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Creating And Evaluating PowerGrade Tools - Tips and Tricks
Colorist Jason Bowdach teaches you his approach to developing and evaluating technical PowerGrades (and how it helps your creative grading).
DaVinci Resolve 17.4.5 - Custom YRGB Output Color Spaces
Colorist Joey D’Anna explains why the new Output color space setting in DaVinci YRGB projects is a great tool for node based color management.
Investigating Fusion Connect for Avid Media Composer - Does It Work?
Welcome Arthur Ditner as a new Mixing Light Contributor! Learn about Fusion Connect with Avid Media Composer - its strengths and limitations.
Color Warper Tips Part 2 - Migrating Off Curves in DaVinci Resolve
Colorist Patrick Inhofer shares how he modified his approach to Resolve's Color Warper - and now rarely uses 'Hue vs' and 'Sat vs' curves.
Colour Grading 101 In Baselight Student - Primary Color Correction Layers
In Part 9, you are ready to start color correcting! Learn how Baselight arranges your corrections using and interacting with layers.
Color Correction Gear Head - Stepping Into 2022 With New Hardware
Colorist Joey D'Anna shares his thoughts on adding the Elgato Stream Deck pedal and Xencelabs Quick Keys to his color grading suite.
How To Extract A LUT's Split-Tone Component Using DaVinci Resolve
Learn how to isolate the color impact of a LUT from its luma component to craft the image to your preferences, all within DaVinci Resolve.
Understanding Baselight Student's Colour Management Framework
In Part 8 of our series, learn the three colour space options that are essential to correctly colour grading in Baselight Student.
Colourlab Ai - Working In A Color Managed Workflow
In Part 3 of this series, Jason Bowdach demonstrates how to use Colourlab Ai in a color-managed workflow in Resolve and shows new features.
Office Hours LIVE! - ACES Color Management Using Nodes (in Resolve)
Join colorist Joey D'Anna as he answers node-based color management strategies for ACES and RCM workflows (including groups and shared nodes).
Build Your Own Qualifier In HSL Color Space Using Curves (In Resolve)
Learn an alternate method for creating masks limiting adjustments to particular luminance regions, using Curves and Splitter/Combiner nodes.
How To Organize Media Using the 'Shots View' In Baselight Student
Learn essential features of Baselight's 'Shots View' to prepare a scene for grading, including the 'Group Grading' hotkey for bulk changes.
Joey’s Custom Workshop - Two Useful Scripts And A Fusion Effect
Colorist Joey D’Anna shares with you new custom tools for batch rendering, automatic backups, and a 3D motion control template.
Resolve Color Warper Tips Part 1 - Pin Patterns Within Fixed Node Trees
Learn how to build Color Warper 'Pin Patterns' for flexible saturation fixes in DaVinci Resolve and integrating them into fixed node trees.
Learning Baselight Student – Conforming with the Scene Detect Tool
Luke Ross shows you how to add edits into a single video file, breaking it into individual shots for easy color grading in Baselight Student.
Building A Subtractive Saturation Node Tree In DaVinci Resolve
'Subtractive saturation' is a hot topic with colorists. Learn how to manually build this tool in DaVinci Resolve for more natural results.
Office Hours Live Stream - Color Management (and much more)
This is our first Office Hours Livestream. Four Mixing Light Contributors take and answer questions from members in a livestream.
Mixing Light Member Update - January 2022
Mixing Light's new CEO shares the changes that are being made to the service, and the reasoning behind these changes.
Looking Forward To 2022 - Improving Myself, My Grading, My Business
Colorist Robbie Carman looks forward to 2022 and the steps he's to improve his color grading skills, business, and personal well-being.
Baselight Student – Importing Media Using The FLUX Manage Viewer
Learn how to import media, bookmark folders, preview and edit footage into a sequence, using the FLUX viewer. Plus - recovering from a crash.
Dolby Vision - Custom ACES SDR to HDR Part 4 - Deliverables And QC
In Part 4, learn how to QC and deliver your Dolby Vision HDR and SDR masters, including Video- or Data- level settings for ProRes exports.