In this installment of From The Mailbag we discuss a member's question on how to handle a DP who doesn't trust any monitor in a facility.
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
Getting paid quickly is a key part to running your own business. In this Mailbag we discuss strategies for getting paid on-time.
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
In this installment of From The Mailbag we discuss a member question about if HDR is here to stay and should one be investing in HDR tech.
In this installment of From The Mailbag, we discuss a member question about how to gain efficiency grading 1500+ shot timelines.
In this From The Mailbag, our team answers a member question about how to handle periods of not feeling creative in the color suite.
In this installment of From The Mailbag, Team Mixing Light discusses if it's a colorists' responsibility to archive media and project files.
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
In this installment of From The Mailbag, we're once again joined by Joey D'Anna to discuss graphics and text in Dobly Vision HDR projects.
Dan & Robbie describe watching colorists grade HDR for the first time, while competing! Plus, Mixing Light's partnership in China.
In this installment of From The Mailbag we're joined by Joey D'Anna and discuss what can DPs and onset staff do to make final color easier?
In this podcast, Team Mixing Light tackles a member question about how to find a mentor for color grading - in a small city.
In this installment of From The Mailbag, we discuss if we should be standarizing every project around color management systems like RCM & ACES.
In this installment of From The MailBag, we discuss a question we've been getting a lot - is it worth getting the FSI XM650U over an LG OLED?
Team Mixing Light continues the advice theme of recent episodes and discuss the best advice that we've received that's helped our color correction careers. From attitude to technical and creative advice it's all helped each of us have successful careers.
It's been a little over a month since NAB 2018. In this From The Mailbag, we sit down to discuss all the things we saw including our thoughts on Resolve 15, new HDR monitoring, control surfaces and more.
Recently we've been getting a lot questions from young members asking how to get started as a professional colorist and how has grading changed over the years? We tackle those questions and more in this audio Insight of From The MailBag.
In this installment of From The MailBag, the team discusses their 2018 NAB teaching plans and where to find Patrick on the show floor, and then we answer a members question about using a Harris DL860.
In this installment of From The MailBag, Team Mixing Light discusses a member question about moving a grade from their direct view monitor to the cinema - we discuss many aspects of this workflow and why overcomplicating things is a bad idea!
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