Delivering Project Files: Making The Choice About Your IP
You always deliver final video files but should you deliver project files to your clients too? Learn more in this Insight.
Colorist Inspiration – July 2016
Dan shares his top grades from July as a source of great colorist inspiration
Hands On the Tangent Element and Premiere Pro CC 2015.3
The first Creative Cloud update in 2016 has given us integration between the Tangent Element and Premiere Pro. This video shows it in action.
Resolve Remote Rendering: Setting Up A ProRes 'Dongle'
Working on a PC but need to render ProRes? In this Insight, learn how to setup Resolve remote rendering & use a spare Mac for ProRes renders
Dirty Looks: Taking Your Image To The Limit
Dan shares his techniques for taking your image to the limit while maintaining legal levels.
Premiere Pro CC 2015.3, Part 1: New Updates to Existing Features
Get a look at the new features in Premiere Pro CC 2015.3 for existing color correction tools, including the Lumetri Effect.
Bad TV: Essential Steps For Creating The Bad TV Look
Every once and a while you'll need to create a stylized bad TV or surveillance camera look. In this Insight learn how.
Dirty Looks: Early '00s Looks
Dan shares some looks from his past focusing on two Early '00s looks in particular. One home digital camera one heavy 35mm music video
How to Create a Virtual LUT (and what it's good for)
Learn how to create a Virtual LUT and decide if it'll make your color correction reference monitor more accurate? Software:CalMAN & Lightspace
Color Correction Gear Head: The July 2016 Edition
In the inaugural edition of the Mixing Light color correction gear head series we take a look at 4 pieces of gear for the colorist.
5 Strategies For Managing A Supervised Session
Supervised color grading is hard! In this Insight, Robbie shares 5 strategies for managing a supervised session.
Dirty Looks – Early Film Looks
Early film looks are a very popular request from clients.They can be tricky to build quickly so Dan shares his DRX files that you can download
Optimizing for CalMAN: The i1 Display Pro and SpectraCal C6 for CalMAN
Optimizing for CalMAN the X-Rite i1 Display Pro and SpectraCAL C6 is easy. Learn how—and the differences between these colorimeters.
Dirty Looks - Looks Throughout The Ages
At some point in every colorists career you will be asked to make some looks throughout the ages like 60s, 70s, 80s, 90s. Dan shares how.
Colorist Inspiration – June 2016
Summer has arrived and the annual down turn in business begins. My clients first head off to the cannes lions festival and then off on their summer holidays. It’s the…
Getting Started with CalMAN Colormatch
If you do video color correction, watch 'Getting Started with CalMAN ColorMatch' to learn how to test if you're display is accurate.
Chasing Down Money: 6 Strategies For Overdue Payments
Running a creative business is fun until someone is long overdue paying you! Learn 6 Strategies for chasing down overdue money
Using Custom Offsets with the i1 Display Pro OEM in Lightspace
Learn how using Custom Offsets with the i1 Display Pro OEM can turn this inexpensive colorimeter into a reference meter you can trust.
Dirty Looks – To Grain Or Not To Grain
Adding grain can help add a wonderful cinematic feel to a project but in the world of heavy compression is it a smart decision?
Optimizing the i1 Display Pro OEM for Lightspace - Part 1
The X-Rite i1 Display Pro is the most popular colorimeter on the market. Learn how to use it in Lightspace for video profiling & calibration.
From The Grading Room – Wonderful Life
Dan shares parts of his conversation about the grade on recent wonderful life commercial grade.
