creation. This is Part 1 on how to create Looks in FCP X 10.2 without using 3rd party plug-ins.
Do you have trouble with shot matching while color correcting video? This tutorial will show you a reproducible workflow for any software.
Shot matching is one of the most difficult color correction techniques to teach. Learn a workflow matching shots in Final Cut Pro X.
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