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What to do if your client doesn't trust any of your reference displays?
Team Mixing Light tackles a member's question on how to handle a DP who doesn't trust any monitor in a facility?
Scopes and Critical Image Evaluation In Resolve 16
Video scopes are an essential tool to all colorists. Learn all the exciting new scope features in Resolve 16 to speed up your grading.
You Failed...Now What?
Failure is a part of any business, but how you process and recover from failure can make a big difference on how you succeed next time.
PixelTools Review: Is There Magical Pixie Dust in These PowerGrades?
A video review of how PixelTools uses the native tools in Davici Resolve to construct custom looks and utilities with PowerGrades.
Clients Unhappy With Your Downstream SDR Tone Mapped Color Grade?
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
My Favorite New Color Feature in Resolve 16: The Adjustment Clip
Resolve 16 adds hundreds of features, including powerful new adjustment clips. Learn how to use them streamline your grading workflow.
What I Learned (and Surprised Me) in 5 Hours at NAB 2019 - Part 1
At NAB 2019 with 5 hours of 'me time', in Part 1 learn what I though was significant in Resolve 16 and Mistika Boutique.
Grading With Fusion: Connecting The Fusion and Color Pages
Take your color grading work to the next level in DaVinci Resolve. Learn how to use mattes generated in the Fusion page on the color page.
Understanding How Color Boost Works in DaVinci Resolve - Part 1
It's not always clear how Resolve's 'Color Boost' tool works differently than its 'Saturation' tool. This video breaks down the differences.
New Dolby Vision Training & Looking Forward to NAB 2019
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
Troubleshooting 101 – Color Compressor & Node Resizing
Dan shares his breakdown of cleaning up a bike frame using the color compressor and node resizing in Resolve
Understanding The Future Of Color Grading - HDR and 'Presence'
In Part 3 of this series, you learn about the evolution of digital video from Standard- to High- Dynamic Range. Why is it here to stay?
Troubleshooting 101 - Cleaning Up An Annoying Background
Dan shares his thoughts behind his solution to removing a reflection using Resolve's Color Page - on a 16mm shot with moving grain structure.
CDLs in Action and Roundtripping Through DaVinci Resolve
Learn how to create, export, and import ASC-CDL compliant color grades using DaVinci Resolve. Plus tips and tricks with CDL data.
What Project Type Should I Use to Edit and Color Correct in Premiere Pro?
Did you know Premiere Pro CC 2019 has three project types? Standard, Shared, and Team. How do you choose & what are their differences?
Troubleshooting 101 - Resolve Color Management
Troubleshoot an interesting problem for a more in-depth understanding how Resolve Color Management (RCM) works.
Overview of Materials and Auxiliary Channels in DaVinci Resolve Fusion
Learn the workflow of the 3D toolset in DaVinci Resolve Fusion. Discover how to change materials, add reflections, color grade 3D objects.
Look Inspiration - Emulating VHS Camcorder Footage
What's harder than faking a VHS-look from a high-end camera? Intercutting that look with actual crummy VHS. Learn one way to do it.
Revisiting Strategies For Getting Paid (on time and without hassle)
Getting paid quickly is a key part to running your own business. In this Mailbag we discuss strategies for getting paid on-time.
Colorist Inspiration January 2019 - Most Memorable Jobs of 2018
Every year Dan looks back at the previous year and shares his greatest successes. This year, he focuses on his most memorable jobs.
Using DCTLs And Expanding Resolve's Functionality
Do you perform repetitive tasks on a regular basis when color correcting or finishing? Then learn how to use DCTLs to automate those tasks!