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Take A Deep Dive Into Premiere's New Production Workflow
Premiere Pro's new Productions workflow is a massive boost to Premiere's capabilities and reliability. Forged by Hollywood, see how it works.
Baselight Start to Finish - Series Overview Kodachrome Inspired Look
An introduction into building a Kodachrome inspired look on Arri Alexa footage using Basegrade, Looks, Grain and Color Crosstalk
News: Mixing Light Launches 'Learn From Home' EDU Initiative
Through June 15, professors/adjuncts can provide free streaming access to Mixing Light for their students.
How Lumetri Differs From Resolve - And Why That Is A Good Thing
Learn how to use the flexibility of Adobe Premiere to overcome the limitations of its native color correction toolset using control surfaces.
Revisiting Streambox Realtime Sessions - Part 1
In the remote, work from home reality that find ourselves in, how can you deliver color accurate real-time streams to clients? Learn how in this Insight.
Creative Professionals, Contracts, Force Majeure in the Age of Covid-19
Attorney Seth Polansky, Esq, discusses the rights of creative pros if clients start pulling your jobs (and you've turned away other work).
Managing On-Set Local Area Networks - The Fundamentals
You can't network together your on-set production gear if you don't understanding IP networking. Get started with the basics: The IP Address.
Resolve Remote Workflow: Hawaii To LA & Back
In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.
Grading Challenge – Baselight Sci-Fi Grade
In this insight Dan reviews your submissions and shares his own Sci-Fi look using primarily Baseilght Base Grade
Taking A Look At Screen - A Modern Video Player For The Mac
In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.
Integrating Resolve's 'CST' Plugin with Fixed Node Trees
Learn how a pro colorist is integrating the Resolve 'color space transform' plugin into his fixed node tree to get better results, faster.
Revisiting Noise Reduction Part 2 - Digging Into Neat Video 5
Neat Video 5.1 is a powerful complement to DaVinci Resolve Studio's native noise reduction toolset. Get a close-uo look at Neat's workflow.
An Overview and Tour of DaVinci Resolve 16's Cut Page
When you open DaVinci Resolve 16 for the first time, you land on its Cut Page. How is it laid out? How does it differ from the Edit Page?
Quick Export: Customizing Resolve's New Export Features
DaVinci Resolve's Quick Export is often overlooked because it looks simplistic. Learn how to power up Quick Exports and save yourself time.
Revisiting RCM, ACES & CST Workflow
In this installment of From The Mailbag, a member's question about using the CST OFX within a color-managed project got us into revisiting these workflows
Separating Your Selections from Corrections in DaVinci Resolve
Learn to become more productive in DaVinci Resolve by separating your color corrections from you masking and keying selections.
Grading Challenge – Modern Sci-Fi Brief
Dan plays client and dishes out a grade brief for a Modern Sci-Fi film that he'd like you to execute. Remember there are no wrong looks!
Revisiting Temporal and Spacial Noise Reduction in DaVinci Resolve
Take a fresh look at Resolve Studio's native noise reduction tools. Learn the process for working through the Temporal and Spacial toolsets.
Removing Unwanted Elements Using ResolveFX Revival Plugins
Do you want to remove artifacts from dirty lenses or remove objects that are distracting. These ResolveFX can help you, in Resolve Studio.
Colorist Inspiration - January 2020
Dan kicks off January 2020 by looking back on 2019 and speaks about his personal favourite grades & experiences of the past year.
Understanding Professional Displays With FSI's Bram Desmet
Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...