Interview-Part 1: Moving From Mac to PC - What Post Pros Need To Know Building A Custom PC

Are you a Mac-based Post-Production professional moving to the PC platform? Eric Bowden, custom PC builder, talks about the differences. Lorem Ipsum Lorem I

Saving The Day With Input Sizing in DaVinci Resolve

If you're having trouble with you sizing in Premiere Pro not being replicated in DaVinci Resolve, the Input Sizing control may be your hero.

How to Handle Scaling in XML Workflows for Premiere Pro CC

Learn what settings to use in Premiere Pro CC when Scaling in XML workflows. And the settings to use for importing into DaVinci Resolve.

Understanding the Premiere to DaVinci Resolve Image Sizing Handoff

If you have problems exporting XMLs with image sizing from Premiere to DaVinci Resolve, this video explores the settings you need to know.

Why You Need to Master the 'Frame Size' Option in Premiere Pro CC

If you send your timelines from Premiere Pro CC to DaVinci Resolve then you know resizes often fail. Your 'Frame Size' selection is the key.

Media Manage An XML For Color Correction (from client drives to your raid)

Learn how to prepare to Media Manage an XML, and get footage off your client's hard drives and onto your high-performance RAID.

From Client Hard Drive to XML Export: Prepping a Timeline

If you need to move a timeline from Premiere Pro or Final Cut Pro for color grading or finishing then learn how to prep it for an XML Export.

What is the Golden Rule of Conforming Timelines?

If you move your timeline from one bit of post-production software to another then you need to know the 'Golden Rule of Conforming'.

White Balancing Shots Part 2 – Common Problems

Learn how to white balance shots with mixed color temperatures. Plus, how to deal with subtle color balance issues.

How To White Balance Shots: Part 1

Watch how to White Balance (or Color Balance) digital video images. You'll explore 4 different tools and learn their differences.

First Look: Using Color Finale Pro and the Tangent Ripple in FCPx

First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.

Hands On the Tangent Ripple and Tangent HUD

A hands-on overview of the most affordable color correction control surface on the market today—the Tangent Ripple.

Conform Issues Database – Introduction

Conforming timelines can be time-consuming before you even start color correcting. Learn the common issues (and how to fix them).

How to Optimize Tangent Control Surfaces for Premiere Pro CC

Learn how to optimize Tangent Control Surfaces for Premiere Pro with the Tangent Mapper—and massively speed up using Lumetri color effect.

Hands On the Tangent Element and Premiere Pro CC 2015.3

The first Creative Cloud update in 2016 has given us integration between the Tangent Element and Premiere Pro. This video shows it in action.

Premiere Pro CC 2015.3, Part 1: New Updates to Existing Features

Get a look at the new features in Premiere Pro CC 2015.3 for existing color correction tools, including the Lumetri Effect.

Working with Vignettes in Premiere Pro CC

Step 3 in our 'Premiere Pro Color Correction Protocol' is to control the viewer's eye. Learn how—by working with vignettes and custom masks.

Shot Matching in Premiere Pro—The Color Correction Protocol

Shot matching in Premiere Pro CC is the second step in The Color Correction Protocol. Learn how to stack filters and get the job done!

The Premiere Pro Color Correction Protocol—Contrast

Learn how to use Premiere Pro Color Correction filters in a logical and organized method for any sized project. We start with contrast.

Working with LUTs and Camera RAW in Premiere Pro Part 2

Working with LUTs and Camera Raw in Premiere Pro can be tricky. In this video, learn one workflow that makes it a bit easier.

Exploring the Colorista III HSL Keyer

Take a close look at the unique (and intuitive) HSL Keyer in Red Giant's Colorista III color correction plug-in.

Working with LUTs in Premiere Pro: Part 1

Learn how to color correct with LUTs in Premiere Pro and the Lumetri Panel. Especially if your color correcting with RAW-, Log- or flat- recorded images.

HDR Essentials - Getting Setup In Premire Pro

HDR video is coming, and coming fast.  In this Insight, learn how to get setup and work with HDR video in Premiere Pro's Lumetri Color Panel.  

