Learn how to set up and share project media with collaborators in DaVinci Resolve with Blackmagic Cloud Storage and the BMD Camera App.
What does a VFX Colorist do? Christian Ganea shares his views and workflows on some of Hollywood's biggest movies & shows at DNEG.
The Color Timer learns to turn a limited visual color palette into creative strength with professional insights from a color-blind filmmaker.
The Color Timer podcast discovers what a color scientist actually does, why they are a colorist's best friend and how to shepherd a show look.
Team Mixing Light discusses Sony's prototype 4,000nit display, Resolve 18.5 Beta new features, and colorist opportunities on Virtual Sets.
We're happy to introduce our newest Contributor, colorist Kali Bateman. She's relaunching our interview series. Starting with Vincent Taylor.
In Part 2 of our series, learn the many features (and tips/trick) of Davinci Resolve 18's cloud-based Collaborative Workflow
When it’s time to share your Resolve User Interface with a remote client or classroom, a few simple tips and optimizations can win the day!
Get started with DaVinci Resolve 18's Cloud-based Collaboration workflow. In Part 1, begin sharing media and projects with a remote team.
Mixing Light Contributors talk with Hedge.video's Isaac Terronez about affordable remote collaboration using Postlab and Postlab Drive.
Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.
This series returns with stories on Netflix recommended displays; being a better colorist; color harmonies; and note-taking.
Colorist Patrick Inhofer shares a behind-the-scenes look at color grading an animated short film - and how it differs from live action.
Today's Agenda: Is it just me or does the ACES color management system feel like it's limiting my creative choices?
Learn how to painlessly create end titles, how they can go wrong, and the new Endcrawl.com interface allowing for custom looks and layouts.
Blackmagic Design just announced Resolve 17. We jump on a call to discuss the release, its timing, new features, and our initial thoughts.
In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.
Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?
Maybe you've heard of blockchain? Learn how this new technology is going to impact the post production industry (and what's holding it back).
Designed for sharing database on several computers in DaVinci Resolve, learn how the Resolve Project Server App simplifies your life.
Learn the 'rules' when exporting LUTs in DaVinci Resolve 15. You also learn how to break a LUT to understand the problems with many LUTs.
In this installment, Josh talks to Digital Film Tree lead colorist Patrick Woodard about color correcting high-end TV, remote sessions, ACES and more!
In this installment of Color Correction Gear we take a look at Intel NUC mini computers, Procool Rackmount fans, & Cinemaquest LED Bias Lighting
The hardest part about color correction is not learning new software or pushing buttons but communication with clients. Learn more in this Insight.
The Team discusses our new Resolve 14 New Features title as well as DaVinci Resolve Remote Rendering with guest Joey D'Anna.
In this Insight, we put Part 1 into action and explore the powerful workflows possible with Resolve 14 collaborative workflows.
Among Resolve 14's great new features, the redesigned collaborative workflow stands out. In this Insight, learn the essentials of Resolve collaboration.
In this updated Insight learn what gear you'll need and how to properly setup a shared database in DaVInci Resolve.