How To Back Up Your Resolve Databases And Your Computer
One of our members asks about backing up Resolve databases and computers. This is an essential skill for colorists, listen to how we do it.
How Do You Choose A 4k Reference Monitor For Color Grading?
The Team discusses the pros/cons of 4k monitoring. We explore new offerings from Flanders Scientific including the XM650U and XM310K.
How To Color Grade Full Range for Data Level Broadcast Delivery?
A member asks a question about working in Full Range but delivering a video rendered to legal/broadcast levels. We work through the thinking.
Revisiting The Judd Modification When Calibrating OLED Displays
Team Mixing Light answers a member question about using the Judd Modification for an OLED reference monitor. What is it? When to use it?
Talking About and Understanding Dolby Vision Color Grading
Building on Robbie's recent articles, Pat and Dan ask questions about workflow and Robbie's recent trip to Dolby in Burbank, CA.
About the New Blackmagic Design Conference, The New iMac Pro
Team Mixing Light discusses the first ever Blackmagic Design Conference & Expo as well as our thoughts on Apple's latest - the iMac Pro.
Choosing Between ACES Or RCM? Plus, Control Surface Sensitivity.
The Team fields a member question about how we set up the sensitivity of our colorist control surfaces? How do we decide?
Our New DaVinci Resolve14 Traning & Revisiting Remote Rendering
The Team discusses our new Resolve 14 New Features title as well as DaVinci Resolve Remote Rendering with guest Joey D'Anna.
From The Mailbag EP 37: Mixing Light 2.0 Member Changes & Benefits!
Learn about changes and new features for Mixing Light members with the newest version of our Website - Mixing Light 2.0.
Using Reference Monitors & LG's OLEDS Together In The Color Suite
Team Mixing Light discusses choosing colorist reference monitors. Plus, using LG's consumer OLED televisions in our color suites.
The Look Of 'Westworld' & Look Creation Philosophies
Robbie, Pat, and Dan discusses the look of the series 'Westworld' and our look creation philosophies when color grading.
From The Mailbag EP 34:Talking GPUs & Tech We Can't/Can Live WIthout
The Team discusses GPUs for the colorist and how to select one. Plus, tech we've discovered we can live without, and tech we can't.
The Marathon Moves Into January & A Preview Of Mixing Light 2.0
We discuss our Insights Marathon moving to January and what to expect. Plus, we reveal plans for the next iteration of our website!
Syncing Resolve's LUT Folder & Viewing HDR & SDR Simultaneously
A member asks how they can easily sync Resolve's LUT folder between suites. Plus, the pros/cons of viewing HDR & SDR simultaneously.
How To Sharpen Quick Focus Pulls? Plus, using the HP Z27x DreamColor.
The Team answers a member's question about sharpening quick focus pulls. Plus they discuss using the HP Z27x DreamColor display.
Mixing Light at NAB 2016 plus Film Style Grading plus sRGB Deliverables
It's a busy day for Team Mixing Light as we discuss our NAB 2016 plans, log style color grading and handling sRGB deliverables.
From The Mailbag EP 29: HDR Musing & Log Saturation
In this episode, Team MixingLight discusses HDR and best practices for setting saturation levels for log encoded footage
Edge Sharpening & Denoise Workflow
In this installment of From The Mailbag we discuss how to isolate and sharpen edge details, and discuss a proper video noise reduction workflow
From The MailBag Ep 27: The Glossy Look & Edge Sharpening
In this installment of From The Mail Bag, Team Mixing Light discusses what goes into the 'glossy' look of many commericals & how to edge sharpen shots.
From The MailBag Ep 26 - Holiday Marathon & R12 Training
In the latest installment of From The MailBag learn about our annual holiday marathon & our soon to be released Resolve 12 training
From The MailBag Episode 25
A couple weeks after NAB 2015, Team Mixing Light breaks down NAB 2015 - the gear & other amazing stuff from the week.
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