Flanders Scientific's CEO visits with Mixing Light members answering questions in this Office Hours conference call.
Colorist Joey D'Anna shows how to set up and use the open-source software 'Syncthing' to share media across three remote locations.
Learn how to use Resolve 17's new remote panel capabilities for remote color grading that is secure, interactive, and color accurate.
Learn to measure audio/video sync issues with a smartphone, and compensate in DaVinci Resolve using Fairlight's B-Chain
Learn the basics of 3D printing, and how you can use it to improve your post production environment with custom upgrades.
Today's Agenda: What do digital video post production professionals need to consider when buying a storage solution for their digital media?
We welcome new contributor Jason Druss to Team Mixing Light as he kicks off his new 'Good Grades' series talking to top colorists. First up Shawn King
With the holidays nearly upon us, in this installment of Color Correction Gear head discover several 'stocking stuffer' pieces of gear to add to your list!
Learn to use VLANs, link aggregation and more to manage high performance networks for post production, using Ubiquiti products.
Get a hands-on look at OWC's direct-attached Thunderbolt-3 RAID chassis. Plus, (3) configuration ideas for post production professionals.
An eGPU setup could offer a dramtic performance increase to your workflow. Learn about eGPUs, the AKiTio Node Titan & workflows leveraging an eGPU
In Part 2 of this foundational series, learn about the physical considerations of a color grading suite that impact taking paying work.
What does a colorist think of the 2019 Mac Pro after switching back to Mac? Plus, learn his thoughts about optimal specs for color grading.
In this installment of Color Correction Gear Head, Robbie shares some essential items that went into the building of his new facility.
Do you doubt your ability to color correct moving images? Are you constantly re-doing your work? Learn what's going wrong and how to fix it.
Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.
We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Learn how I've evolved my grading suite in the past 2 years. I added new hardware and adjusted my layout to fit new, advanced workflows.
The XDR looks like an impressive display from Apple but - is it a reference monitor? It sure is priced like one!
At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.
Team Mixing Light tackles a member's question on how to handle a DP who doesn't trust any monitor in a facility?
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
In this installment of Color Correction Gear Head we look at new GPUs, storage, GUI monitoring and HDMI routing and more!
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
In this Insight, Robbie takes a look a the new 2018 Apple Mac Mini and how he's using it in his color suite.
Multiple members have recently written asking the same question: Is it a colorists' responsibility to archive media and project files?
In this Insight, learn about the basic design of the Lumaforge Jellyfish Mobile, and why it might be a perfect solution for your set-up.
The Team discusses a question we've been getting a lot: Is it worth getting the FSI XM650U over a 65" LG OLED?
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
In this 'Resolve Mini' control surface Video Review, see several exciting features in action - plus a bug that confuses things.
It's been a little over a month since NAB 2018. We discuss what we saw including Resolve 15, new HDR monitoring, control surfaces and more.
In this installment of the Color Correction Gear Head series, Robbie takes a look at the 2018 LG OLEDs (C8), the HD Fury Integral 4k, Aja 1616 12G Router, OWC Mercury HeliosFX and remote control application Splashtop.
One of our members asks about backing up Resolve databases and computers. This is an essential skill for colorists, listen to how we do it.
In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!
The Team discusses the pros/cons of 4k monitoring. We explore new offerings from Flanders Scientific including the XM650U and XM310K.
In this special Insight, Bram Desmet CEO & General Manager stops by Robbie's studio to take a look at the brand new FSI XM650U UHD OLED HDR Monitor. Learn about the essential design of the monitor, its capabilities and how it might help you.
Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor. What is it? When to use it?
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
Team Mixing Light discusses the first ever Blackmagic Design Conference & Expo as well as our thoughts on Apple's latest - the iMac Pro.
In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.
The Elgato Stream Deck is a powerful control surface add-on for colorists, especially when paired with autohotkey. In this insight, learn to take that functionality to the next level with advanced scripts and workflow examples.
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
Designed for gamers and streaming is the El Gato a suitable control surface supplement for colorists? In this Insight, learn about the Stream Deck
In this Insight, Joey D'Anna shares some of what went into the design of his color suite, why he loves Aeron chairs, TBC consoles and more!
In Part 3 of our series, you'll see the different input devices I've experimented with and the computer displays I'm using... with eye toward ergonomics.
The Team fields a member question about how we set up the sensitivity of our colorist control surfaces? How do we decide?
As creative professionals working in post production, you are tied to your chair and desk. This Insight shares the fundamentals of healthy workspace design.
Are you wondering about buying a Color Correction Control Surface? This article explains the benefits - following one colorist making the transition.
If you need to buy a high-performance video post production computer today, then you're looking at a PC. Here are more answers to questions of Mac users.
A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.
In this installment of Color Correction Gear Head veteran colorist Marc Wielage provides his impressions of the new Resolve Mini Control Panel.
On this installment of the Colorist Podcast, Josh talks to famed calibrator Dave Abrams of Avical about display technology, HDR & getting great calibrations
In this special edition of the Color Correction Gear Head series, we welcome Joey D'Anna & his review of the Resolve Mini Panel.
In this edition of the Colorist podcast Josh talk to the famed Warren Eagles from the International Colorist Academy.
In part 2 of this ongoing series, Robbie explores using Streambox's Hybrid Encoder for remote sessions plus some additional gear.
In Part 2, Eric Bowden of ADK Video highlights the importance of optimizing PC hardware to your specific workflows, codecs and software.
In this installment of Color Correction Gear Head Robbie talks about some recent gear & software finds to make life in the color suite easier
Are you a Mac-based Post-Production professional moving to the PC platform? Eric Bowden, custom PC builder, talks about the differences.
In this episode of the colorist podcast, Josh talks to Technicolor senior colorist Peter Doyle about his amazing career & many other subjects
In part 1 of a 3 part series, we explore the different methods of remote grading and how remote work can help your bottom line.
Team Mixing Light discusses choosing colorist reference monitors. Plus, using LG's consumer OLED televisions in our color suites.
The Color Correction Gear Head Series is back! This time around we cover a video router, a couple sets of adapters, and a streaming solution.
The Team discusses GPUs for the colorist and how to select one. Plus, tech we've discovered we can live without, and tech we can't.
In part 2 of this ongoing series we take a look at popular Windows PC turn-key solutions & the essentials of PC hardware components.
In part 1 of new series on switching from the Mac to Windows, we address some common complaints often cited about moving from a Mac to a PC
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
The DaVinci Resolve Control Panel gives you the most hands-on control of Resolve. In this Insight, learn about the design & functionality.
In this installment of Color Correction Gear Head we take a look at the Pascal Titan X GPU, LG B6 OLED, & some fantastic Focal Speakers
Color management can be complex. We talk to FSI's Bram Desmet about their new BoxIO Lut box and how it can help on-set & in post.
In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools
Working on a PC but need to render ProRes? In this Insight, learn how to setup Resolve remote rendering & use a spare Mac for ProRes renders
In the inaugural edition of the Mixing Light color correction gear head series we take a look at 4 pieces of gear for the colorist.
Optimizing for CalMAN the X-Rite i1 Display Pro and SpectraCAL C6 is easy. Learn how—and the differences between these colorimeters.
If you're looking to improve your color correction ergonomics for your editing or color correction suite - this post has some ideas for you.
In the last installment of the 3 part series learn about computer setup, control surfaces, GPU expanders & other key accessories for a suite
In part 2 of the series, learn about monitor and bias light setup, viewing distance, industry monitoring recommendations, routing & more