Syncing Resolve's LUT Folder & Viewing HDR & SDR Simultaneously

A member asks how they can easily sync Resolve's LUT folder between suites. Plus, the pros/cons of viewing HDR & SDR simultaneously.

White Balancing Shots Part 2 – Common Problems

Learn how to white balance shots with mixed color temperatures. Plus, how to deal with subtle color balance issues.

How To White Balance Shots: Part 1

Watch how to White Balance (or Color Balance) digital video images. You'll explore 4 different tools and learn their differences.

Colorist Podcast Episode 005

In Episode 5 of the Colorist Podcast, Josh talks to well-known online editor & colorist Terence Curren about his work & other sujbects

Color Correction Gear Head: October 2016 Edition

In this installment of Color Correction Gear Head, learn about essential gear & items you'll need to rewire & install gear in your room.

Showreel 2016 – Showcasing Your Range

Are you showcasing your range of looks and grades with your showreel? Dan breaks down his latest reel and explains why

Remote Grading Via Skype

When Your Director Is 6000 Miles Away In this Insight I’d like to share an experience I had this week. I had a room full of clients in London but…

You'll Get Paid, When We Get Paid - 5 Ways To Avoid This Trap

Have you ever had a client say that won't pay you until they're paid by their client? Learn 5 techniques for avoiding this issue

First Look: Using Color Finale Pro and the Tangent Ripple in FCPx

First Look: How to use the Color Finale Pro plugin with a Tangent Ripple in FCPX for a professional grading workflow.

Thinking Like A Colorist - Considering Final Contrast Pt 1

Considering Final Contrast before you make your first primary correction is a huge advantage creatively to help you get the best results

Getting To Know ACES Part 3: Visual Effects Workflows

Our Getting To Know ACES series continues, looking at the essentials of using ACES for VFX roundtrips with DaVinci Resolve. You learn how to move images between VFX and color grading within the ACES color science.

Getting To Know ACES Part 2: More Terms & Resolve Setup

Start digging deeper into ACES terms and acronyms that will have you sounding like a pro. And you learn how to set up ACES in DaVinci Resolve.

Getting To Know ACES Part 1: Introduction

ACES (Academy Color Encoding Specification) is a professional color management system used by productions of all types. In Part 1, you learn about the problem it solves and basic terminology.

Revisiting Multi-Channel Audio Output In DaVinci Resolve

Resolve users are often tasked with making final outputs.In this Insight, learn how to easily route multi-channel audio for output.

Colorist Inspiration - UKMVAs Best Color Nominations 2016

Dan shares his thoughts about the 2016 best color grading award nominations and asks you to predict the winner

How to Work Around the 'Mouse Math Bug' in DaVinci Resolve

In an earlier video we showed you the 'mouse math bug' when color correcting in DaVinci Resolve—now learn how to work around it.

Getting To Know The DaVinci Resolve Control Panel: Part 1

The DaVinci Resolve Control Panel gives you the most hands-on control of Resolve. In this Insight, learn about the design & functionality.

Resolve FX – Grading With Lens Flares

Dan shares his experimentation with the idea of grading using lens flares for subtle lighting effects to help match and lift scenes.

Colorist Podcast Episode 004

In Episode 4 of the Colorist Podcast Josh talks to well-known freelance colorist Mark Todd Osborne about his work & many interesting subjects

Color Correction Math in DaVinci Resolve: Control Surface vs. Mouse

Does the color correction math in DaVinci Resolve change depending if you're using a mouse versus using a colorist control surface?

Hands On the Tangent Ripple and Tangent HUD

A hands-on overview of the most affordable color correction control surface on the market today—the Tangent Ripple.