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Leverage The Power of Resolve 18’s New Magic Mask ‘Object Tracker’
New in Resolve 18 is the ‘object tracker mode’ in Magic Mask. Learn to use it for color grading and advanced blurring workflows.
Keying In Baselight And The, No-Kidding, Useful Baselight Sausage
In Part 14 of Learning Baselight Student series, Luke Ross shows creating keys using Baselight's DKey and HueAngle tools. Plus, sausages.
Texture Management - BYO Advanced Unsharp Mask tool in RGB & LAB
In Part 4, Hector Berrebi shows how to add clipping and range controls to our basic Unsharp Mask node tree in DaVinci Resolve in LAB and RGB.
Digging Into The Depth Map - One of Resolve 18’s Best New Features
Learn how to use the new ResolveFX 'Depth Map' on the Color and Fusion pages - and get a range of ideas showcasing its fantastic versatility.
Five Don't-Miss Features in DaVinci Resolve 18 Public Beta
Joey D'Anna gives you a taste of his NAB 2022 demo artist skillset, sharing the 5 new features he likes the most in DaVici Resolve 18.
Build Your Own Qualifier In HSL Color Space Using Curves (In Resolve)
Learn an alternate method for creating masks limiting adjustments to particular luminance regions, using Curves and Splitter/Combiner nodes.
Better Window Tracking: Combining Tracking With Manual Keyframes
Colorist Joey D’Anna shows you his methodology for nailing challenging power window tracks in DaVinci Resolve
The Key Panel: A Basic Tool That Does More Than You Think
In this Insight, Joey D'Anna shows you the 3 different toolsets inside the DaVinci Resolve Key Panel, and how they change for different nodes.
Better Blurring In Davinci Resolve: Part 1
In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page
Separating Your Selections from Corrections in DaVinci Resolve
Learn to become more productive in DaVinci Resolve by separating your color corrections from you masking and keying selections.
Sculpting Clipped Highlights - Roll-offs, Tints, Glows, and Streaks
Dealing with clipped highlights is a regular annoyance. Learn how to make these artifacts look more natural & intentional with color grading.
Grading With Fusion: Connecting The Fusion and Color Pages
Take your color grading work to the next level in DaVinci Resolve. Learn how to use mattes generated in the Fusion page on the color page.
Breaking Down A Black and White Film with a Violet Twist
Isolate an object in a black & white film, isolate its color, and use keys to shift hue, saturation, and gain. How hard can that be?
Rotoscoping to Replace a Foreground Element in Resolve Fusion
In Part 1 you learned how to remove an object. Now, rotoscope the motion of foreground elements using Polyline masks and keying.
Using Paint and Rotoscoping Tools in Resolve Fusion
Create a clean plate to remove an item using Fusion's Clone Brush. Then mask an area, replace it, and track the replacement onto the shot.
An Introduction to Compositing in DaVinci Resolve Fusion
Using a simple green screen from a low quality source, learn the power of Resolve's Fusion. Learn Boolean, Merge, and MatteControl nodes.
Photoshop-Style 'Channel Masks' and Blending Modes In DaVinci Resolve
Are you replicating Photoshop's Channel Masks and Blending Modes workflows in DaVinci Resolve? Learn how (and why you might not want to).