New Dolby Vision Training & Looking Forward to NAB 2019
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
Revisiting Strategies For Getting Paid (on time and without hassle)
Getting paid quickly is a key part to running your own business. In this Mailbag we discuss strategies for getting paid on-time.
Revisiting Using A Single Large Format Monitor
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
Is High Dynamic Range (HDR) Video Legit? Should I Invest In HDR Tech?
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
How Do I Color Grade 1,500 Shot Timelines (on a deadline)?
Color grading 1,500 shots in a single timeline is daunting. We discuss a question about how to gain efficiency grading really long timelines.
How To Fight Periods Of Not Feeling Creative (and still be creative)?
Robbie, Joey, and Pat answer a member's question about how to handle periods of feeling creatively empty in the color grading suite?
Is It Your Responsibility to Archive a Color Grading Project?
Multiple members have recently written asking the same question: Is it a colorists' responsibility to archive media and project files?
Advice For Dan’s (Or Anyone’s) Color Correction Business
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
Integrating Graphics & Text Into A Dobly Vision HDR Project
Team Mixing Light is once again joined by Joey D'Anna to discuss integrating graphics and text into Dobly Vision HDR projects.
Color Grading HDR For The First Time - In A Live Competition!
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
What Can DPs Do To Make Final Color Easier?
Pat, Robbie and Mixing Light Contributor Joey D'Anna discuss what can DPs and onset staff do to make the final color grade easier?
How Do You Find A Mentor As A Solo Artist In A Small Market?
In this podcast, Team Mixing Light tackles a member question about how to find a mentor for color grading - in a small city.
Should I Standardize Every Project Using A Color Management System?
We discuss if professional colorists should be standardizing every project around color management systems like RCM & ACES?
LG 8 Series Or FSI XM650U - Which Large Format Display To Buy?
The Team discusses a question we've been getting a lot: Is it worth getting the FSI XM650U over a 65" LG OLED?
A Career As A Colorist: The Best Advice We've Received
We discuss the best advice we've received for our color grading careers. From attitude to technical to creative, we share what's worked.
A Month Later: Team Mixing Light's Take On NAB 2018
It's been a little over a month since NAB 2018. We discuss what we saw including Resolve 15, new HDR monitoring, control surfaces and more.
Getting Started As A Colorist & What's Changed In Grading?
We've got lots of questions from members asking how to get started as a professional colorist and how has grading changed over the years?
NAB 2018 Plans & Is My Harris DL860 Working Properly?
We discuss our 2018 NAB teaching plans and where to find Patrick on the show floor? We answer a member's question about the Harris DL860.
Colorist Challenge: Moving From A Direct View Monitor To The Cinema
A member asks about grading on a direct view monitor vs. the cinema. We discuss the differences and why overcomplicating it is a bad idea!
How To Migrate PowerBins, PowerGrades, Configs Between Databases?
Team Mixing Light discusses strategies for moving Resolve PowerGrades, PowerBins & project configurations between databases.
Handling A Rejected Grade, As A Freelance Colorist
Dan Moran recently joined the freelance world. He's curious how Pat and Robbie handle a client who rejects a grade - fix it or charge more?
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