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ResolveFX Surface Tracker Part 2 - Beauty Work Within Fusion
In Part 2, Igor Ridanovic leverages the stabilization work of the new Surface Tracker plugin to execute beauty work on the Fusion page.
Learning Baselight - Tracking Shapes with Keyframes and the Area Tracker
In Part 13, Luke Ross teaches you how to track shapes manually, using keyframes, and automagically, using Baselight Student's area tracker.
Using Compound Clips For Dolby Vision Revisions & IMF Delivery
Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.
Digging Into The Depth Map - One of Resolve 18’s Best New Features
Learn how to use the new ResolveFX 'Depth Map' on the Color and Fusion pages - and get a range of ideas showcasing its fantastic versatility.
Deconstructing Blur, Mist, and Unsharp Mask Operations
In Part 3 of Hector Berrebi's 'Texture Management' series, learn what blur is doing to your images and build an Unsharp Mask using nodes.
How To ‘Trace’ a LUT’s Contrast Curve By Hand
Learn how to use Layer Mixer nodes to recreate a LUT's contrast curve for further creative manipulation in Part 6 of the Visual Math series.
Talking Professional Reference Displays with Bram Desmet of FSI
Flanders Scientific's CEO visits with Mixing Light members answering questions in this Office Hours conference call.
Digging Into The ResolveFX Surface Tracker (For Retouching)
Resolve 18's Surface Tracker combines a multiple-point tracker and a warper in one tool. Learn how it works while prepping a retouch job.
An Introduction To Versioning Efficiently Using Compound Timelines
Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.
Learning Baselight Student - Creating, Editing, And Grading With Shapes
In Part 12 of this series, learn to apply and manipulate shapes to grade layers and use the MatteTool for the ultimate in shape edge control.
Five Don't-Miss Features in DaVinci Resolve 18 Public Beta
Joey D'Anna gives you a taste of his NAB 2022 demo artist skillset, sharing the 5 new features he likes the most in DaVici Resolve 18.
How Do You Avoid Adding Visual Artifacts When Sharpening Your Images?
Are you adding RGB artifacts into images when sharpening? How is Midtone Detail different (in DaVinci Resolve)? Plus, sharpening in LAB space.
How Do You Succeed Running A Color Grading Business?
The team is joined by our newest Contributor, Zeb Chadfield, answering business-related questions on being a colorist and getting paid.
Film Print Emulation: Paul Dore’s ACES DCTL Look Modification Transform
In Part 3, learn how to go beyond LUTs for an artistic approach to emulating film print looks using Paul Dore's DCTL in an ACES workflow.
An Introduction to Texture Management (using DaVinci Resolve)
In the start of a new series, colorist & educator Hector Berrebi defines the terms and tools of the important concept: Texture Management.
Using Parsec and VirtualHere For Remote, Secure Color Grading Sessions
Learn how to control a remote DaVinci Resolve workstation using Parsec with VirtualHere to virtualize locally-attached USB devices.
Evaluating Skin Tones, Working With Drone Footage, Grading On Laptops
Team Mixing Light helps our members work through confidence problems color grading skin tones, drones, and laptop displays in a live call.
Building Custom 'Lum vs Sat' Curves In HSL Using Resolve's Node Tree
In Part 5 of our 'Visual Math' series, learn how 'vs. Curves' work from within Resolve's node graph by building your own in HSL space.
Digging Deeper Into Fusion Connect for Avid - Workflows and Gotcha's
In Part 2, Arthur Ditner digs into various workflows helping you sidestep a few issues while thinking through color management.
Membership Update - Connecting Us Through Forums, Email, And Slack
Our member-to-member forums are live! Learn how to stay connected with the community and how to access the Slack Forum Notify system.
DIY - Virtualizing Your Networked Resolve Database Server On Linux
Learn how to install and configure Postrgres database servers in a Linux virtual machine across an internal network for DaVinci Resolve.