Mixing Light's panel of Colorists answers questions on color management with log footage, the "filmic" look, and choosing your clients.
Learn to use the color-grading tools in Fusion, from Curves to Printer Lights while displaying multiple scopes with the viewer's A/B buffers.
How do you *accurately* monitor a color-managed image from Fusion on your external monitor? Colorist Daria Fissoun teaches the workflow.
Avoid the Mac Gamma Shift problem on your exports with this step-by-step guide to consistent color management in DaVinci Resolve on a Mac.
Learn how to set up DaVinci Resolve's color management when delivering to YouTube and modify the default preset for better quality.
Does saturation on Resolve's Fusion look wrong when working color-managed? Colorist Daria Fissoun breaks it down and offers three fixes.
Our Contributors answer tough member questions on color management issues, mastering gamma, and affordable remote live review solutions.
Four Mixing Light Contributors help one of our members solidify their color management settings & workflows for HDR and cinema color grading.
Learn how the Blackmagic Mini control surface is giving you the 'wrong' results on the HDR Palette if your not paying VERY close attention.
Cullen Kelly shows you how to build a custom transform by combining a film print LUT with basic color science - to add style to images.
Learn to customize the built-in color management workflow of Resolve with quality external LUTs. This series begins with ARRI's LogC4 LUT.
Colorist Joey D’Anna explains why the new Output color space setting in DaVinci YRGB projects is a great tool for node based color management.
In Part 3 of this series, Jason Bowdach demonstrates how to use Colourlab Ai in a color-managed workflow in Resolve and shows new features.
Join colorist Joey D'Anna as he answers node-based color management strategies for ACES and RCM workflows (including groups and shared nodes).
This is our first Office Hours Livestream. Four Mixing Light Contributors take and answer questions from members in a livestream.
Learn how to tag a single clip with multiple 'input color spaces' in DaVinci Resolve when executing a 'flat file'/preconformed workflow.
In this episode, we discuss if project-wide or more custom approaches to color management are the 'right' way to do things.
Today's Agenda: Is it just me or does the ACES color management system feel like it's limiting my creative choices?
Learn how to set up Resolve Color Management for success. You'll also see a colorist's node tree, designed for RCM & the HDR Palette.
Watch colorist Joey D'Anna update his custom ACES workflow to better use the new HDR tool in Resolve 17, and use DaVinci Wide Gamut colorspace
Learn how to establish good color management and clear definitions for your look development workflow.
Blackmagic Design just announced Resolve 17. We jump on a call to discuss the release, its timing, new features, and our initial thoughts.
Resolve 17 Public Beta is here and it is a huge release! Colorist Joey D'Anna points you to his favorite new features, updates, improvements.
Learn how to leverage a powerful ACES workflow without any limitations, by customizing it a DaVinci Resolve node tree.
Learn how a pro colorist is integrating the Resolve 'color space transform' plugin into his fixed node tree to get better results, faster.
In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows
Learn how to create, export, and import ASC-CDL compliant color grades using DaVinci Resolve. Plus tips and tricks with CDL data.
Troubleshoot an interesting problem for a more in-depth understanding how Resolve Color Management (RCM) works.
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
We discuss if professional colorists should be standardizing every project around color management systems like RCM & ACES?
In this Insight, Robbie explores 10 things he's learned in 3 years of grading HDR and how his recent experiences have informed his view on HDR.
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. I talk to FSI CEO Bram Desmet about HDR & the XM310K.
In this episode, Josh talks to Shane Mario Ruggieri, C.S.I. from Dolby. Learn about HDR from the colorists perspective, Dolby Vision, HDR 10, grading HDR and SDR and more! If you're interested in HDR this episode is a must listen!
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.
In part 1 of our series on getting to know Dolby Vision HDR workflow & color correction, you learn the essentials of setting up a professional Dolby Vision mastering suite.
In this episode, Josh continues his conversation with director, author and colorist Alexis Van Hurkman. they talk HDR, ACES and more!
The Team fields a member question about how we set up the sensitivity of our colorist control surfaces? How do we decide?
The ARRI Alexa Mini is a great camera - and it color corrects beautifully in ACES. Learn how to confirm your color pipeline (in DaVinci Resolve).
Want to make a DCP directly from Resolve? In this Insight, Robbie explores the essentials of using the EasyDCP Resolve plugin.
Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.
Resolve Color Management (RCM) is powerful workflow tool but using it with Raw footage can be slightly confusing. Learn more in this Insight