Colorist Joey D’Anna gives an extended review of DaVinci Resolve for iPad Beta, how it differs from the desktop, and what it may excel at.
In Part 16 of our 'Learning Baselight' series, Luke Ross compares grade versions using Baselight's powerful 'cursor' and Jobs manager.
How does the DaVinci Resolve Mini control surface manage to control 7+ color wheels in the HDR Palette, with only 3 physical trackballs?
Get a hands-on look at OWC's direct-attached Thunderbolt-3 RAID chassis. Plus, (3) configuration ideas for post production professionals.
In Part 2 learn how you can evaluate the source footage on your timeline to answer: Is this footage a good match for our references?
In the remote, work from home reality that find ourselves in, how can you deliver color accurate real-time streams to clients? Learn how in this Insight.
In this From The Mailbag we revisit some key aspects of a Resolve remote workflow as we try to answer questions from a member on the same subject.
In this Insight Robbie takes a look Screen and affordable, color managed video player for the Mac from Video Village.
A Mixing Light member has color graded for an internal team for years. But how does he know if he's ready for outside client color sessions?
A video review of how PixelTools uses the native tools in Davici Resolve to construct custom looks and utilities with PowerGrades.
Resolve 16 adds hundreds of features, including powerful new adjustment clips. Learn how to use them streamline your grading workflow.
In this Insight, learn about the basic design of the Lumaforge Jellyfish Mobile, and why it might be a perfect solution for your set-up.
The Sound Library feature released with DaVinci Resolve 15 Public Beta feels very incomplete, and how I think it needs to improve.
Part of Magic Bullet Suite, Denoiser III has been rewritten from scratch. Its simplified UI makes it easy to use. But can we expect the same kind of results than a more expert plugin like Neat Video? Let's get a closer look and make comparisons.
FCPX 10.4 update introduces some long-awaited color correction features, like wheels and curves. This Insight reviews the standout points of this new color correction toolset - and gotcha's you should understand.
Dan shares his inspiration for this month including BTS on Moonlight, Peter Doyle, A$AP Rocky and a Lorde video shot on 16mm
In this installment of Color Correction Gear Head Robbie talks about some recent gear & software finds to make life in the color suite easier
First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.
A hands-on overview of the most affordable color correction control surface on the market today—the Tangent Ripple.
You always deliver final video files but should you deliver project files to your clients too? Learn more in this Insight.
In this Insight Robbie explores 3 different OFX grain plugins for Resolve from Film Convert, Boris, and GenArts and explains which is his favorite and why
Neat Video is a popular noise reduction plugin for a variety of platforms. In this Insight Robbie explores the plugin now in version 4.
Day 16: 25 Insights in 25 Days Holiday Marathon Colorist Inspiration – Dan’s Best Of 2015 As the year comes to an end I thought it would be the perfect…
Its time for the big christmas ads to roll out and more colorist inspiration. Dan share's some of the top work and one of his own.
Colorist Inspiration – August 2015 The Best Grades From Around The World The world of color grading is mostly a thankless craft. Regular viewers don’t even know we exist and most…
The question of how to commercials look so good crops up constantly. Dan shares the in and outs of a grading session to show you how
Learn the ins and outs of the Koji Advance Film Emulation Plug-in in this video. Learn how to use it and some of its unique options.
An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.
A video tutorial, overview and breakdown of the Hawaiki Color and Analyzer color correction filters for Final Cut Pro X.
Learn what a professional colorist thinks of Colorista III - and what's the problem with the current version (1.0.3).
A tutorial and overview of using Colorista III in Final Cut Pro X. Learn how all it's tools work and why you might want to buy and use it.
This is a video overview and breakdown of the FCP X color correction plug-in 'Color Finale'
In this Insight learn about the recently announced Lumetri Panel & other color improvements in Premiere Pro CC 2015
In this Insight, Robbie gives an overview of Project Candy from Adobe & how it has the potential to inspire and help with color references.