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How to Reverse Engineer Look-Up Tables (LUTs)
Learn how to deconstruct a LUT (Look Up Table) to understand its impact on your image. This will improve your color correction using LUTs.
How to Use DaVinci Resolve's Splitter Combiner Nodes
Learn how to split color channels into RGB, YUV or LAB with the Splitter Combiner nodes in DaVinci Resolve. Watch me put them to work.
How To Color Correct With Blending Modes : The Overlay Mode
You can use the Overlay blending mode to add grain and get great colour and contrast pop, with the click of a button. Watch me put it to use.
How to Create a Custom Log Grading Keyboard Shortcut
In Davinci Resolve, learn how to create a custom Log Grading keyboard shortcut - giving quick access to this 3-Way Color Correction panel.
How To Color Correct Green Screen Footage (in DaVinci Resolve)
I like to work with background plates in Resolve. This allows me to color correct my product or actor in place, allowing creative choices. Watch me work.
Color Correction Looks: Creating Black and White Looks
Creating a Black and White Look seems like an easy prospect, initially. But they can be some of the most difficult jobs. Learn how to execute this Look.
Using Node-Based PTZR For Lens Spot Removal (in DaVinci Resolve)
Learn how you can create a window and use the new node PTZR controls hide a dead pixel, water spot or other unwanted item in that shot.
Creating Color Correction Looks: The Low Contrast Look
The Low Contrast Look is a flat style of color correcting. In this video, learn how we execute it without making our images look lifeless.
Understanding Time Remapping in DaVinci Resolve 10
New feature in Resolve 10 include frame blending, motion flow, rippling your timeline and varispeeds via XML. In this video I cover all these features.
Creating Color Correction Looks: Emulating the Film Look
Has a client ever asked you to create a 'Film Look'? Yes, us too. In this video, learn how we get to this Look using some new features in DaVinci Resolve.
Building Color Correction Looks: Tinting Your Shadows
Sometimes when you're color correcting you need to give the job an extra wow factor. My favorite technique at the moment is tinting the shadows. Learn how.
How To Quote Your Color Correction Jobs: Hourly Billing or Flat Bidding?
How should you quote your color correction jobs? Flat bid or bill by the hour? We map this crater-filled landscape with Do's and Do Not's.
How Do You Get Hired As A Professional Colorist?
There are common points that are useful for you to understand when trying to become a professional colorist. We share our top tips in this article.
Playing 720p23.976 Inside DaVinci Resolve
DaVinci Resolve doesn't officially support the specific combination of a 720p frame size playing back at 23.976. Learn how you can force this playback.
How to Use the Tonal Range Sliders in SpeedGrade CC
SpeedGrade CC is one of the few color correction apps that lets you fully modify how the Lift / Gamma / Gains overlap. Learn how simple it is to adjust.
Tips and Tricks When Pulling External Keys (in DaVinci Resolve)
Do you ever wish you could work on a perfect duplicate of an HSL key you created in DaVinci Resolve? Learn tricks for doing that (and avoid copy/pasting).
Podcast: Keying On Black Background + Chroma Subsampling Explained
We answer two questions: Solving a problem with keying and windowing the moon on a black background + explaining technical terms to co-workers.
Secondary Corrections in DaVinci Resolve
'Secondary corrections' are isolations to areas of an image to make specific color corrections. Here are tips on getting quick results.
How to Prepare Your Timeline for Color Correction
Learn how to prepare you timeline for color correction with these useful tips and techniques from an experience editor.
The Fundamentals of Power Windows in DaVinci Resolve
Learn the recent updates and feature refinements for Resolve's Power Windows, including a new gradient window and unlimited shapes per node.
HEY—Where's My Master Session (in DaVinci Resolve 10)?
DaVinci Resolve 10 hides the 'Master Session' by default. Why do I rely on it when color correcting commercials and music videos? How do you find it again?