Colorist Block - When Nothing Looks Good
Sometimes you just can't make a grade look good no matter what you do! The Colorist Block is real and dangerous but defeatable.
Designing a Color Match Workflow (in DaVinci Resolve)
Are you looking for a reliable color match workflow for DaVinci Resolve? Learn how to get the most from Resolve's 'Color Match' feature.
Rediscover The Basics - Color Temperature
Color temperature allows us to control many factors from time of day to adding to the mood of your image by warming or cooling.
From The Mailbag Episode 20
In this From The Mailbag, we cover two GPU questions. Should you upgrade your system or GPU & does GPU debayering for RED footage work?
Rediscover The Basics - Contrast
Its tempting to dive in with many nodes & advanced techniques but spend more time getting your contrast right & you'll love the results
Manual Color Matching in DaVinci Resolve 11
Part 3 of a series on how to use the DaVinci Resolve 11 'Color Match' tool. In this video, learn how to build your own Color Match node.
Using Data Burn-In & Text Layers For Client Notes
Take notes in a grading session? Have bad handwriting? In this Insight learn how to create client notes directly in Resolve with data burn-in
How to Match Shots in Final Cut Pro X
Learn how to match shots in Final Cut Pro X using its unique interface. Part 4 of this series on how to color correct in Final Cut Pro X.
Rediscover The Basics - Saturation
In a world where you can apply 20 nodes to build a look Dan challenges you to rediscover basic grading concepts starting with Saturation
Resolve's 'Color Match' Is Easier Using 'Brightness First' Rule
DaVinci Resolve's 'Color Match' feature can be tricky. But if you follow the 'Brightness First' Rule, you'll probably get better results.
Why Is Camera Matching with Color Charts So Hard?
If you've tried to match multiple cameras together using color charts, you've likely found it difficult. What's the problem you're having?
Better Grades In Premiere Pro: The Tonal Range Definition
Premiere Pro has a powerful 3-Way Color corrector but by default its tonal range is narrow. Learn how to get better grades by adjusting it.
Colorist Inspiration - The Best UK Commercials of 2014
We take a look at the Best UK Commercials of 2014 in the world of uk color grading.
From The Mailbag EP 19 Skin Corrections & The Film Look
In this episode of From The Mailbag, the team explores fixing blotchy skin and what goes into a film stock emulation.
Dynamic Project Switching In DaVinci Resolve
Learn about a little known feature in Resolve 11 called Dynamic Project Switching that allows you instantly switch between large projects
Saturation in Final Cut Pro X: Is Your Image Colorful Enough?
How do you know if your images are colorful enough? When's the best time to set your saturation in Final Cut Pro X? Find your answer here!
Advanced Beauty Grading Part Two : The Fashion Look
Time to take the image into the next level with a fashion look in part two of the series on advanced beauty grading.
Why You Need To Dig Deep: Final Cut Pro X Exposure Slider
Understanding the Final Cut Pro X Exposure Slider is critical to knowing how to color correct in Final Cut Pro X. Click and discover: Why?
Creating LUTs From Adobe Photoshop
You've been able to apply lookup tables in Adobe Photoshop for a while, but a new feature gives the ability to export LUTs. Learn how!
Advanced Beauty Grading Part One
Advanced Beauty Grading is quite a dark art in the world of color grading. Dan shows you his approach to beauty grading on a commercial.
MailBag Episode 18:YouTube/Vimeo & SSD For Render Cache
Check out this episode of From The MailBag to learn about grading of Vimeo/YouTube & When to use an SSD For Resolve's Render Cache.
