In this Insight, Robbie looks at 5 pre-grade tips that can help you increase your overall session speed when it comes time to grade a project.
Adobe re-built their Video Limiter Effect in Creative Cloud 2018. Can you trust the new effect to remove gamut excursion errors that will fail you in QC? This video Insight answers that question.
Team Mixing Light's Dan Moran recently left his job at a large post facility to join the freelance world. Dan is curious how Patrick and Robbie would handle, as a freelancer, a client who rejects a grade - fix it or charge more?
We all fail. The trick is to learn how to learn from our failures; by setting up a system for honest evaluation that serves you, years into the future.
In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!
Now that most people have a basic knowledge of color correction thanks to Instagram what does that mean for us colorists?
In part 2 of this ongoing series, Robbie explores using Streambox's Hybrid Encoder for remote sessions plus some additional gear.
In this installment of Color Correction Gear Head Robbie talks about some recent gear & software finds to make life in the color suite easier
Want to make a DCP directly from Resolve? In this Insight, Robbie explores the essentials of using the EasyDCP Resolve plugin.
In part 1 of a 3 part series, we explore the different methods of remote grading and how remote work can help your bottom line.
If you move your timeline from one bit of post-production software to another then you need to know the 'Golden Rule of Conforming'.
In this installment of Color Correction Gear Head we take a look at the Pascal Titan X GPU, LG B6 OLED, & some fantastic Focal Speakers
In this Insight, discover 5 strategies for convincing clients to grade with you rather than color correct projects in-house.
You always deliver final video files but should you deliver project files to your clients too? Learn more in this Insight.
The question of how to commercials look so good crops up constantly. Dan shares the in and outs of a grading session to show you how
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