Exploring the Lumetri Color Tools (Part 2)

Understand how the Lumetri Color Tools work in the latest version of Premiere Pro CC. Plus learn about a potential flaw in these tools.

How to use the Lumetri Color Panel: Part 1

The Lumetri Color Panel is a huge technical and workflow boost in Premiere Pro CC 2015. Learn why, and how to use the Lumetri Color Panel.

Broken Color Correction Filters in Premiere Pro CC

Do you think it's hard to color correct in Premiere Pro? Learn how broken color correction filters make the task harder than it needs to be.

Color Correcting in Premiere Pro: Why So Hard?

Why is color correcting in Premiere Pro so hard? This article explores Premiere's 'legacy' color correction filters and finds the answers.

How to Select A Color Correction Plug-in for FCPX

Learn from a professional colorist how to select a color correction plug-in for FCPX. What are main features you should be looking for?

Magic Bullet Looks 3 - An Overview

Watch an overview of how a professional colorist uses Magic Bullet Looks 3 to jump-start the 'look creation' process.

Create Custom Workspaces in PremierePro for Color Grading

Learn how to create custom workspaces for speeding up your color correcting in Premiere Pro CC.

Optimize Sequence Settings in Premiere for Color Grading

Learn how to optimize sequence settings in Premiere Pro CC 2015 to enable 10-bit rendering for color correction and effects processing.

Permanently Adding LUTs To The Lumetri Color Panel

Using LUTs with the Lumetri Color Panel can be tedious.In this Insight learn how to add LUTs permanently to the panel for quick access

Advanced Key-Framing Tips: A Color Correction Breakdown

Learn advanced key-framing techniques as we break down a color correction of a short film for a real-life haunted house.

Overview of the Koji Advance Film Emulation Plug-In

Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.

Using The EyeHeight Broadcast Video Legalizer Plug-in

File based or software video legalization can be hard. Check out this Insight to see how EyeHeight is making video legalization simple

An Overview: Nattress Levels and Curves for FCPX

An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.

Hawaiki Color and Analyzer for FCPX

A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.

Tutorial – Colorista III in FCPX Part 2

Learn what a professional colorist thinks of Colorista III - and what's the problem with the current version (1.0.3).

Tutorial: An Overview of Colorista III in Final Cut Pro X

A tutorial and overview of using Colorista III in Final Cut Pro X. Learn how all it's tools work and why you might want to buy and use it.

An Overview of the 'Color Finale' FCP X Plug-In

This is a video overview and breakdown of the FCP X color correction plug-in 'Color Finale'

Lens Distortion Removal With Premiere Pro

Action cameras and other wide angle lens can have some pretty severe lens distortion. Check out this Insight to learn how to remove it.

Creating Looks In FCP X: Part 2

How to use shape masks when creating Looks in FCP X with the 10.2 update.

The Future Is Colorful: The New Lumetri Panel in PrPro CC

In this Insight learn about the recently announced Lumetri Panel & other color improvements in Premiere Pro CC 2015

Creating Looks in FCP X: Part 1

After shot matching comes Look creation. This is Part 1 on how to create Looks in FCP X 10.2 without using 3rd party plug-ins.

Project Candy: Color References Reimagined

In this Insight, Robbie gives an overview of Project Candy from Adobe & how it has the potential to inspire and help with color references.

Shot Matching Workflow

Do you have trouble with shot matching while color correcting video? This tutorial will show you a reproducible workflow for any software.

Matching Shots in Final Cut Pro X: Redux

Shot matching is one of the most difficult color correction techniques to teach. Learn a workflow matching shots in Final Cut Pro X.

Final Cut Pro X Color Balance Precision

Do you find it difficult to make precise Final Cut Pro X color balance decisions? This video tutorial will give you ideas for fixing that.

How to Match Shots in Final Cut Pro X

Learn how to match shots in Final Cut Pro X using its unique interface. Part 4 of this series on how to color correct in Final Cut Pro X.

