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Update! DaVinci Resolve ‘Levels’ Setting For Premiere Renders
Colorist and finisher Jason Bowdach revisits the topic of which setting to use in Resolve for exporting to Premiere Pro: Data vs Video Levels?
Temporal And Spatial Noise Reduction 101 in DaVinci Resolve
Colourist Luke Ross shows how to uses the various selections in Resolve Studio's Noise Reduction toolset - and identifies mistakes to avoid.
Is The Mini Control Surface 'Breaking' HDR Palette Operations?
Learn how the Blackmagic Mini control surface is giving you the 'wrong' results on the HDR Palette if your not paying VERY close attention.
Learn How To Build Your Custom Film Print ODT
Cullen Kelly shows you how to build a custom transform by combining a film print LUT with basic color science - to add style to images.
Deep Dive Into A Complex Fusion Fuse Effect For The Edit Page
Igor Ridanovic shows how to write a reasonably complex Fuse, and save it as a Fusion Macro to access it in Resolve's Edit Page Effects panel.
Part 2 - Color Grading and Finishing 'Avatar: The Way of Water'
In Part 2 we dive into Tashi's color management pipeline, Resolve project setup, and the kind of color work he did on this VFX-heavy film.
Quick Tip: Exploring The Infinite Images Machine Learning Tool
Fill a vertical 9:16 image into a 16:9 horizontal frame - by painting it in using RunwayML.com's 'Infinite Image' machine learning tool.
How To Install And Evaluate The Upcoming ACES 2.0 ODT
Cullen Kelly shows how you can explore the candidate ACES 2.0 output transforms. Learn the differences compared to the current ACES release.
Color Grading 'Avatar: The Way of Water' With Colorist Tashi Trieu
Get a detailed look at Colorist Tashi Trieu's work color grading 'Avatar: The Way of Water'. His background, gear, workflow & deliverables.
Adding Colour Contrast To Night Footage (in DaVinci Resolve)
Colorist Luke Ross demos a creative technique he used recently, adding colour contrast to make a night image pop using foreground separation.
A Conversation With Senior Colourist Vincent Taylor CSI
We're happy to introduce our newest Contributor, colorist Kali Bateman. She's relaunching our interview series. Starting with Vincent Taylor.
How To Upgrade Your GoPro Hero11 To A 10-bit Log Workflow
Learn to leverage GoPro labs firmware and Resolve colorspace transforms to color manage footage from the new Hero 11 cameras in 10 bit log.
Refining A Fusion Title Animation & Creating A Reusable Template
Learn how to use shading layers, add intro/outro animations, and package your Fusion animation as a *.drfx template for easy sharing.
A Deep Dive Into Creating Fuse Effects for DaVinci Resolve
Colorist, finisher, scripting/automation developer Igor Riđanović begins a 2-part dive into creating custom Fuse FX for complicated effects.
The Multiple Personalities of Resolve's Contrast-Pivot Controls
Colorist Patrick Inhofer shows you the three different and distinct behaviors of DaVinci Resolve's two Contrast-Pivot controls.
Substituting ACES ADX for Cineon Film Log With Film Looks LUTs
Explore how to get better results from Resolve’s Film Looks LUTs by leveraging the ACES ADX standard — even if you're not grading in ACES!
First Look: Elgato Stream Deck + with SideshowFX Profiles
Colorist Jamie Dickinson shares initial impressions using Elgato's Stream Deck + (with SideshowFX profiles) to control Resolve's HDR Palette.
How To Build A Custom Fusion Title Template From Scratch - Part 1
VFX specialist and trainer Bernd Klimm joins Team Mixing Light shows how to create a custom Fusion title template to use on the Edit Page.
5 Ways To Start Editing A Scene - And Then Finish Strong
Editor Jonny Elwyn shares five tested methods for starting from a blank timeline, even with overwhelming footage, while keeping things tight.
Mixing Light Update: New Forum & Member Profile Features
A series of new enhancements to our community forums are now live! Learn what you need to do to update your account. Plus, a mobile app?
The Do’s And Don’ts of Color Correcting with Hue-vs-Sat Curves
Colorist Cullen Kelly explores his favorite uses of the Sat vs Lum curve in Resolve and best practices for consistently great results.