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Diving Deeper Into The Colourlab AI Ecosystem - Part 2
In part two of this series, we explore fixed node structure workflows with ColourLab AI as well as two OFX plugins that are a part of the ColourLab AI ecosystem.
How Do You Use Resolve's Parallel Mixer and Layer Mixer Nodes?
In Part 2 of our series on learning how to use Resolve's Serial Nodes, we look at combining them with Layer and Parallel Mixer nodes.
Joey's Custom Workshop: Solving Problems Using DCTL and Python
Expand your colorist toolbox with custom Python scripts and DCTLs for Frame.io workflows, subtractive saturation, and timeline duplication.
Inside the Grade: The First Pass On A Feature Film
Watch over the shoulder of senior colorist Cullen Kelly as he works through his first pass on a feature film and shares his approach.
Getting Sync'd Up: Advanced Audio Monitoring In DaVinci Resolve
Learn to measure audio/video sync issues with a smartphone, and compensate in DaVinci Resolve using Fairlight's B-Chain
Creating Reusable Custom Transition Presets In Fusion
Learn to use DaVinci Resolve's Fusion page to build custom, reusable transitions to work inside a node based ACES pipeline.
Building A Custom Color Grading Toolkit in Premiere Pro
Learn how to massively expand the functionality of Premiere's Lumetri panel by custom-mapping multiple disparate controls with an external control surface.
Computer-Assisted Shot Matching with Colourlab AI - Part 1
In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.
Good Grades: Color Grading at NFL Films with Chris Pepperman
In this installment of Good Grades we sit down with Sr. Managing Colorist at NFL Films, Chris Pepperman.
How Can You Color Process Mars Rover's Images In DaVinci Resolve?
Learn how to use DCTLs (and texture references) in DaVinci Resolve Fusion to debayer Perseverance rover raw images, yourself.
Getting Up To Speed On Resolve 17's New Proxy Workflow
Get up to speed on Resolve 17's new proxy workflow for lightning fast editing and grading performance when working remotely.
Getting Out Of The Red - Finance Fundamentals For Creative Pros
How much should a post production artist charge for their work? Learn an easy step-by-step process that gives you confidence in your rates.
Color Warper 101 Part 3: Creating Looks (Plus A Grading Challenge)
In the finale of the series, colorist Peder Morgenthaler puts what we've learned into action creative 3 looks with the Color Warper.
3D Printing For Post-Production: An Introduction
Learn the basics of 3D printing, and how you can use it to improve your post production environment with custom upgrades.
Look Development Part 3: Sweetening The Color Palette
In the last installment of his series on the essentials of look development, Cullen Kelly guides you through the concept of preferential color mapping.
Good Grades: Documentary Masterclass with Evan Anthony
In this installment of Good Grades we sit down with renowned documentary colorist Evan Anthony and talk about his start, work and more!
Mailbag LIVE! Selecting The Proper Storage For Post Production
Today's Agenda: What do digital video post production professionals need to consider when buying a storage solution for their digital media?
Color Warper 101 Part 2: Managing Points & Pins + Chroma-Luma Panel
In part 2 of his series, Peder Morgenthaler dives deeper into the controls in DaVinci Resolve's Color Warper.
Color Grading Challenge – Tri-X Style Black & White
Dan briefs you on a Black & White Tri-X look. If you grade to his brief and post in the comments, he'll play 'client' and offer feedback.
Review - Controlling The HDR Palette With The Resolve Mini Panel
How does the DaVinci Resolve Mini control surface manage to control 7+ color wheels in the HDR Palette, with only 3 physical trackballs?
Color Management The 'Right' Way?
In this episode, we discuss if project-wide or more custom approaches to color management are the 'right' way to do things.