Getting Started with Lightspace DPS Part 1

'Does my color correction display need recalibration?' Getting Started with Lightspace DPS (a free app) helps you answer that question.

Reference Display Profiling: Is Your Display Accurate?

If you do video color correction, do you know if your reference display is accurate? Learn how to find out. The first video in a series.

Colorist Inspiration – The Challenge

Challenge yourself weekly for the next year to build better and stronger and cleaner grades. Practice makes perfect

12 New Features in Resolve Studio 12.5 (to get you to upgrade to Paid)

These 12 New Features in Resolve Studio 12.5 may finally get you to upgrade to the paid version. See some of them in action.

Colorist Inspiration – What Makes A Good Colorist?

A topic that came up time and time again while meeting lots of awesome colorists at NAB this year was : How did you come up with the look for…

DaVinci Resolve Studio Exclusive Features

DaVinci Resolve Studio Exclusive Features Version 12.5 Marks New Thinking About ‘Resolve Studio’ Whenever a major new version of DaVinci Resolve is released, the first thing I do is print…

Color Correction Ergonomics

If you're looking to improve your color correction ergonomics for your editing or color correction suite - this post has some ideas for you.

Colorist Inspiration – April 2016

NAB is over and a whole heap of new tools and toys have arrived for us colorists. The perfect time for another instalment of colorist inspiration. This instalment is slightly…

Resolve 12.5 – Dan’s Favorite New Features

Resolve 12.5 is here and Dan shares his thoughts on the exciting brand new features and how they can be used to help you colour correct better.

Resolve 12.5 First Look – Patrick’s Gems

This DaVinci Resolve 12.5 First Look shares a working colorist's initial thoughts about the big new update to this color correction software.

Resolve 12.5 - Robbie's Top Features

Another April, another version of DaVinci Resolve! In this Insight, Robbie shares his top new features of this exciting release.

Shot Matching – Match My Shot Pt 2

Dan shares his node breakdown from his match my shot challenge including a downloadable Resolve project

Working with Vignettes in Premiere Pro CC

Step 3 in our 'Premiere Pro Color Correction Protocol' is to control the viewer's eye. Learn how—by working with vignettes and custom masks.

How to Properly Work with Dropbox and DaVinci Resolve

If you're using Dropbox and DaVinci Resolve as a server for your disk databases, that's not a good idea! Learn why...

Shot Matching – Match My Shot Pt 1

Shot Matching – Match My Shot Pt 1 I had an eye opening experience in my grading suite this week. Some clients of mine asked me to match grade some…

How To Sharpen Quick Focus Pulls? Plus, using the HP Z27x DreamColor.

The Team answers a member's question about sharpening quick focus pulls. Plus they discuss using the HP Z27x DreamColor display.

Shot Matching in Premiere Pro—The Color Correction Protocol

Shot matching in Premiere Pro CC is the second step in The Color Correction Protocol. Learn how to stack filters and get the job done!

From The Grading Room: Turning A Session Around

not every session can be amazing and Dan shares his tips on turning a session around and winning over a client when things don't go your way.

Dealing with Scene Cut Detection Workflows

DaVinci Resolve's 'Scene Cut Detection' workflow can be efficient. But it gets confusing if you've got revisions—here's one way to handle it.

From The Grading Room Grading Underwater Footage

Grading underwater footage is like grading footage from an alien planet. Dan shares his approach and technique for working in that world

Mixing Light at NAB 2016 plus Film Style Grading plus sRGB Deliverables

It's a busy day for Team Mixing Light as we discuss our NAB 2016 plans, log style color grading and handling sRGB deliverables.