Elsewhere On the Web... Insights You Shouldn't Miss 'Out There'

Our focus in our Insights Color Correction Library is on creating original content. But sometimes we see original thoughts on other websites that you need to read. In this post, we share a few of those don't-miss insights from the internet.

From The MailBag Episode 40: Talking About Dolby Vision

In this installment of From The MailBag, Team Mixing Light discusses Dolby Vision. Building on Robbie's recent articles, Patrick & Dan ask Robbie some questions about workflow and his recent trip to Dolby in Burbank, CA.

Using Denoiser III On Challenging Footage (Compared to Neat Video)

Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.

On The Road: How to Work Internationally As A Colorist

As post production becomes increasingly decentralized, there are growing opportunities for us to take our talents and work abroad. This Insight offers first-hand wisdom from editors and colorists all over the world, working internationally.

From The Grading Room – Emulation Gone Wrong

Dan shares a tale from the grading room of a film emulation gone wrong and how by missing the mistake was destined to fail in the grade with his clients.

Hollywood Restoration and Remastering: An Interview With Marc Wielage

Film restoration and remastering is a very unique specialty in the craft of digital color correction. Learn how a Hollywood colorist handles the unique challenges. Get some insights into his workflow and 'insider' stories.

The Challenges (And Lessons Learned) Of Color Restoring Classic Films

The color restoration of classic films is one of the few 'Dark Arts' of digital color correction. Colorist Jim Wicks shares his challenges - and lessons learned - from this unforgiving niche of the craft of color grading.

Creating A Show LUT – Keeping Things Simple

When you have complex node trees rolling it into a show LUT can make your life a lot neater and easier. Within seconds you have your own custom starting point for your show or movie.

From The Mailbag EP40: BMD Conference & Thoughts on iMac Pro

In this installment of From The MailBag, team Mixing Light discusses the first ever Blackmagic Design Conference & Expo as well as our thoughts on Apple's latest - the iMac Pro.

Evaluating And Exploring The New Color Tools in FCPX 10.4

FCPX 10.4 update introduces some long-awaited color correction features, like wheels and curves. This Insight reviews the standout points of this new color correction toolset - and gotcha's you should understand.

Which Hard Drive do you recommend for this production?

As a DIT, at some point you will be asked, "What hard drive do you recommend for our shoot?" Before you answer, ask yourself: Is your favorite hard drive the proper drive for THIS job?

Getting To Know Dolby Vision Part 2: Delivering To non-HDR Televisions

In part 2 of our Dolby Vision series you learn more about suite setup. Then you dive into using the Dolby Vision trim controls (in DaVinci Resolve) for Standard Dynamic Range TVs. Plus, Dolby Vision 'mezzanine' file creation.

Learn How to Start Scripting El Gato's Stream Deck Using Autohotkey

The Elgato Stream Deck is a powerful control surface add-on for colorists, especially when paired with autohotkey. In this insight, learn to take that functionality to the next level with advanced scripts and workflow examples.

Getting Started with Pomfort's Silverstack On-Set Software

In Part 1 of this series, get an overview of Pomfort's Silverstack, its various versions, and subscriptions; plus learn the difference between Digital Imaging Technician (DIT) and Digital Loader.

Colorist Inspiration - January 2018 Edition

Colorist Dan Moran spends the first day of January 2018 looking back on his best work from 2017. Picking his favourite commercials, music videos and long form narrative projects and also sharing the stories behind when he enjoyed them so much.

When do you reach for Temp or Tint controls to White Balance shots?

White balancing is a basic color correction task. And Temp or Tint controls are often a time-saving shortcut. But they don't always work. Learn why?

Failing Gracefully, or How I Learned to Stop Worrying and Love to Bomb

We all fail. The trick is to learn how to learn from our failures; by setting up a system for honest evaluation that serves you, years into the future.

Colorist Podcast Episode 019: 2017 Year In Review

In the last installment for 2017, the Colorist Podcast looks back at some key moments from the series this year with a year in review highlights episode

The 12 Days Of Running A Better Color Correction Business

Getting into the holiday spirit, in this Insight Robbie shares 12 strategies to improving your color correction business in 2018

Can You Save This Shot? Part 2: Patrick's Solution (in real-time)

How do you save a shot that has exposure changes and compression artifacts? Patrick shows you how he does it, with footage you can download.

Behind The Curtain – Furniture Grade : Basic Cleanup

Being able to offer Basic Cleanup in the grade is a great ability. It saves moving to and from a compositing application and helps finish off that job.