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Film Print Emulation: Breaking Down PixelTools 'Film Lab PowerGrades'

Continue developing your critical eye for evaluating Film Print Emulations (FPEs) by breaking down Pixel Tools Post's 'Film Lab PowerGrades'.

Color Management For Preconformed Workflows With EDL Clip Names

Using Resolve's Edit Index and EDL comments, you can prepare a preconformed timeline for color management much easier than you think.

What Makes Film Print Emulation LUTs Special (and how to use them)?

In this new series, build the foundation to evaluate & implement ANY Film Print Emulation (FPE) - with the Kodak 2382 film stock as baseline.

Creating And Evaluating PowerGrade Tools - Tips and Tricks

Colorist Jason Bowdach teaches you his approach to developing and evaluating technical PowerGrades (and how it helps your creative grading).

DaVinci Resolve 17.4.5 - Custom YRGB Output Color Spaces

Colorist Joey D’Anna explains why the new Output color space setting in DaVinci YRGB projects is a great tool for node based color management.

Understanding Baselight Student's Colour Management Framework

In Part 8 of our series, learn the three colour space options that are essential to correctly colour grading in Baselight Student.

Colourlab Ai - Working In A Color Managed Workflow

In Part 3 of this series, Jason Bowdach demonstrates how to use Colourlab Ai in a color-managed workflow in Resolve and shows new features.

Office Hours LIVE! - ACES Color Management Using Nodes (in Resolve)

Join colorist Joey D'Anna as he answers node-based color management strategies for ACES and RCM workflows (including groups and shared nodes).

Office Hours Live Stream - Color Management (and much more)

This is our first Office Hours Livestream. Four Mixing Light Contributors take and answer questions from members in a livestream.

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