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Better Keying Using DaVinci Resolve’s 3D Keyer
Are you pulling a key for color grading and Resolve's HSL keyer isn't doing it? This dive into the 3D Keyer may get better results, faster.
Flexing Fundamentals: The Hidden Power of the Offset Wheel
In a new series on Primary color corrections, Cullen Kelly explores the hidden strength of the Offset Wheel - when working color-managed.
Leverage The Power of Resolve 18’s New Magic Mask ‘Object Tracker’
New in Resolve 18 is the ‘object tracker mode’ in Magic Mask. Learn to use it for color grading and advanced blurring workflows.
Keying In Baselight And The, No-Kidding, Useful Baselight Sausage
In Part 14 of Learning Baselight Student series, Luke Ross shows creating keys using Baselight's DKey and HueAngle tools. Plus, sausages.
Charting Gamma Curves, REC-709a, Premiere 2022 Color Management
Team Mixing Light, and members, discuss Log Gamma curves, revisit Rec-709a, Premiere Pro 2022's color management, and declining job offers.
Texture Management - BYO Advanced Unsharp Mask tool in RGB & LAB
In Part 4, Hector Berrebi shows how to add clipping and range controls to our basic Unsharp Mask node tree in DaVinci Resolve in LAB and RGB.
How To Build Your Own ‘RGB Crosstalk Curves’ Node Matrix
In Part 7 of Cullen Kelly's 'Visual Math' series, rebuild Resolve’s RGB Mixer with splitter/combiner nodes to control with Custom Curves.
Streaming Dolby Vision, REC-709a, And Consumer OLED Displays
Team Mixing Light, and members, discuss streaming Dolby Vision mp4s; Rec. 709a (what is to be done); and consumer displays for grading.
ResolveFX Surface Tracker Part 2 - Beauty Work Within Fusion
In Part 2, Igor Ridanovic leverages the stabilization work of the new Surface Tracker plugin to execute beauty work on the Fusion page.
Learning Baselight - Tracking Shapes with Keyframes and the Area Tracker
In Part 13, Luke Ross teaches you how to track shapes manually, using keyframes, and automagically, using Baselight Student's area tracker.
Using Compound Clips For Dolby Vision Revisions & IMF Delivery
Learn an advanced compound timeline use-case for Dolby Vision deliverables - without ever rendering & replacing the original HDR timeline.
Digging Into The Depth Map - One of Resolve 18’s Best New Features
Learn how to use the new ResolveFX 'Depth Map' on the Color and Fusion pages - and get a range of ideas showcasing its fantastic versatility.
Deconstructing Blur, Mist, and Unsharp Mask Operations
In Part 3 of Hector Berrebi's 'Texture Management' series, learn what blur is doing to your images and build an Unsharp Mask using nodes.
How To ‘Trace’ a LUT’s Contrast Curve By Hand
Learn how to use Layer Mixer nodes to recreate a LUT's contrast curve for further creative manipulation in Part 6 of the Visual Math series.
Talking Professional Reference Displays with Bram Desmet of FSI
Flanders Scientific's CEO visits with Mixing Light members answering questions in this Office Hours conference call.
Digging Into The ResolveFX Surface Tracker (For Retouching)
Resolve 18's Surface Tracker combines a multiple-point tracker and a warper in one tool. Learn how it works while prepping a retouch job.
An Introduction To Versioning Efficiently Using Compound Timelines
Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.
Learning Baselight Student - Creating, Editing, And Grading With Shapes
In Part 12 of this series, learn to apply and manipulate shapes to grade layers and use the MatteTool for the ultimate in shape edge control.
Five Don't-Miss Features in DaVinci Resolve 18 Public Beta
Joey D'Anna gives you a taste of his NAB 2022 demo artist skillset, sharing the 5 new features he likes the most in DaVici Resolve 18.
How Do You Avoid Adding Visual Artifacts When Sharpening Your Images?
Are you adding RGB artifacts into images when sharpening? How is Midtone Detail different (in DaVinci Resolve)? Plus, sharpening in LAB space.
How Do You Succeed Running A Color Grading Business?
The team is joined by our newest Contributor, Zeb Chadfield, answering business-related questions on being a colorist and getting paid.