If you're using Dropbox and DaVinci Resolve as a server for your disk databases, that's not a good idea! Learn why...
Shot Matching – Match My Shot Pt 1 I had an eye opening experience in my grading suite this week. Some clients of mine asked me to match grade some…
In this installment of From The Mailbag we explore how to sharpen quick focus pulls and discussing using the HP Z27x DreamColor display.
Shot matching in Premiere Pro CC is the second step in The Color Correction Protocol. Learn how to stack filters and get the job done!
not every session can be amazing and Dan shares his tips on turning a session around and winning over a client when things don't go your way.
DaVinci Resolve's 'Scene Cut Detection' workflow can be efficient. But it gets confusing if you've got revisions—here's one way to handle it.
Grading underwater footage is like grading footage from an alien planet. Dan shares his approach and technique for working in that world
In this installment of From The Mail Bag we discuss our NAB '16 plans, log style grading and sRGB deliverables.
Learn how to use Premiere Pro Color Correction filters in a logical and organized method for any sized project. We start with contrast.
In this insight dan shares his approach and methods to matching black levels. Matching is hard but with practice you can become much faster!
How do you color correct Picture-In-Picture effects in DaVinci Resolve, when all you have is a single rendered movie of the entire timeline?
Using Luts in a color correction workflow is common, but everything doesn't always worked as planned. Learn 4 ways to work around look up table limitations
Learn how the 'data levels' and 'video levels' Project Setting effects your external scopes when color correcting in DaVinci Resolve.
Dan shares a job from his grading suite as a commercial case study in shot matching
Being a busy colorist is a good thing! But when you get too busy, you have to think about how to handle overflow work or when to just say no.
Are you trying to work with non-HD Frame Sizes in DaVinci Resolve? It's very common for display advertising and this video will show you how to handle it.
Building a one man workflow to get the maximum out of your time grading.
Working with LUTs and Camera Raw in Premiere Pro can be tricky. In this video, learn one workflow that makes it a bit easier.
In this Insight Robbie explores 3 different OFX grain plugins for Resolve from Film Convert, Boris, and GenArts and explains which is his favorite and why
It's time to cut your reel and Dan shares his advice on his Showreel 2016