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Using Resolve 18.5 Transcription & Subtitle Tools

Colorist and finisher Jason Bowdach teaches you to use DaVinci Resolve 18.5's new Machine Learning-powered transcription and subtitle tools.

A Hands-On Introduction To DaVinci Resolve On iPad Beta for Pros

Colorist Joey D’Anna gives an extended review of DaVinci Resolve for iPad Beta, how it differs from the desktop, and what it may excel at.

New Little Features Packing A Punch In DaVinci Resolve 18.1

DaVinci Resolve 18.1 is a feature-rich update. Colorist and finisher Joey D'Anna offers his list of impactful features - that aren't obvious.

Freelance Editing Tips: Setting Up Premiere Pro from Scratch

As a freelance editor, what are the first few settings you need to optimize when working on a client's computer - so you can work 'at speed'?

How To Professionally Work Between Multiple Editing Platforms

Special Guests Scott Simmons and Jonny Elwyn join Joey D'Anna and Patrick Inhofer to discuss moving between NLEs as a professional editor.

How To Manage Versions for VFX & Graphics in DaVinci Resolve

If you have many graphics or visual effects shots that might be replaced at the last minute, learn the value of Resolve's 'Take Selector'.

Edit Faster With 10 Keyboard Tips & Tricks For DaVinci Resolve

Learn 10 essential keyboard shortcuts you can bind on the DaVinci Resolve edit page to speed up your editing workflow.

An Introduction To Versioning Efficiently Using Compound Timelines

Use compound timelines in DaVinci Resolve for speed and efficiency when managing separate versions of timelines and multiple creative teams.

The DaVinci Resolve Speed Editor On The Color, Edit, And Cut Pages

The new DaVinci Resolve Speed Editor is a fantastic controller. Learn how to use it for color grading, online editing and multicam workflows,

Resolve 17 Big Little Features Part 2 – The Edit Page

Small features can make a huge difference to your workflow! Learn new edit page features to speed up and improve your workflow in Resolve 17.

A Mixing Light Special Report: Resolve 17 Announcement

Blackmagic Design just announced Resolve 17. We jump on a call to discuss the release, its timing, new features, and our initial thoughts.

Better Blurring In Davinci Resolve: Part 1

In this Insight, Joey D'Anna shows you how to take simple blurs to the next level on the DaVinci Resolve Color Page

Take A Deep Dive Into Premiere's New Production Workflow

Premiere Pro's new Productions workflow is a massive boost to Premiere's capabilities and reliability. Forged by Hollywood, see how it works.

An Overview and Tour of DaVinci Resolve 16's Cut Page

When you open DaVinci Resolve 16 for the first time, you land on its Cut Page. How is it laid out? How does it differ from the Edit Page?

Creating Supplemental IMF Packages in DaVinci Resolve

What is an IMF package? How doyou use DaVinci Resolve to create supplemental IMFs for delivering fixes and alternate versions?

Broadcast Promo Finishing Workflows in DaVinci Resolve

Learn how to use DaVinci Resolve to finish and output coutless versions of broadcast promos, easy fast and without any mistakes.

An Overview (And Tips) On Using The DaVinci Resolve Project Server App

Designed for sharing database on several computers in DaVinci Resolve, learn how the Resolve Project Server App simplifies your life.

Re-Revisiting Multi-Channel Audio Output In Resolve

No, that's not DĂ©jĂ  vu! We're re-revisiting multi-channel audio output in DaVinci Resolve! In Part 1 of a new series, we'll explore the essentials of multi-channel output including using the 'Timeline Tracks' method, The Link Group behavior, and basic bussing.

How to Get Real-Time Playback with Multicam Clips

Editing Multicam clips can be a great workflow... unless you can't get real-time playback and your system keeps dropping frames. Learn how Resolve's optimized workflow can help you get back to real-time.

Multicam Gone Wrong: Re-syncing Clips in DaVinci Resolve 14

DaVinci Resolve's automatic syncing of multiple cameras for its multicam editing workflow often fails. Learn how to reliably re-sync cameras after creating a multicam clip.

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