Better Grades In Premiere Pro: The Tonal Range Definition

Premiere Pro has a powerful 3-Way Color corrector but by default its tonal range is narrow. Learn how to get better grades by adjusting it.

Saturation in Final Cut Pro X: Is Your Image Colorful Enough?

How do you know if your images are colorful enough? When's the best time to set your saturation in Final Cut Pro X? Find your answer here!

Why You Need To Dig Deep: Final Cut Pro X Exposure Slider

Understanding the Final Cut Pro X Exposure Slider is critical to knowing how to color correct in Final Cut Pro X. Click and discover: Why?

Final Cut Pro X Color Correction Challenge

What if a professional colorist were required to color correct in Final Cut Pro X (without plug-ins)? We start by exploring Exposure.

Red Giant Software - An Overview of Red Giant Link

This is the first in a series of videos about the color correction tools in the Red Giant Software suite of plug-ins and apps.

Grading Master Clips in Adobe SpeedGrade & Premiere Pro

Learn how to leverage grading a master clip in SpeedGrade & Premiere Pro. By using master clips you can speed up your grading dramatically.

Using Adobe Media Encoder for Dailies & Screeners

In this Insight, learn how to apply Looks/LUTs & burn-in metadata for dailies & screener workflows using Adobe Media Encoder.

Masking and Tracking in Premiere Pro CC

Learn techniques for masking and tracking in Premiere Pro CC in this color correction tutorial from a professional colorist.

Legalizing Video Levels in Premiere Pro CC

If you're wondering how to legalize video levels in Premiere Pro CC, this article is for you. Part of a series on legalizing video levels.

How To Use The Premiere Pro Title Tool To Color Correct with Shapes

Using shapes to isolate areas of your image for color correction is a key color correction skill. Learn how to do this using the Premiere Pro Title Tool!

How To Copy Color Corrections Between Sequences in Avid Symphony

Do you know how you can copy / merge color corrections in Avid Symphony from one sequence to another? This video shows you the process.

Color Correcting In Sections with Avid Media Composer

If your client is asking for changes in your color corrections that effect entire scenes then here's how to quickly make those fixes in Avid.

Color Correcting In Avid: Work Faster with Keyboard Shortcuts

Do you want to learn how to color correct faster on Avid Media Composer? Build on our earlier customizations with these super-fast Avid shortcuts.

How Do You Customize Avid Media Composer (for Color Correction)?

The key to being fast in Avid Symphony is mastering the keyboard and interface. Learn how you can customize Avid, tuning it for color correction.

How to Use Scopelink for Scopebox in Premiere Pro (and FCP X)

If you're looking for scopes to use with Adobe's Premiere Pro, After Effects or Apple's Final Cut Pro - check ScopeLink, a powerful feature of ScopeBox.

Waveforms, Legal Range And The Differences Between Avid and Resolve

Avid's Y Waveform sets black above the bottom of the scale whereas Resolve's Waveform sets its blacks at the bottom of its scale. Which is correct?

How to Work with Arri Alexa Footage in Premiere and SpeedGrade

Are you working with Arri Alexa Footage in Premiere Pro or SpeedGrade? This tutorial will walk you through the workflow.

Understanding the Color Pucks In The FCP X Color Board

Are you struggling with getting good results from the FCP X Color Board? Learn how to analyze its image processing and build a custom workflow.

Understanding the FCP X Color Board Exposure Controls

Are you using the FCP X Exposure controls efficiently? Is there an approach to improve your results? Most likely, yes. Click to learn more.

Premiere Pro Adjustment Layers: Applying A Look To An Entire Scene

Adjustment layers can be used for many things—a favorite is color correcting and applying a Look to a few shots, a scene or an entire timeline.

Curves Color Correction: Avid Symphony vs. DaVinci Resolve

What is the difference between the Curves interfaces in Avid Symphony and DaVinci Resolve? Learn how to simulate Avid Curves in Resolve.

No tutorials found...

Sorry, no tutorials were found for that criteria. Please change your selection or Reset Filters.

Filter Tutorials

Type
Skill Level

Reset Filters