LAB Color Correction Foundations - Photoshop

Learning how to color correct in LAB color space with DaVinci Resolve is easier if we start with how the Photoshop experts are doing it.

Color Correction Breakdown - Spanning the Ages

Commercial Breakdown - Rolo. Dan shares another instalment of his series of behind the scenes insights. We build looks for different eras.

LAB Colorspace: An Introduction (using DaVinci Resolve 11)

Photoshop pros are learning the power of LAB Colorspace. This is the first of several videos on applying those Insights to moving images.

Footage Quality Control - When To Reject Footage

Footage Quality Control in a modern file based world can be tricky. Dan shares his advice on how and when to reject source material.

Red Giant Software - An Overview of Red Giant Link

This is the first in a series of videos about the color correction tools in the Red Giant Software suite of plug-ins and apps.

Building A Visual LUT Library With Resolve 11

Learn how to take a list of Look Up Tables in Resolve 11 and make it into a visual LUT Library. This workflow can be used in any version of Resolve before Resolve 15 (which introduced a built-in LUT Library).

Using Divergent Media's ScopeBox As Digital Recorder

Divergent Media's ScopeBox not only provides high quality customizable scopes but a full fledge digital recorder for capturing content.

DaVinci Resolve: Consolidate Clips Function

DaVinci Resolve's renamed Consolidate Clips function can now work with Quicktime and MXF files. Learn how to use this command.

Look Library - Halloween Slasher

Dan shows you how he built a Halloween Slasher Look inspired by classic 80s movies for a recent teaser commercial for Halloween.

Advanced Windows - Difficult Shape Masking

We take a look at difficult shape masking and combining multiple windows in DaVinci Resolve to give you total control over difficult images.

Automatic Database Management

Tired of manually backing up your Resolve? Using some handy scripts Dan shows you how to fully automate the process

Remote Versions: Sharing Grades Between Multiple Timelines

If you have to color correct multiple versions of a timeline, DaVinci Resolve's Remote Versions is a feature you need to know.

Advanced Windows - Multiple Windows & Tracking

Using multiple windows and tracking them into your scene gives you total control of your image and allows you to build powerful looks.

UKMVA's Best Color

Dan showcases the best of the best in UKMVA's Best Color grading award catagory.

Commercial Breakdown - Smirnoff

Dan takes a look at his latest commercial grade and shares the thinking and techniques behind the grades.

SpeedGrade CC 2014.1 - New Tools & Improved Workflows

SpeedGrade CC 2014.1 offers an updated Interface, New Features and some new tools. Check out this Insight To Learn More

Colorist Inspiration - Dave Hussey

We visit the colour grading work of Company 3 master colorist Dave Hussey – rock star colourist and all round awesome guy

Throwing A Change Up - Different Tools For New Results

It's easy to be stagnant always using the same tools. In this Insight learn how different tools can help you break a creative block

Color Balance Skies and Shot Matching

Do you need to color balance every shot in your video? What are the best strategies to color balance and enhance gray skies? Listen & learn.

Shot Matching - The Basics of Matching Cameras Together

In this Insight we take a look at doing shot matching with multiple cameras to create a smooth edit. Featuring: BMPCC, BMCC and Red Scarlet cameras.

DaVinci Resolve 11: Broadcast Safe + Grouping LUTs

In this episode of From The MailBag, learn about Resolve 11's new broadcast safe option & how to use LUTs while Grouping.