Loading...
Python 101 For Post: Verify Data And Perform Checksums
In Part 4 of our Python for Post Professionals series, we add checksum verification and colorful ASCII colors to our media copy script.
Display Calibration Workflows With Industry Expert David Abrams
Mixing Light members & Contributors are joined by display calibration expert David Abrams, talking workflows, colorimeters, & best practices.
Python 101: Scripting Media Management Operations
In Part 3 of his series, Kaur Hendrikson dives into the deep end and teaches you to script a Media Management operation for copying files.
Recreating the Kong: Skull Island ‘Toxic Yellow’ Look
Exercise your grading skills by matching Kong: Skull Island's 'Toxic Yellow' look in DaVinci Resolve. Luke Ross shares his approach.
Alternate Uses For Shared Nodes in DaVinci Resolve
Learn how to unlock the utility of Shared Nodes by minimizing the need to switch between the clip-level and timeline-level node graphs.
How To Adapt A Photoshop 'Channels' Technique to Resolve
Patrick answers a member's question about simplifying their node tree, adapting a Photoshop color grading technique to DaVinci Resolve.
A Guide To Composite Modes in DaVinci Resolve
Refresh your knowledge on blending modes: What they are, what they do, and how to utilise them as color grading tools in DaVinci Resolve.
Emulating Baselight's Texture Blend Tool For Noisy Secondaries
Colorist Marty Webb shows how to emulate Baselight's Texture Blending in DaVinci Resolve to control noisy secondary operations.
'Barbie Look' In Resolve: Emulating Technicolor's 3-Strip Process
Colorist Jason Bowdach creates a Barbie-inspired 3-Strip Technicolor film look with customization controls using Nodes in DaVinci Resolve.
Color Management With Log, The Elusive "Filmic" Look, & Clients
Mixing Light's panel of Colorists answers questions on color management with log footage, the "filmic" look, and choosing your clients.
Automatic Naming Using Metadata Variables in DaVinci Resolve
Luke Ross explores DaVinci Resolve's 'Metadata Variables'. Learn how to generate still, burn-in, and render setting names - automagically.
Writing Legally Protective Bids & Quotes For Post Production Pros
Mixing Light's Attorney Seth Polanski Esq. shares how you can set fair legal Terms and Conditions when quoting and bidding jobs.
Fusion Tools for Colorists - Shot Matching Composites In Fusion
Senior Compositor and Trainer Bernd Klim shares his tips and tricks on color-matching live-action footage in DaVinci Resolve Fusion.
Accelerated Workflows with Resolve’s Remote And Local Grades
Learn how to speed up your color grading workflow using DaVinci Resolve's under-utilized Local and Remote Grades functionality.
Fusion Tools for Colorists - Building Color Page Grading Tools
There are useful Color Page grading tools that don't exist in Fusion. No worries, get guidance on creating them yourself.
Upgrade Your Toolkit By Creating A Subtractive Color Balance Tool
Colorist Cullen Kelly teaches you to create a subtractive color balance tool for more pleasing color washes & looks in DaVinci Resolve.
How Do Bias Lights Help Colorists Achieve Consistency?
Mixing Light Contributors discuss bias lighting and the topics associated with LEDs and perception with Jason Rosenfeld of MediaLight.
Fusion Tools for Colorists - Getting Comfortable Grading in Fusion
Learn to use the color-grading tools in Fusion, from Curves to Printer Lights while displaying multiple scopes with the viewer's A/B buffers.
Sky Replacements Inside DaVinci Resolve Using Match Move OFX
Learn the fundamentals of DaVinci Resolve's OFX 'Match Move' plugin - in a color-managed pipeline replacing the sky with an sRGB image.
Fusion Monitoring Part 3: Accurately Viewing On External Displays
How do you *accurately* monitor a color-managed image from Fusion on your external monitor? Colorist Daria Fissoun teaches the workflow.
Upgrade Your Toolkit: Get Better Hue vs Lum Results
Enhance your color grading toolkit in Part 2 of this series. Learn to affect color density with greater consistency using Hue vs Lum curves.