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How much faster can you color correct with a colorist control surface?
Are you wondering about buying a Color Correction Control Surface? This article explains the benefits - following one colorist making the transition.
Dan's Month In ACES
Dan spent a month in ACES getting to know the new way of grading. In this insight he shares his thoughts on the good the bad and the ugly of ACES.
From the Mac to PC for Media Pros: Answering Member Questions Part 2
If you need to buy a high-performance video post production computer today, then you're looking at a PC. Here are more answers to questions of Mac users.
Creative Grading - Retro Sci-fi Look
Sometimes you have to go full cheese and pay homage to looks and films from the 70s and 80s. In this insight we create a retro Sci-Fi look
Getting To Know The Resolve 14 Collaborative Workflow: Part 1
This 'first look' shows the essentials of Resolve's updated collaborative workflow: customizing project members, chat, bin locking, and more.
In Action: Working with Key Signals in DaVinci Resolve
Working with key signals in DaVinci Resolve isn't hard - but it's not intuitive either. Once you figure it out, it's also a power feature. Learn more.
Find Your Color Correct Inspiration -Best Colorist Nominations 2017
Dan Moran shares his thoughts on the best commercial color grade nominations 2016. Top work from excellent colorists are great sources of ideas.
Colorist Podcast Episode 012: Adam Inglis
In this installment of The Colorist Podcast, Josh talks to colorist Adam Inglis about working on the BBC series Planet Earth II, & blockbuster features!
DaVinci Resolve Advanced Panel - Scroll Mode
Using Scroll Mode in DaVinci Resolve is a quick and effortless way to audition grades for your current shot by loading grades
Moving From A Mac to PC for Media Professionals: Member Questions
A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.
Pressure: How To Get Things Done Without Having A Breakdown
Pressure is an unavoidable part of being a professional colorist. In this Insight, learn strategies to alleviate pressure so you avoid a complete meltdown!
Colorist Inspiration - ACES In May
Dan is committing to doing work only in ACES in May. It's time to get out of the comfort zone & stop testing. Changing our technique is scary but also fun!
DaVinci Resolve 14: The Mythical Collaborative Workflow Has Arrived
Like flying cars, the 'Studio' concept of post-production was promised for generations. At NAB 2017 we have the first actual implementation in Resolve 14.
DaVinci Resolve 14: First Look
In this Insight, we take a look at some of the compelling new features in DaVinci Resolve 14 including OFX, performance and editing improvements.
Color Correction Gear Head: Review of the Resolve Mini Control Panel
In this installment of Color Correction Gear Head veteran colorist Marc Wielage provides his impressions of the new Resolve Mini Control Panel.
From The Grading Room - Are We Sterilizing Images?
Now that most people have a basic knowledge of color correction thanks to Instagram what does that mean for us colorists?
Colorist Podcast Episode 011: Dave Abrams
On this installment of the Colorist Podcast, Josh talks to famed calibrator Dave Abrams of Avical about display technology, HDR & getting great calibrations
DIT Essentials: Metadata, Transcoding & Verifying Your Camera Files
Get a tour of essential software a DIT uses on-set to execute the important tasks of handling (and handing-off) metadata, playback of clips and transcoding.
From The Mailbag EP 37: Mixing Light 2.0 Member Changes & Benefits!
Learn about changes and new features for Mixing Light members with the newest version of our Website - Mixing Light 2.0.
What Are The Key Elements Of An On-Set Color Correction Cart?
Rich Roddman C.S.I. shows how he sets up his Cart for on-set color correction... and the thinking behind his choices.Part 4 of a DIT series.
First Look: Getting To Know the Resolve Mini Control Surface
In this special edition of the Color Correction Gear Head series, we welcome Joey D'Anna & his review of the Resolve Mini Panel.