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Streaming Dolby Vision, REC-709a, And Consumer OLED Displays

Team Mixing Light, and members, discuss streaming Dolby Vision mp4s; Rec. 709a (what is to be done); and consumer displays for grading.

An Introduction To Versioning Efficiently Using Compound Timelines

Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.

How Do You Succeed Running A Color Grading Business?

The team is joined by our newest Contributor, Zeb Chadfield, answering business-related questions on being a colorist and getting paid.

NAS, Security, Archival Footage, and HDR - An Office Hours Discussion

Team Mixing Light discusses member questions including: TrueNAS storage, archival footage artifacts, budget HDR monitoring, and security.

DaVinci Resolve 17.4.5 - Custom YRGB Output Color Spaces

Colorist Joey D’Anna explains why the new Output color space setting in DaVinci YRGB projects is a great tool for node based color management.

Office Hours LIVE! - ACES Color Management Using Nodes (in Resolve)

Join colorist Joey D'Anna as he answers node-based color management strategies for ACES and RCM workflows (including groups and shared nodes).

Dolby Vision - Custom ACES SDR to HDR Part 4 - Deliverables And QC

In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.

How To Set Up and Deliver Dolby ATMOS in Resolve 17

In this Insight, learn how to setup, monitor, edit and deliver Dolby Atmos immersive audio in DaVinci Resolve 17

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