Shot Matching – Matching Black Levels

In this insight dan shares his approach and methods to matching black levels. Matching is hard but with practice you can become much faster!

Advanced Finishing Techniques – Dealing with Picture-In-Picture Effects

How do you color correct Picture-In-Picture effects in DaVinci Resolve, when all you have is a single rendered movie of the entire timeline?

4 Things To Know About Working With Look Up Tables

Using Luts in a color correction workflow is common, but everything doesn't always worked as planned. Learn 4 ways to work around look up table limitations

DaVinci Resolve: How to Use External Scopes with Video vs Data Levels

Learn how the 'data levels' and 'video levels' Project Setting effects your external scopes when color correcting in DaVinci Resolve.

Shot Matching – Commercial Case Study

Dan shares a job from his grading suite as a commercial case study in shot matching

Overflow: Is There A Right Time To Bring On Help?

Being a busy colorist is a good thing! But when you get too busy, you have to think about how to handle overflow work or when to just say no.

How To Work With Non-Broadcast Frame Sizes in DaVinci Resolve

Are you trying to work with non-HD Frame Sizes in DaVinci Resolve? It's very common for display advertising and this video will show you how to handle it.

Big Shop To One Man Show: Building A Workflow To Minimise Downtime

Building a one man workflow to get the maximum out of your time grading. 

Working with Camera RAW in Premiere Pro Part 2

Working with LUTs and Camera Raw in Premiere Pro can be tricky. In this video, learn one workflow that makes it a bit easier.

Getting Grainy: 3 Different OFX Plugins

In this Insight Robbie explores 3 different OFX grain plugins for Resolve from Film Convert, Boris, and GenArts and explains which is his favorite and why

Showreel 2016 – Who Is Your Target Audience?

It's time to cut your reel and Dan shares his advice on his Showreel 2016

Exploring the Colorista III HSL Keyer

Take a close look at the unique (and intuitive) HSL Keyer in Red Giant's Colorista III color correction plug-in.

Working with LUTs in Premiere Pro: Part 1

Learn how to color correct with LUTs in Premiere Pro and the Lumetri Panel. Especially if your color correcting with RAW-, Log- or flat- recorded images.

HDR Essentials: Reading The Scopes In DaVinci Resolve

The Waveform & RGB Parade are essential tools for color correction. But when working with HDR footage in Resolve reading them can be slightly confusing.  

Shot Matching – Introduction To Shot Matching

Shot Matching is one of the hardest areas of being a colorist. Dan shares his approach to going head to head with mismatched shots.

Colorist Inspiration - February 2016

Dan rounds up the best colorist inspiration from February 2016 with some of the best grades from the new year so far. 

Data Levels or Video Levels — How To Choose Wisely

DaVinci Resolve allows you to choose between 'video levels' and 'data levels'. Learn how to choose wisely and if you should be making a choice at all?

Look Inspiration - Inspiration From Unlikely Sources

Sometimes inspiration can strike in the strangest of places. In this insight Dan shares how he finds inspiration from unlikely sources.

Getting More When You're Getting Paid Less

In this Insight, learn ways that you get more benefits for your buisiness out of a project even when a client isn't paying you all that much.   

Look Inspiration - Bond Movie Inspired Retro Look

Dan shares his attempt and look inspiration in DaVinci of a fabulous Bond movie inspired 35mm film look from the music video Genghis Khan by Miike Snow.

Look Inspiration – 70s TV Inspired Retro Look

Look Inspiration – 70s TV Inspired Retro Look There is a time in every colorists life when we need to add some retro 70s TV vibes to footage! This insight…