Broken Color Correction Filters in Premiere Pro CC

Do you think it's hard to color correct in Premiere Pro? Learn how broken color correction filters make the task harder than it needs to be.

Colorist Inspiration – Dan’s Best Of 2015

Day 16: 25 Insights in 25 Days Holiday Marathon Colorist Inspiration – Dan’s Best Of 2015 As the year comes to an end I thought it would be the perfect…

Color Correcting in Premiere Pro: Why So Hard?

Why is color correcting in Premiere Pro so hard? This article explores Premiere's 'legacy' color correction filters and finds the answers.

Look Inspiration – ENR Processed Look

Dan shares his ENR processed look with his nodes and footage to grade along with at home.

Edge Sharpening & Denoise Workflow

In this installment of From The Mailbag we discuss how to isolate and sharpen edge details, and discuss a proper video noise reduction workflow

How to Select A Color Correction Plug-in for FCPX

Learn from a professional colorist how to select a color correction plug-in for FCPX. What are main features you should be looking for?

HDR Essentials: Getting Setup In DaVinci Resolve

Diving into HDR (high dynamic range) video?  Check out this Insight to learn the essentials of getting setup for HDR in DaVInci Resolve

Magic Bullet Looks 3 - An Overview

Watch an overview of how a professional colorist uses Magic Bullet Looks 3 to jump-start the 'look creation' process.

Look Inspiration – Cold Commercial Look

A cold commercial look can help bring bright natural commercial into a moody and grungy world

HDR Essentials: What's HDR?

HDR is the 'next big thing' for color grading.In this Insight, get up to speed with two discussions about HDR with industry experts Bram Desmet & Juan Salvo

Christmas Clean Up: Refresh Your System

In this Insight Dan explores some things to think about when it comes to doing a refresh of your system.  

From The MailBag Ep 27: The Glossy Look & Edge Sharpening

In this installment of From The Mail Bag, Team Mixing Light discusses what goes into the 'glossy' look of many commericals & how to edge sharpen shots.

Optimizing X-Keys With A Colorist Control Surface

Learn how to maximize your color correction speed if you're using a Tangent Element or Avid Color by optimizing X-Keys, a low cost USB hardware add-on.

RED HDRx Workflow With Resolve

In this Insight, learn the essentials of working with RED HDRx media in DaVinci Resolve to get the most out of an exposure and the look of a shot.

Skin Tone Essentials

In this Insight, Dan guides you through key aspects of getting proper skin tone in your grade.  

Create Custom Workspaces in PremierePro for Color Grading

Learn how to create custom workspaces for speeding up your color correcting in Premiere Pro CC.

From The MailBag Ep 26 - Holiday Marathon & R12 Training

In the latest installment of From The MailBag learn about our annual holiday marathon & our soon to be released Resolve 12 training

Colorist Inspiration – Adding Sunshine

Adding Sunshine In post can be tricky but Dan shares his techniques in DaVinci resolve to turn dull and grey images into warm and sunny!

Optimize Sequence Settings in Premiere for Color Grading

Learn how to optimize sequence settings in Premiere Pro CC 2015 to enable 10-bit rendering for color correction and effects processing.

Anatomy Of A Grading Suite: Additional Technical Setup

In the last installment of the 3 part series learn about computer setup, control surfaces, GPU expanders & other key accessories for a suite

Look Inspiration - Red Filtered B&W

Dan shares his thoughts on how to emulate shooting black and white with a red filter on front of the lens to give an interesting look.