Learn how to create a custom highlight roller tools tailored to your creative needs inside DaVinci Resolve.
Colorist Patrick Inhofer shares his favorite, and simplest, method for controlling the contrast of your images when doing Primary corrections.
Learn how to dramatically improve your Hue vs. Hue adjustments in DaVinci Resolve by changing a node's color model - and why this works.
Colorist Cullen Kelly explores his favorite uses of the Sat vs Lum curve in Resolve and best practices for consistently great results.
Sometimes you want to 'open up' the shadows as if you added a bounce card or fill light to the scene. Custom curves make this easy.
In Part 3 of Cullen Kelly's 'Flexing Fundamentals' series, learn how to think about organizing contrast adjustments to improve your results.
Learn how to use Layer Mixer nodes to recreate a LUT's contrast curve for further creative manipulation in Part 6 of the Visual Math series.
In Part 5 of our 'Visual Math' series, learn how 'vs. Curves' work from within Resolve's node graph by building your own in HSL space.
Colorist Patrick Inhofer shares how he modified his approach to Resolve's Color Warper - and now rarely uses 'Hue vs' and 'Sat vs' curves.
Learn how to set up Resolve Color Management for success. You'll also see a colorist's node tree, designed for RCM & the HDR Palette.
Learn powerful keyframe editing techniques in DaVinci Resolve's Fusion page, using the built-in spline and keyframe editors.
In the first installment of a new series, Cullen Kelly shares his strategies for quickly getting a grade on its feet by creating global contrast
Do your images need to look more colorful? In this Insight, learn 3 color separation tools for increasing perceptual colorfulness.
Learn how to set up your physical workspace for quick color grading in Adobe Premiere Pro. Plus, optimizing the software for your workspace.
The ACES color management workflow is a key technology for major Hollywood productions. Learn how an Indie film implemented ACES.
Video scopes are an essential tool to all colorists. Learn all the exciting new scope features in Resolve 16 to speed up your grading.
Learn how to avoid two problems when color correcting using Premerie Pro's Lumetri workflow. It's all about recovering clipped detail.
Are you trying to do Photoshop's Channel or Luminosity Mask techniques in DaVinci Resolve? Learn how, by simplifying the workflow.
FCPX 10.4 update introduces some long-awaited color correction features, like wheels and curves. This Insight reviews the standout points of this new color correction toolset - and gotcha's you should understand.
How do you save a shot that has exposure changes and compression artifacts? Patrick shows you how he does it, with footage you can download.
DaVinci Resolve's 'Color Match' is terrific for Color Charts recorded on-set. Learn the tricks to this feature if your Footage is RAW or Log.
Are you having problems deciding how to attack color correcting your images? Learn how to quickly generate ideas in this video.
Learn how to white balance shots with mixed color temperatures. Plus, how to deal with subtle color balance issues.
In an earlier video we showed you the 'mouse math bug' when color correcting in DaVinci Resolve—now learn how to work around it.
Understand how the Lumetri Color Tools work in the latest version of Premiere Pro CC. Plus learn about a potential flaw in these tools.
How DaVinci Resolve 12 changes the way we write contrast curves in the LAB Colorspace. See the difference between Resolve 11 & 12 curves.
An video overview of Nattress Levels and Curves for FCPX. It's a suite of four plug-ins for Curves-like image manipulation from FX Factory.