In this episode, we discuss the past decade and speculate on the next 10 years in the world of color grading.
In this installment of From The Mailbag, we tackle a hot topic from the world of color grading this past week - is there such as thing as FAKE HDR?
In this installment of From the MailBag, we're once again joined by Mixing Light contributor Joey D'Anna who gives us the skinny on supplemental IMF packages for delivery to broadcasters and OTT providers.
In this episode of From The Mailbag we discuss a member's email about how he feels he should be landing bigger projects but isn't.
A Mixing Light member has color graded for an internal team for years. But how does he know if he's ready for outside client color sessions?
Team Mixing Light tackles two problems creating a DCP. We also discuss proper troubleshooting techniques for any post production problem.
We get a lot of questions about picking a color-accurate monitor for grading. In this episode listen to our thoughts on things to consider.
Team Mixing Light discusses the Resolve Advanced Panel, compares it to the less costly Mini, and asks if the larger panel is worth keeping?
The XDR looks like an impressive display from Apple but - is it a reference monitor? It sure is priced like one!
At WWDC 2019 Apple took the wraps off a brand new Mac Pro & a new HDR display. In this Mailbag, Team Mixing Light discusses the new Mac Pro.
Team Mixing Light tackles a member's question on how to handle a DP who doesn't trust any monitor in a facility?
High Dynamic Range color grading is challenging. Listen as we discuss a question about HDR > SDR tone mapping and how to handle expectations?
The Team discusses a new training title we produced for Dolby about creating Dolby Vision content. Plus, Our thoughts about NAB 2019.
Getting paid quickly is a key part to running your own business. In this Mailbag we discuss strategies for getting paid on-time.
Team Mixing Light revisits the idea of using a single large format monitor in a color suite. Is it a viable solution?
Team Mixing Light discusses a member question about HDR: Is here to stay and should they be investing in HDR tech?
Color grading 1,500 shots in a single timeline is daunting. We discuss a question about how to gain efficiency grading really long timelines.
Robbie, Joey, and Pat answer a member's question about how to handle periods of feeling creatively empty in the color grading suite?
Multiple members have recently written asking the same question: Is it a colorists' responsibility to archive media and project files?
Team Mixing Light discusses color correction business issues. Mixing Light's Dan Moran (who recently went independent) is our subject.
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