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Color Grading 101: Shot Matching & Working With Multiple Nodes

In Part 2 of his series, Colorist Patrick Inhofer starts working 'at speed' on the Base Grade and then moves to Shot Matching (with scopes).

Sky Replacements Inside DaVinci Resolve Using Match Move OFX

Learn the fundamentals of DaVinci Resolve's OFX 'Match Move' plugin - in a color-managed pipeline replacing the sky with an sRGB image.

Upgrade Your Toolkit: Get Better Hue vs Lum Results

Enhance your color grading toolkit in Part 2 of this series. Learn to affect color density with greater consistency using Hue vs Lum curves.

Fusion Alpha Channel Manipulations 201: Advanced Tips & Tricks

VFX artist Bernd Klimm shares tips for creating advanced custom edge masks for better compositing and light effects in Resolve Fusion.

Alpha Channel Manipulations 101 - Fusion Page Fundamentals

Learn the fundamentals of alpha channel manipulations, including tonal adjustments, blurs, and combining masks from VFX artist Bernd Klimm.

Using The ResolveFX Relight Plugin With The Fusion Page

Learn to accelerate the Relight ResolveFX by feeding normals maps from CG renders, making it a powerhouse effect for VFX and CGI workflows.

Expert Tips For Rotoscoping in DaVinci Resolve Fusion

Bernd Klimm teaches rotoscoping fundamentals by analyzing movement and creating shapes that can be animated efficiently and consistently.

‘Smearing Shadows’ For More Pleasing High-Contrast Looks

Colorist Cullen Kelly explores a technique for sculpting rich, soft, and filmic shadows on high-contrast looks for a more pleasing effect.

Adding Colour Contrast To Night Footage (in DaVinci Resolve)

Colorist Luke Ross demos a creative technique he used recently, adding colour contrast to make a night image pop using foreground separation.

Using The Surface Tracker On Complex Power Window Operations

Learn how to apply a VFX-style workflow to color grading (replacing the tedious operation of tracking multiple power windows independently).

Using the Surface Tracker Resolve FX for Color Grading - Part 1

Learn how to use Resolve's 'Surface Tracker' Resolve FX for color grading - using it as a Power Window or to warp an existing Power Window.

Getting Great Greenscreen Keys Using Fusion’s Delta Keyer

Have you ever used Fusion's 'Delta Keyer' for greenscreens - but with poor results? You missed a step! Joey D'Anna gets you keying properly.

Controlling The Eye By Relighting With Motivated Power Windows

Building on a Cullen Kelly Insight, colorist Patrick Inhofer demos leveling up the concept of a 'motivated vignette' for scene relighting.

How do ‘Motivated Vignettes’ improve your color grading?

Colorist Cullen Kelly explores vignettes: What they do, when they’re appropriate, & how to deploy them in a motivated and photographic manner?

Extending the life of old computers? Becoming a Contributor?

This lively Office Hours answers questions on extending the life of an old computer, becoming a Contributor, and impressions of Resolve 18.

Leverage The Power of Resolve 18’s New Magic Mask ‘Object Tracker’

New in Resolve 18 is the ‘object tracker mode’ in Magic Mask. Learn to use it for color grading and advanced blurring workflows.

Keying In Baselight And The, No-Kidding, Useful Baselight Sausage

In Part 14 of Learning Baselight Student series, Luke Ross shows creating keys using Baselight's DKey and HueAngle tools. Plus, sausages.

Texture Management - BYO Advanced Unsharp Mask tool in RGB & LAB

In Part 4, Hector Berrebi shows how to add clipping and range controls to our basic Unsharp Mask node tree in DaVinci Resolve in LAB and RGB.

Digging Into The Depth Map - One of Resolve 18’s Best New Features

Learn how to use the new ResolveFX 'Depth Map' on the Color and Fusion pages - and get a range of ideas showcasing its fantastic versatility.

Five Don't-Miss Features in DaVinci Resolve 18 Public Beta

Joey D'Anna gives you a taste of his NAB 2022 demo artist skillset, sharing the 5 new features he likes the most in DaVici Resolve 18.

Build Your Own Qualifier In HSL Color Space Using Curves (In Resolve)

Learn an alternate method for creating masks limiting adjustments to particular luminance regions, using Curves and Splitter/Combiner nodes.

Better Window Tracking: Combining Tracking With Manual Keyframes

Colorist Joey D’Anna shows you his methodology for nailing challenging power window tracks in DaVinci Resolve

The Key Panel: A Basic Tool That Does More Than You Think

In this Insight, Joey D'Anna shows you the 3 different toolsets inside the DaVinci Resolve Key Panel, and how they change for different nodes.

Better Blurring In Davinci Resolve: Part 1

In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page

Separating Your Selections from Corrections in DaVinci Resolve

Learn to become more productive in DaVinci Resolve by separating your color corrections from you masking and keying selections.

Sculpting Clipped Highlights - Roll-offs, Tints, Glows, and Streaks

Dealing with clipped highlights is a regular annoyance. Learn how to make these artifacts look more natural & intentional with color grading.

Grading With Fusion: Connecting The Fusion and Color Pages

Take your color grading work to the next level in DaVinci Resolve. Learn how to use mattes generated in the Fusion page on the color page.

Breaking Down A Black and White Film with a Violet Twist

Isolate an object in a black & white film, isolate its color, and use keys to shift hue, saturation, and gain. How hard can that be?

Rotoscoping to Replace a Foreground Element in Resolve Fusion

In Part 1 you learned how to remove an object. Now, rotoscope the motion of foreground elements using Polyline masks and keying.

Using Paint and Rotoscoping Tools in Resolve Fusion

Create a clean plate to remove an item using Fusion's Clone Brush. Then mask an area, replace it, and track the replacement onto the shot.

An Introduction to Compositing in DaVinci Resolve Fusion

Using a simple green screen from a low quality source, learn the power of Resolve's Fusion. Learn Boolean, Merge, and MatteControl nodes.

Photoshop-Style 'Channel Masks' and Blending Modes In DaVinci Resolve

Are you replicating Photoshop's Channel Masks and Blending Modes workflows in DaVinci Resolve? Learn how (and why you might not want to).

Using External Mattes In DaVinci Resolve

When you need precise separation using External Mattes from a Rotoscope artist makes precise grading in DaVinci Resolve a breeze

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