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How To Quickly Generate Color Correction Ideas At The Start Of A Session
Are you having problems deciding how to attack color correcting your images? Learn how to quickly generate ideas in this video.
Finishing In Resolve - Reframing, Blanking & Delivering
Reframing in Resolve as become common practice. Dan shares his approach to finishing in the box and shares his tips and tricks
Making The Move From Mac To A Windows PC: Part 2
In part 2 of this ongoing series we take a look at popular Windows PC turn-key solutions & the essentials of PC hardware components.
Resolve Collect
If you're having trouble with DaVinci Resolve's built-in Media Manager then check out this video featuring 'Resolve Collect'.
Creating the Classic Black and White Look By Thinking Like A Colorist
Dan shares the skills he learned in the darkroom and how he applies them to grading black and white in DaVinci Resolve
The Marathon Moves Into January & A Preview Of Mixing Light 2.0
We discuss our Insights Marathon moving to January and what to expect. Plus, we reveal plans for the next iteration of our website!
Managing Media in DaVinci Resolve
Part of a larger series, we finish conforming a timeline and start managing media off a client hard drive onto our RAID, in DaVinci Resolve.
New Year Resolutions 2017: Improving Your Business & Color Grading
In this Insight, Robbie shares a number of new year resolutions for potentially improving your business & color grading.
Conforming In DaVinci Resolve - Solving Sync & Frame Rate Problems
When importing a timeline & conforming in DaVinci Resolve, problems occur. See how we methodically solve frame rate & sync problems.
An Interview with Colorist Ayumi Ashley
In this episode of the colorist podcast Josh talks to colorist Ayumi Ashley from Mission Film & Design about her work & career
Thinking Like A Colorist: Breaking Down the Western Scene
Download the footage and follow along as professional Colorist Dan Moran, CSI color corrects a classic shot in the style of a Hollywood Western Look.
How to Fix 'Reel Conflicts' and 'Force Conform' Errors in DaVinci Resolve
When importing a timeline into DaVinci Resolve, learn how to find and solve 'reel conflicts'. Plus, learn to solve a 'Force Conform' error.
Exploring XML Conform Options in DaVinci Resolve
Importing XMLs into DaVinci Resolve can be frustrating. Sometimes, a change in Resolve's 'Conform Options' settings can save the day (or not).
Thinking Like A Colorist - Color Correcting A Forest Scene
Colorist Dan Moran shares a color correction breakdown on how he approaches a new shot, sight unseen. How to make it an alien planet or a shed in a garden?
Making The Move From Mac To A Windows PC, Part 1: Addressing Common Objections
In part 1 of new series on switching from the Mac to Windows, we address some common complaints often cited about moving from a Mac to a PC
Matching Pantone References - And When To Say No
Matching Pantone references to video can be tricky at the best of the times. Get advice on getting that exact match - even if it's not precisely correct.
Media Manage An XML For Color Correction (from client drives to your raid)
Learn how to prepare to Media Manage an XML, and get footage off your client's hard drives and onto your high-performance RAID.
An Interview with Professional Colorist Rob Bessette
In Episode 6 of the Colorist Podcast, Josh Petok talks to commercial colorist Rob Bessette about his career, grading commercials & more!
Warm Looks: Yellow Warmth Vs Red Warmth (which are you?)
Warm looks don't always have to be rosy red and cozy looking. Take a look at a non-traditional warm color and learn how to add it to your color toolkit.
From Client Hard Drive to XML Export: Prepping a Timeline
If you need to move a timeline from Premiere Pro or Final Cut Pro for color grading or finishing then learn how to prep it for an XML Export.
Getting To Know ACES Part 4: The Latest In ACES Updates
Continuing our introductory series on ACES, you learn about the latest updates to ACES, including a working color space added to the ACES 1.03 specficiation: ACEScct. Plus, how it effects DaVinci Resolve colorists.