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New Stereoscopic Tools for HDR Workflows in DaVinci Resolve

DaVinci Resolve 12.5 has introduced some new Stereo features... to support HDR workflows for High Dynamic Range color grading. Learn more...

Colorist Inspiration –  August 2016

The summer vacations are winding to a close, the kids are returning back to school and the post industry is winding up for that crazy blur that is the September…

From The Grading Room – Radiohead

Dan shares his story from the grading room on grading a short promo project for radiohead

5 Ways To Sell Clients On NOT Color Correcting In-House

In this Insight, discover 5 strategies for convincing clients to grade with you rather than color correct projects in-house.

Colorist Podcast: Episode 3

In Episode 3 of the Colorist Podcast Josh talks to well-known finishing artist & colorist Gray Marshall from Technicolor L.A. about his work.

What's New in the DaVinci Resolve 12.5.1 Update?

What's new in the DaVinci Resolve 12.5.1 Update? Learn about new features, new behaviors and general observations about this latest update.

Should You Go For That Film Look Or Embrace The Digital Clean Look?

Sometimes going for the film look is not the right decision. Dan shares his tips on going digital to give us great punchy sharp images.

Modulating Your Time Based On Client Budget & Needs

With constrained budgets, clients can't always afford your services. But maybe you can modulate your time and effort to meet their needs?

How to Protect Skin Tones While Color Grading with a Heavy Look

When working with heavy looks we sometimes forget about protecting skin tone and making our artist/actor look as good as possible

How to (mostly) Fix RGB Gamut Excursions in Software

If you're color correcting digital video for professional distribution, nothing is worse than having it rejected for RGB Gamut excursions!

Getting To Know The New Flanders Scientific BoxIO

Color management can be complex. We talk to FSI's Bram Desmet about their new BoxIO Lut box and how it can help on-set & in post.

Controlling Saturation in DaVinci Resolve

If you're looking for ideas on controlling excessive saturation in DaVinci Resolve, this tutorial will offer some food for thought.

How to Color Grade With Client Revisions In Mind

Sometimes we get lost in the heat of the moment and over complicate our grades. Dan shares his tips for responsible grading when time is short

Color Correction Gear Head: August 2016 Edition

In this Color Correction Gear Head, Robbie takes a look at the zBook Studio From HP, the GeChic 1303i monitor, Tangent Ripple & CineXtools

Conform Issues Database – Introduction

Conforming timelines can be time-consuming before you even start color correcting. Learn the common issues (and how to fix them).

How to Optimize Tangent Control Surfaces for Premiere Pro CC

Learn how to optimize Tangent Control Surfaces for Premiere Pro with the Tangent Mapper—and massively speed up using Lumetri color effect.

Delivering Project Files: Making The Choice About Your IP

You always deliver final video files but should you deliver project files to your clients too? Learn more in this Insight.

Colorist Inspiration – July 2016

Dan shares his top grades from July as a source of great colorist inspiration

Hands On the Tangent Element and Premiere Pro CC 2015.3

The first Creative Cloud update in 2016 has given us integration between the Tangent Element and Premiere Pro. This video shows it in action.

Resolve Remote Rendering: Setting Up A ProRes 'Dongle'

Working on a PC but need to render ProRes? In this Insight, learn how to setup Resolve remote rendering & use a spare Mac for ProRes renders

Dirty Color Grading Looks - Taking Your Image To The Limit

Dan shares his techniques for taking your image to the brightness, saturation, and sharpness limits while maintaining legal levels.

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