CDLs in Action and Roundtripping Through DaVinci Resolve

Learn how to create, export, and import ASC-CDL compliant color grades using DaVinci Resolve. Plus tips and tricks with CDL data.

Troubleshooting 101 - Resolve Color Management

Troubleshoot an interesting problem for a more in-depth understanding how Resolve Color Management (RCM) works.

Color Grading HDR For The First Time - In A Live Competition!

Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.

Should I Standardize Every Project Using A Color Management System?

We discuss if professional colorists should be standardizing every project around color management systems like RCM & ACES?

10 Things I've Learned (So Far) About HDR Grading

In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.

The 3000 NIT FSI XM310K: Talking HDR With Bram Desmet

Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.

Colorist Podcast EP 021:Shane Mario Ruggieri

In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!

Talking About and Understanding Dolby Vision Color Grading

Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.

Getting To Know Dolby Vision Part 2: Delivering To non-HDR Televisions

In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.

Getting To Know Dolby Vision Part 1: Terminology, Gear, and Workflow

In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.

Colorist Podcast Episode 16: Alexis Van Hurkman Part 2

In this episode, Josh continues his conversation with director, author and colorist Alexis Van Hurkman. they talk HDR, ACES and more!

Choosing Between ACES Or RCM? Plus, Control Surface Sensitivity.

The Team fields a member question about how we set up the sensitivity of our colorist control surfaces? How do we decide?

Is Your ARRI Alexa Mini Color Pipeline Properly Set in ACES?

The ARRI Alexa Mini is a great camera - and it color corrects beautifully in ACES. Learn how to confirm your color pipeline (in DaVinci Resolve).

Getting To Know The EasyDCP Resolve Plugin: Streamlined DCP Creation

Want to make a DCP directly from Resolve? In this Insight, Robbie explores the essentials of using the EasyDCP Resolve plugin.

Resolve 12.5 - Robbie's Top Features

Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.

Resolve Color Management & Raw

Resolve Color Management (RCM) is powerful workflow tool but using it with Raw footage can be slightly confusing. Learn more in this Insight

Resolve 12 First look: Resolve Color Management

Check out this Insight to learn more about the essential of the new Resolve Color Management (RCM) features of DaVinci Resolve 12

No tutorials found...

Sorry, no tutorials were found for that criteria. Please change your selection or Reset Filters.

Filter Tutorials

Type
Skill Level

Reset Filters