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Using the Surface Tracker Resolve FX for Color Grading - Part 1
Learn how to use Resolve's 'Surface Tracker' Resolve FX for color grading - using it as a Power Window or to warp an existing Power Window.
Emulating the ‘God Rays’ Look with the Light Rays Resolve FX
Crepuscular rays (God Rays) are a unique natural phenomenon. Learn how to quickly emulate this effect using Resolve's 'Light Rays' plugin.
Rendering Files for Review or Delivery in Baselight
Luke Ross wraps our 20-part introductory series on color grading with Baselight (and the free Baselight LOOK) on how to create deliverables.
What Type of Dailies Is Right For Your Production?
Creating dailies seems simple - but professionals break them down into several varietals. In this Insight, you'll learn the key differences!
How To Edit Successfully With A Client In The Room
We welcome freelance editor Jonny Elwyn to Mixing Light! His first Insight shares his strategies for successful client-attended sessions.
Using Custom Curves To Emulate Fill-Light Adjustments
Sometimes you want to 'open up' the shadows as if you added a bounce card or fill light to the scene. Custom curves make this easy.
Color Grading Docs, HDR Trims, NVMe Disks for Cache, and more!
In this Office Hours, a team of Mixing Light Contributors tackles member questions about estimating time for HDR trim passes - and much more!
Fixing Dead Pixels And Image Artifacts in Baselight
Image repair and dust-busting are frequent duties of colorists & finishers. Learn how Baselight's DSpot and Paint tools perform these fixes.
Getting Great Greenscreen Keys Using Fusion’s Delta Keyer
Have you ever used Fusion's 'Delta Keyer' for greenscreens - but with poor results? You missed a step! Joey D'Anna gets you keying properly.
Creating Glows with the Aperture Diffraction ResolveFX Plugin
Learn how to get a physically realistic glow-like effect by manipulating the properties of Aperture Diffraction's “virtual” iris.
Learning to Color Balance More Quickly With Fewer Adjustments
In the final episode of his 'Flexing Fundamentals' series, Cullen Kelly shows how to color balance more efficiently by thinking differently.
Delivery Tips for Remote Sessions and DaVinci Resolve Trainers
When it’s time to share your Resolve User Interface with a remote client or classroom, a few simple tips and optimizations can win the day!
Fixing Oversaturated and Out-of-Gamut Colours in Baselight LOOK
Colourist Luke Ross is back with Part 18 of his 'Learning Baselight Look' series. Learn how to fix oversaturated and out-of-gamut colours.
How To Professionally Work Between Multiple Editing Platforms
Special Guests Scott Simmons and Jonny Elwyn join Joey D'Anna and Patrick Inhofer to discuss moving between NLEs as a professional editor.
How To Manage Versions for VFX & Graphics in DaVinci Resolve
If you have many graphics or visual effects shots that might be replaced at the last minute, learn the value of Resolve's 'Take Selector'.
Controlling The Eye By Relighting With Motivated Power Windows
Building on a Cullen Kelly Insight, colorist Patrick Inhofer demos leveling up the concept of a 'motivated vignette' for scene relighting.
Which Consumer Hard Drives Are Best For Post Production?
If you’re a small shop or solo, using correct hard drive metrics ensures you’re buying the performance you need (and buying smartly).
Stabilizing Shaky Footage in Baselight LOOK
In Part 17 of our series, Luke Ross shows how to stabilize footage in Baselight Student / LOOK using the Area and 2-point trackers.
How do ‘Motivated Vignettes’ improve your color grading?
Colorist Cullen Kelly explores vignettes: What they do, when they’re appropriate, & how to deploy them in a motivated and photographic manner?
NEW: DaVinci Resolve Courses, Credits, All-Access Memberships
Announcing: 5 new DaVinci Resolve courses, a credit system allowing members to unlock them, and an upcoming 'All-Access' membership level!
Advanced Optical Flow Techniques For Image Repair
Learn to use optical flow for more than speed changes. In this Insight, fix a corrupt frame and repair archival footage pull-down artifacts.