From The Grading Room – Knowing When To Start From Scratch

Sometimes when grading you end up going in totally the wrong direction have to just stop what your doing and start from scratch.

Lens Profiling – What Is It And Why Could It Be Useful?

Is lens profiling something we should be looking at as colorists or is it a lot of extra effort to save a small amount of time in the grade?

Colorist Podcast Episode 08

In this episode of the colorist podcast, Josh talks to industry veteran/legend Dale Grahn about his storied career & many other subjects

Why We Love LUTs – Replace Your LUT Addiction

Most of us love to use LUTs behind closed doors. Dan shares his thoughts on why and how to break out of needing LUTs

Syncing Resolve's LUT Folder & Viewing HDR & SDR Simultaneously

In this MailBag episode, we discuss how to easily sync Resolve's LUT folder & the pros/cons of viewing HDR & SDR simultaneously

From The Grading Room – Radiohead

Dan shares his story from the grading room on grading a short promo project for radiohead

Premiere Pro CC 2015.3, Part 1: New Updates to Existing Features

Get a look at the new features in Premiere Pro CC 2015.3 for existing color correction tools, including the Lumetri Effect.

How to Create a Virtual LUT (and what it's good for)

Learn how to create a Virtual LUT and decide if it'll make your color correction reference monitor more accurate? Software:CalMAN & Lightspace

Resolve 12.5 - Robbie's Top Features

Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.

The Premiere Pro Color Correction Protocol—Contrast

Learn how to use Premiere Pro Color Correction filters in a logical and organized method for any sized project. We start with contrast.

4 Things To Know About Working With Look Up Tables

Using Luts in a color correction workflow is common, but everything doesn't always worked as planned. Learn 4 ways to work around look up table limitations

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