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Creative Coding With DCTL: Part 3
In part 3 of this ongoing series, with foundational knowledge in place, start coding your first DCTL a colorist Cullen Kelly guides you step by step.
Better Streaming Sessions Part 3: The ATEM Streaming Bridge
Learn how to set up and use an ATEM Streaming Bridge to create a high quality, color accurate and low latency video link over the internet
Creative Coding With DCTL: Part 2
In Part 2 of his series on coding DCTLs, Cullen Kelly covers some additional setup and tools you'll need to successfully build DCTLs
Using A Blackmagic Color Panel Remotely - Resolve 17 Solves A Problem
Learn how to use Resolve 17's new remote panel capabilities for remote color grading that is secure, interactive, and color accurate.
Better Streaming Sessions Part 2: Macros and Stream Decks
In Part 2 of his series, Joey shows you how to take remote color sessions to the next level by adding macros & remote control to your ATEM switcher setup
Creative Coding With DCTL: Part 1
Cullen Kelly kicks off a new exciting series about DCTL coding. Learn the vocabulary, syntax, and techniques to create DCTLs to aid your color grading.
Colorist Inspiration - UK Music Video Awards 2020
Dan shares some grading inspiration from the 2020 best colour grading nominees at the UK music video awards
Webinar: The Birth Of Color Photography & The RGB Color Process
Help us celebrate the 160th Anniversary of the color photograph, its history, and the RGB color model! Presented by colorist Hector Berrebi.
Better Streaming Sessions With ATEM Mini Switchers
Learn how to add serious production value to live-streamed color sessions with Blackmagic ATEM Mini switchers.
Building A Dynamic Demo Reel With Dávid Láposi - Mailbag LIVE!
Team Mixing Light hosts Hungarian colorist Dávid Láposi to discuss creating a personal, story-based demo reel to help advance your career.
Diving Deeper Into The Colourlab AI Ecosystem - Part 2
In part two of this series, we explore fixed node structure workflows with ColourLab AI as well as two OFX plugins that are a part of the ColourLab AI ecosystem.
How Do You Use Resolve's Parallel Mixer and Layer Mixer Nodes?
In Part 2 of our series on learning how to use Resolve's Serial Nodes, we look at combining them with Layer and Parallel Mixer nodes.
Joey's Custom Workshop: Solving Problems Using DCTL and Python
Expand your colorist toolbox with custom Python scripts and DCTLs for Frame.io workflows, subtractive saturation, and timeline duplication.
Inside the Grade: The First Pass On A Feature Film
Watch over the shoulder of senior colorist Cullen Kelly as he works through his first pass on a feature film and shares his approach.
Getting Sync'd Up: Advanced Audio Monitoring In DaVinci Resolve
Learn to measure audio/video sync issues with a smartphone, and compensate in DaVinci Resolve using Fairlight's B-Chain
Creating Reusable Custom Transition Presets In Fusion
Learn to use DaVinci Resolve's Fusion page to build custom, reusable transitions to work inside a node based ACES pipeline.
Building A Custom Color Grading Toolkit in Premiere Pro
Learn how to massively expand the functionality of Premiere's Lumetri panel by custom-mapping multiple disparate controls with an external control surface.
Computer-Assisted Shot Matching with Colourlab AI - Part 1
In Part 1 of a new series, Jason Bowdach shows you how to get projects to ColourLab AI and how to build a match across a scene using this powerful tool.
Good Grades: Color Grading at NFL Films with Chris Pepperman
In this installment of Good Grades we sit down with Sr. Managing Colorist at NFL Films, Chris Pepperman.
How Can You Color Process Mars Rover's Images In DaVinci Resolve?
Learn how to use DCTLs (and texture references) in DaVinci Resolve Fusion to debayer Perseverance rover raw images, yourself.
Getting Up To Speed On Resolve 17's New Proxy Workflow
Get up to speed on Resolve 17's new proxy workflow for lightning fast editing and grading performance when working remotely.