Tutorials by Jason Bowdach
Crepuscular rays (God Rays) are a unique natural phenomenon. Learn how to quickly emulate this effect using Resolve's 'Light Rays' plugin.
Learn how to get a physically realistic glow-like effect by manipulating the properties of Aperture Diffraction's “virtual” iris.
In Part 2 of Jason Bowdach's series on glow effects, get a close look at the Sapphire S_UltraGlow and the additional options it offers.
Glow effects are versatile - but you can waste time fiddling with their controls. Learn how to work with the Glow Resolve FX, intentionally.
Are you pulling a key for color grading and Resolve's HSL keyer isn't doing it? This dive into the 3D Keyer may get better results, faster.
Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.
Colorist Jason Bowdach teaches you his approach to developing and evaluating technical PowerGrades (and how it helps your creative grading).
In Part 3 of this series, Jason Bowdach demonstrates how to use Colourlab Ai in a color-managed workflow in Resolve and shows new features.
In part two of this series, we explore fixed node structure workflows with ColourLab AI as well as two OFX plugins that are a part of the ColourLab AI ecosystem.
In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.
Creative decision-making on a stuttering timeline is no fun. Learn what you need to know about playback performance within DaVinci Resolve
Neat Video 5.1 is a powerful complement to DaVinci Resolve Studio's native noise reduction toolset. Get a close-uo look at Neat's workflow.
Take a fresh look at Resolve Studio's native noise reduction tools. Learn the process for working through the Temporal and Spacial toolsets.
My list of key software utilities for post production professionals may help you a solve annoying (or critical) problems. For Mac & Windows.
Do all saturation controls behave similarly? Or are there subtle differences that add new arrows in your quiver of saturation controls?
Colorist and finisher Jason Bowdach shows you how the Vidchecker Quality Control software works, and if he thinks it is worth the investment?
Adobe re-built their Video Limiter Effect in Creative Cloud 2018. Can you trust the new effect to remove gamut excursion errors that will fail you in QC? This video Insight answers that question.
Look-Up Tables (LUTs) are black boxes that make it difficult to know what precisely they're doing to your image. Colorist Jason Bowdach shows you how to stress test and evaluate your LUTs.